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Showing posts with label commissioner Bigge. Show all posts
Showing posts with label commissioner Bigge. Show all posts

Thursday, June 4, 2015

St James Church - 173 King Street


St James Church








The Foundation Stone For This Building Was Laid In 1819. 


The Church Of St James , Designed By Francis Greenway, Was Consecrated In 1824 . John Verge Built The Vestries In 1832. The Exterior Reconstructed By Varney Parkes And Burcham Clamp Between 1852 And 1901


The Church Was Refurbished And The Chapel Glass Walls Were Installed In 1988. 

St. James, Sydney's Oldest Surviving Church Building, Continues To Stand As A Christian Witness To The City Of Sydney.





















St. James' Church is a historic Anglican church located in Sydney, Australia. It is one of the oldest and most significant churches in the city, known for its architectural beauty and historical importance. Here's more information about St. James' Church:

History: St. James' Church was designed by the renowned colonial architect Francis Greenway. Construction of the church began in 1819 and was completed in 1824. The church's architecture is characterized by its Georgian style, featuring a simple yet elegant design with classical elements.

Architectural Features: The church's design incorporates elements such as a tall steeple, Doric columns, and a portico. Its sandstone exterior and interior reflect the prevailing architectural style of the time. St. James' is often praised for its harmonious proportions and the balance between its various architectural elements.

Significance: St. James' Church holds significant historical and cultural importance for Sydney and Australia as a whole. Some of its notable aspects include:

  1. Oldest Church in Sydney: St. James' Church is one of the oldest churches in Sydney, dating back to the early years of the colony.

  2. Greenway's Legacy: The church is one of the buildings designed by Francis Greenway, a talented architect who was a convict in the early years of the colony. Greenway's architectural contributions have left a lasting impact on Sydney's historic landscape.

  3. Community Hub: Throughout its history, St. James' Church has served as a spiritual and community center. It has been a place of worship, weddings, funerals, and other important life events for generations of Sydneysiders.

  4. Cultural Landmark: The church's architectural significance and historical associations have made it a recognized cultural landmark in the city.

Location: St. James' Church is situated on King Street, near Hyde Park in the central business district of Sydney. Its prominent location has contributed to its role as a historical and architectural focal point.

Heritage Status: The church is listed on the New South Wales State Heritage Register, acknowledging its importance in the state's history and architecture.

Visitors to Sydney often appreciate the opportunity to explore St. James' Church and its surroundings. Its architectural charm and historical significance offer a glimpse into Sydney's colonial past and its ongoing cultural heritage.















In 1828 the fashionable parish Of Saint James Anglican church, near Hyde Park, saw nothing humorous about the events for Sunday sixth of July.

The bell had scarcely ceased ringing when the commotion began. 

Wild Mr Edward shall, editor of the “Monitor” newspaper, was rustling up the door of his high sided pew, while his motherless young daughters looked on in fright.

Mr Hall, who’s come to Sydney as a Free setter,  spent a lot of his time in goal for levelling the authorities.

He’s been applying a recent stretch of freedom by taking the pastor of Saint James Archdeacon Thomas Hobbes spot. Now the Archdeacon had retaliated by locking him out with his peers.


Pork not hesitate.

Living like a kangaroo, as he later posted, he went over the top, burst a few door, and hussled his brood to their seats.

The following Sunday three Beatles were standing guard is a few, stays at the ready. Call setting self and his daughters on the stone all the steps. Divine service proceeded, the congregation rustling the shop. But the archdeacon Scott, a former wine merchant him some suspected of hastening into holy orders so we could take up the rich living of Saint James won the battle.

He boarded up the pew like the deck of the ship. He and the fight fighting a little bit but then wage a long time inconclusive battle in the courts.

Pork not hesitate.

Living like a kangaroo, as he later posted, he went over the top, burst a few door, and hussled his brood to their seats.

The following Sunday three Beatles were standing guard is a few, stays at the ready. Call setting self and his daughters on the stone all the steps. Divine service proceeded, the congregation rustling the shop. But the archdeacon Scott, a former wine merchant him some suspected of hastening into holy orders so we could take up the rich living of Saint James won the battle.

He boarded up the pew like the deck of the ship. He and the fight fighting a little bit but then wage to long in inconclusive battle in the courts.

Francis Greenway, who are designed for James and 1819 at the courthouse, had been livid when commission to be made and converted into a substitute for the cathedral he on governor McQuarrie the planning.

Methodist chapel he grumbled as he went about his conversion.

But today with my the church for George and Grace. It has been much restored, from the Coppers she fell tower to the sandstone foundations, and always beautiful to the centre period.




