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Tuesday, April 5, 2016
Windmill Street Quarry - Millers Point
Tuesday, March 29, 2016
Construction Of The Sydney Garden Palace
THE CONSTRUCTION OF THE SYDNEY GARDEN PALACE
JANUARY 13th 1879 - SEPTEMBER 23rd 1879
The Building was Finally Finished Less than 3 weeks Before the Grand Opening Of The International Exhibition Which Would Showcase Colonies To The World.
The Previous International Exhibition Had Been Held In Paris and The Eiffel Tower Had Been
Built As The Modern Wonder Of It’s Time. Sydney Had To Outdo The Eiffel Tower And So It Had Been Decided That The Grandest Palace Should Be Built At The Botanical Gardens.
Every Suburb In SYDNEY Could See The Palace No
matter What Suburb You Were in. It Was The Tallest Building
Ever Built In Sydney And It Is Definitely The Grandest Building
Ever Built In Australia:
There Is No Other Building That Has Been Built In This
Country Or Attempted To Be Built.
It Was Truly The Envy Of The Modern World
Over 1.6 Million People Sailed To SYDNEY From September 1879 Till December 1879
The First Sod Was Turned on The 13th January 1879 For The Construction Of The SYDNEY GARDEN PALACE.
6,000 Tradesmen Worked 24 Hours A Day 7 Days A Week For 8 Months. It Was The First Time Electricity Had Been Used In Australia to Light up the Botanical Gardens To get The Work Done.
- 4 And A Half Million Feet Of Timber - 25 Million Bricks - 400 Tonnes Of Glass - 54km Of Roof Guttering- The Palace Was The very First Building To Have Electricity In Australia. - It Was The First Building In Australia To Have A Hydraulic Lift. - The Central Dome Was The 6th Biggest In The World- 2,300 Cast Iron Girders- 358 Wrought Iron Trusses- 325km Of Sash Bars- 563 Metres Long And 124 Metres Wide
On the morning of September 22, 1882, Sydney awoke to a grand and terrible spectacle. Its most flamboyant building, the garden palace was burning to the ground
The heat was so intense at 6:05 am, Windows at Macquarie Street cracked & firefighters could do little more than watch the building turn into cinders.
The fire was a magnificent as a pallet its self-thunderous crashes rivers of lead and when the walls fell away a terrible vision of flames and golf in the towering bronze statue of Queen Victoria
By 9 am it was all over and the building had that had dominated the city skyline for three years was gone.
Despite being One of the most captivating buildings Sydney has ever seen, the garden palace is largely absent from popular history of my Sydneysiders have never heard of it.
Because building is stretching from the State library to the Conservatorium of music in the botanic Gardens, it’s towers and 65 meter high dome would have dwarfed the buildings around it.
The site is difficult for most people to conceive and the fact that it was the length of two football fields and in the botanic Gardens of all places within the city of this size was such a luxury.
Modelled on London’s Crystal Palace, it was purpose-built for the 1879 Sydney international exhibition & was designed by colonial architect James Barnett.
It was responsible for bringing the world to Sydney at a time when the colony was prosperous & growing & at full potential. It encouraged authorities to improve the city services and facilities
International exhibition was groundbreaking in so far as it was the first of its kind to be held in the southern hemisphere.
The Victorian equivalent of the world expo, exhibitions in Welfare‘s were at the height of fashion at the time
The feeling in the city would’ve been similar to that of the Olympics in 2000. It was very positive thing for Sydney and New South Wales, & an event to be celebrated. The city would’ve been buzzing in a hive of activity
For seven months, more than 1 million people pulled into the sprawling complex to marvel at the buildings of city prosperity
But 20 ha of the botanic Gardens became a Fairground filled with band stands, stalls, entertainment, eateries & small exhibition buildings.
The garden palace was a centrepiece & inside, all manners of inventions, technology, art & ideologies were displayed by local and international exhibitors.
Sydney had pulled out all stops to build a palace & had raced against time to beat Melbourne, which was also staging an exhibition.
Over 2000 men worked on on the site night & day, using electric light for the first time, to complete the building in just eight months.
The city was plagued with insecurities in the lead up to the event, with concerns about whether it’s public transport, accommodation & water supply would be adequate for all visitors travelling to the infant city.
It was forced to install a line for steam a tram, a first for Sydney and an unpopular idea at the time after previous tram efforts resulted in the death of prominent position in 1864
The steam power Tramway was installed to public transport exhibition goes around the city. After the exhibition, the Tramway network was expanded and by 1905 - 1906 the trams were converted to electric traction
Despite several accidents, it was a great success & the system expanded rapidly through the city and in the suburbs. It became one of the main attractions of the exhibition.
After the exhibition, the palace continued to play a central role in Sydney social life. Balls, lectures, exhibitions and entertainment were hosted in its auditorium; an art gallery and the first technological museum, the forerunner to the powerhouse Museum were on the list.
Government departments also set up office and important records were stored in the basement, the wisdom of which would later be questioned. That’s because unlike Barnett’s other sturdy designs such as the GPO, the colonial secretaries office and the lands department building which still stand today, the palace was primarily made of timber, which insured its complete destruction when it was engolfed by fire.
While arson was generally suspected, the cause of the fire was never determined and remains a mystery to this day.
The blaze, which began before 6 am, became almost immediately uncontrollable and thousands lined the streets to witness the calamity.
Very quiet and orderly the thousands looked on - wrote one reporter in the evening news
Many will lamenting ®retting the inevitable destruction of what’s given them so much pleasure, and have carried the name and doings of the people of this country into the empires and other countries.
The wind carried ash, cinders and fragments of the building far into the suburbs and a house in Potts point caught fire.
Almost everything inside went up in flames. The fire destroyed the 1881 census, the land occupation records, railway surveys, aboriginal artefacts, artworks & the foundation collection of the technological & mining Museum.
A new map of the colony which took years of work was also lost.
Conspiracy theories from dynamite plots, masked man and trains of gunpowder were banded around afterwards. Wealthy folk with lame for trying to restore harbour views, destroy convict Ancestry or simply get their gardens back.
Whatever the cause thousands came to view the ruins & the police were on site to keep order.
To leave such a beautiful building that was such a positivity to the city and one that was so new as well would’ve been quite shocking
Some items and artefacts are irreplaceable, however we do know that insure trade Australian spirit almost before the Coles cool Joseph maiden, first curator of the technological museum, said about forming another collection of artefacts by approaching people who had donated items in the original museum collection.
Today, all that is left of the palace other than sandstone gates and the wrought iron gates on the Maxquarie Street entrance to the gardens
In 1940s or something garden in Fountain featuring statue of Cupid Marks the former location of the palace is Dome
Tuesday, March 22, 2016
Mark Foys - Liverpool And Elizabeth Streets
Mark Foy's Department Store was a historic and iconic retail establishment located in Sydney, Australia. It was known for its grandeur, innovations, and contributions to the retail industry. Here's an overview of the history of Mark Foy's Department Store:
Founding and Early Years:
- Mark Foy's was founded by Francis Foy in 1885. It began as a drapery and small goods store in Sydney's Surry Hills.
- Francis Foy's innovative approach included offering fixed prices, a revolutionary concept at the time when bargaining was common.
Expansion and Innovations:
- Mark Foy's gained a reputation for quality goods and exceptional customer service, leading to its expansion into a larger department store on Liverpool Street, Sydney, in 1887.
- The store's innovative features included electric lighting, air conditioning, and even Australia's first escalator.
The "Palace Emporium":
- The Liverpool Street store became known as the "Palace Emporium" due to its opulent interiors, impressive architecture, and luxurious displays.
- The store's design incorporated elements from various architectural styles, including neo-gothic and art nouveau, creating a unique and distinctive atmosphere.
Fashion and Beyond:
- Mark Foy's became renowned for its fashion offerings and was a destination for elegant clothing, accessories, and other luxury goods.
- The store hosted fashion parades and events that showcased the latest trends and styles.
Artistic and Cultural Influence:
- Mark Foy's was not only a retail establishment but also a cultural hub. It hosted art exhibitions, musical performances, and other cultural events.
- The store's artistic collaborations and support of the arts made it a significant contributor to Sydney's cultural scene.
Decline and Closure:
- Over time, changing consumer preferences and retail trends led to challenges for Mark Foy's.
- The store faced financial difficulties and competition from larger retail chains.
Legacy and Enduring Impact:
- Despite its closure in 1980, Mark Foy's remains a significant part of Sydney's retail history.
- The innovations, architectural grandeur, and cultural contributions of Mark Foy's have left an enduring impact on the city and the retail industry.
Historical Significance:
- The Liverpool Street store's exterior façade is listed on the New South Wales State Heritage Register, recognizing its architectural and historical importance.
Mark Foy's Department Store played a pivotal role in shaping the retail landscape of Sydney. Its commitment to innovation, luxury, and cultural engagement established it as a beloved institution in the city's history. The legacy of Mark Foy's continues to be remembered as a symbol of elegance, sophistication, and entrepreneurial spirit.