Friday, May 22, 2015

Sydney Conservatorium of Music - The Old Government House Horse Stables - The Government Domain - Sydney



Sydney Conservatorium Of Music - The Old Government Horse Stables - 
Off Macquatie Street, Opposite Bridge Street - Sydney


This was Once The Main Horse Stables To Government House 
This Building Was Erected In1816 By Governor Macquarie As Stables For Government  House. In 1913 The Central Courtyard Was Roofed In To Form A Concert Hall For The New South Wales  Conservatorium Of Music. 

In His List Of Public Works Governor Macquarie On The 27th July 1822 Mentions "A Handsome Square Brick Building, Stuccoed, Containing Coach House And Stables, With Apartments For Servants For The Use Of The Governor And His Staff" 




























Governor Macquarie, Housed In The Damp, Decaying Old Government House In Bridge Street..... & Complained That No Private Gentleman In The Colony Is so ill Accommodated As He Was. 
In 1817 He Sent Francis Greenway Directions To Draw Up Plans For Stables For 30 horses And A Handsome House For The Residence Of The Governor. But Then The Home Government Vetoed Any New Vice Regal Residence In The Near Bankrupt Colony. Greenway Was Allowed To Go Ahead With The Horse Stables Only. 
Governor Macquarie Ordered These To Be Of Brick, And Run Up In 3 Months. 
It Has Been Said That He Was Alarmed And Dismayed When He Found Out That Greenway Was Actually Giving Him A Handsome, Castellated Stables. Why, If This Were So, He Did Not Have The Work Halted Is Not Explained. 
Greenway's Motive For Seemingly Disregarding Orders Is Also A Mystery. Did He And The Governor, With A Joint Passion For Splendid Architecture, Hope That The Stables Would Set The Tone For An Even Grander Government House, To Be Built In Spite Of The Croakers In London? 
Whatever The Truth, The Stable Scandalised The Colonists, And Threw Commissioner Bigge Into A Frenzy Over The Useless Magnificence Of The Building. At First It Was Used As Vice Regal Stables, And At One Stage Even Housed The Mounts Of A Hunt Club.  
The The Courtyard Was Roofed - In A Totally Different Architectural Style - And In 1916 Became The State Conservtorium of Music 

Of All Of Governor Macquarie's Works....... The One That Inflamed His Adversaries The Most Was The Building Put Up As The Stables For His Horses & Quarters For His Servants. 





The Sydney Conservatorium of Music, located in Sydney, Australia, is a prestigious institution dedicated to music education, performance, and artistic development. It has a rich history dating back over a century and has played a significant role in shaping Australia's musical landscape. Here's an overview of its history:

Early Beginnings:

  • The origins of the Sydney Conservatorium of Music can be traced back to 1855 when the New South Wales government established a music school under the direction of John Hill.

Foundation as a Conservatorium:

  • In 1915, the New South Wales State Government officially established the Sydney Conservatorium of Music. It was created with the goal of providing advanced music education and fostering musical talent.

Architectural Heritage:

  • The conservatorium's main building, known as the "Conservatorium Building," is a notable architectural landmark. It was designed by Government Architect Walter Liberty Vernon and completed in 1916.
  • The building features sandstone architecture with elements of classical and Gothic revival styles.

Influential Figures:

  • Sir Eugene Goossens, an acclaimed conductor and composer, became the conservatorium's first director in 1916.
  • Throughout its history, the conservatorium has been associated with numerous renowned musicians, educators, and composers who have contributed to Australia's music scene.

Music Education and Programs:

  • The Sydney Conservatorium of Music offers a wide range of music education programs, including undergraduate and postgraduate degrees in various disciplines.
  • It provides training in classical, jazz, contemporary, and electronic music, fostering a diverse and vibrant musical community.

Concerts and Performances:

  • The conservatorium's role extends beyond education to include performances and concerts. It hosts regular concerts, recitals, and events featuring students, faculty, and guest artists.

Cultural Influence:

  • The Sydney Conservatorium of Music has had a significant impact on Australia's cultural life. It has contributed to the development of the country's musical talent, composition, and performance.

Facility Upgrades:

  • Over the years, the conservatorium's facilities have been upgraded and expanded to accommodate modern educational needs and technologies while preserving its historical character.

Collaborations and Partnerships:

  • The conservatorium collaborates with other institutions, organizations, and ensembles both nationally and internationally, fostering connections and cultural exchange.

The Sydney Conservatorium of Music remains a vital institution in Australia's music education and performance landscape. Its history reflects a commitment to excellence in musical training and a dedication to nurturing the artistic talents of generations of musicians.