Grand United Fellowship of Goodfellows – 1921
The gold lettering at the south-west corner of Hyde Park North — Elizabeth and Park Streets — does not say Goodfellows. It says Grand United Order of Oddfellows, the friendly society that paid members’ contributions while they were at the front and then gave Sydney a drinking fountain to remember them by. The trachyte pillar was presented to the City of Sydney and unveiled on 11 May 1921 by Major-General Sir Granville de Laune Ryrie. Architects Morrow and De Putron; contractors E. L. Kingsley and Son of Lidcombe. It was designed as a fountain. The water has long since been turned off.
Read the four faces as a ledger, not a poem. One side: honour for members who enlisted in the Great War 1914–19. Another: 3,010 who served. Another: 501 who “made the supreme sacrifice.” Later lettering folds in the Second World War and “other conflicts.” The 1921 date is carved at the apex under FOR OUR KING AND COUNTRY. Commuters cut past it toward the Anzac Memorial further south and rarely stop; this one is the lodges’ memorial, not the State’s.
Sunday, March 20, 2016
The Sydney Common - Moore Parklands
Thursday, March 17, 2016
Sydney’s First Cemetery – Beyond Sydney Cove, at the Head of a Small Bay
Friday, March 11, 2016
Randwick Asylum For Destitute Children - Now Prince Of Wales Hospital
Before it was Prince of Wales Hospital, this High Cross / Avoca–High Street corner of Randwick was the Randwick Asylum for Destitute Children — a large government grant occupied from 1858 by the Society for the Relief of Destitute Children (incorporated 1857). The Society had first opened at Ormond House, Paddington, in 1852; gold-rush Sydney’s rising numbers of orphaned and abandoned children pushed them to build a purpose-designed sandstone “barracks” asylum on about sixty acres at Randwick, occupied from 28 March 1858, with capacity later doubled by an 1863 wing to around eight hundred children.
Most inmates were young — commonly about three to ten. A whooping-cough epidemic in 1867 killed dozens; funds associated with singer Catherine Hayes helped build a hospital on the site named after her. From the 1880s “boarding out” (early fostering) cut institutional numbers; government funding for the Asylum ceased in 1888, though it continued privately with fewer children.
In 1915 the remaining children were moved to cottage homes or boarded out, and the Commonwealth took the site as a military / repatriation hospital for wounded First World War servicemen. From 1953 the campus became the Prince of Wales Hospital. Archaeological work in the mid-1990s recovered remains of children buried in the grounds; a memorial garden and interpretive signage stand near the Barker Street entrance.
Atherfield – Landmark Gothic Mansion – Darling Point
Darling Point still has a few houses that look like they wandered out of a Victorian picture book. Atherfield is one of them — a Gothic Revival mansion built in 1870 on Eastbourne Road, looking north-east over Sydney Harbour. Originally an eight-room Victorian residence, it belongs to the generation of picturesque harbourside houses that gave the peninsula its nineteenth-century character: steep gables, decorative bargeboards and stone detailing in domestic Gothic Revival taste.
The house has been altered and conserved repeatedly. Late-twentieth-century heritage architects (notably Design 5’s late-1990s–2001 campaign) reversed poor accretions, reinstated a more coherent room plan and added a verandah in keeping with the Gothic character while opening a clearer axis to the harbour view. Later private works have further enlarged the estate (including amalgamation with an adjoining holding), but the historic core remains the 1870 Gothic Revival house. Early occupancy is associated with the Willis family; subsequent ownership changes are secondary to the architectural story.
Photographs here document Atherfield as a landmark Gothic Revival residence on Darling Point.
Ann Bushby's Dove And Olive Branch Public House
Most people know Church Hill for the churches. Mid-1840s drinkers knew it for Ann Bushby. After publican Jabez Bushby died in 1842, his widow held the licence at the Dove and Olive Branch — a public house at 203 Kent Street on the older western side of town. We still “meet” her through George Roberts’s watercolour (scene dated 1845; published context around 1850): Ann in the doorway under the signboard, looking every bit the licensee who ran the house.
She sold fermented and spirituous liquors, but she did not brew on site. Her advertising offered imported Taylor’s London Porter and local beer from Wright’s Australian Brewery in George Street — a useful reminder that plenty of colonial “brew pubs” were retailers of other people’s beer. The State Library of NSW has featured the Roberts picture in Openbook pieces on colonial drinking and women publicans.
Keep the post anchored to Ann Bushby, the Kent Street / Church Hill location, and the Roberts image — social history of women licensees and colonial beer retail, not romantic invention.
The First Public Gallows - The Barley Mow Hotel
Friday, February 26, 2016
Cleveland House – Part 4 – Two Years Later
I've now put all four parts of my Cleveland House story together on one page, with my photos, some old maps and pictures, and a lot more of the history. You'll find it all here: Cleveland House – 146–164 Chalmers Street – Surry Hills – NSW.

















