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Showing posts with label Castlereagh Street. Show all posts
Showing posts with label Castlereagh Street. Show all posts

Thursday, October 15, 2026

Cora Gooseberry – Queen Gooseberry – Widow of Bungaree – Sydney 1777–1852

Aboriginal and Torres Strait Islander readers are advised that this page contains the names and images of deceased people.

Watercolour portrait of Cora Gooseberry by George French Angas, 1845
Old Queen Gooseberry, Widow of Bungaree, George French Angas, 1845. The original is held by the South Australian Museum. George French Angas, 1845, public domain, via Wikimedia Commons

If you walked down Castlereagh Street or through the Domain in the 1840s, there was a fair chance you'd see Cora Gooseberry: an older Aboriginal woman with a government blanket round her shoulders, a scarf on her head and a clay pipe on the go. She was the daughter of Moorooboora, the man Maroubra is named after, and the widow of Bungaree, the most famous Aboriginal man in early Sydney. For about twenty years after Bungaree died in 1830 she was a Sydney identity in her own right, known to the newspapers as "Queen Gooseberry". She died at the Sydney Arms Hotel in Castlereagh Street on 30 July 1852, and the publican paid for her grave. Here's what the records actually tell us about her.

Her Name and Her Family

"Cora Gooseberry" was the name the colonists used. The Australian Dictionary of Biography (ADB) says her Aboriginal name was written down as Kaaroo, Carra, Caroo, Car-roo or Ba-ran-gan, depending on who was doing the writing. Wikipedia gives Caroo, citing Jakelin Troy's book on king plates. In the magistrates' blanket lists she also turns up as "Lady Bongary" or "Mrs Gooseberry".

She was born around 1777, about ten years before the First Fleet sailed in. Her father was Moorooboora (c.1758–1798), whom the ADB calls a prominent leader of the Murro-ore-dial (Pathway Place) clan, south of Port Jackson.

Moorooboora and Maroubra

Wikipedia's Maroubra article, citing historian Keith Vincent Smith, says the suburb's name comes from Moorooboora: muru meaning pathway and boora the initiation ground, and that the name refers to the path to the initiation ground at Boora Point, now part of the national park on Malabar Headland. So when you're having a swim at Maroubra, you're at a beach named after Cora's dad.

Maroubra Beach, older photograph from NSW State Archives
Maroubra Beach, from the NSW State Archives photographic collection. The suburb takes its name from Cora's father, Moorooboora. State Archives and Records NSW, CC BY 2.0, via Wikimedia Commons
Maroubra Beach in 2006
Maroubra Beach in 2006. Bilbao06, public domain, via Wikimedia Commons

Life with Bungaree

Bungaree came down from Broken Bay to Sydney in the 1790s. The ADB entry on him (by F. D. McCarthy, revised in 2025) says he sailed with Matthew Flinders in the Investigator and may have been the first Aboriginal person to sail right round Australia, then sailed with Phillip Parker King in 1817. Governors gave him their cast-off uniforms and a cocked hat, and he was famous for mimicking every governor from Hunter to Brisbane.

Bungaree had more than one wife. His other main wife was Matora. Wikipedia, citing Paul Irish's Hidden in Plain View, says that after Matora died in the mid-1820s Cora became Bungaree's principal wife, and the pair were known around Sydney as the "king" and "queen" of the local Aboriginal people. The ADB's Bungaree entry says Cora "became his principal wife and was given the title of queen".

Oil portrait of Bungaree in a military coat with Fort Macquarie behind
Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in the background. Augustus Earle, 1826. Augustus Earle, 1826, public domain, via Wikimedia Commons

Bungaree's people didn't stay in one spot. Wikipedia (again drawing on Paul Irish) lists their camps along the eastern harbour: Georges Head, Rose Bay, Camp Cove, the Domain and Elizabeth Bay. Camp Cove at Watsons Bay was a favourite, good for fishing and important culturally, and at times a few hundred people gathered there.

In 1815 Governor Macquarie set up Bungaree's group of about fifteen people on a farm at Georges Head, with huts, tools, stock and convict instructors. The ADB says the farm didn't take and the venture failed. In 1828 the group moved to the Governor's Domain and received rations, by which time Bungaree was described as "in the last stages of human infirmity". He died on 24 November 1830 and was buried at Rose Bay.

Lithograph of Bungaree raising his hat
Bungaree, a Native Chief of N.S. Wales, after Augustus Earle, c.1829–38. Augustus Earle, public domain, via Wikimedia Commons

Children

The family picture is a bit cloudy. Wikipedia, citing Keith Vincent Smith's Mari Nawi, says Cora and Bungaree may not have had children together, but that she helped raise Boin, better known as Bowen Bungaree, Bungaree's son with Matora. Bowen later went to San Francisco during the California gold rush. The ADB adds that a man called Boio, or "Long Dick", of the Brisbane Water clan, claimed to be her son by Bungaree.

Queen Gooseberry About Town

After Bungaree died, Cora became, in Wikipedia's words, a leader among a regrouped band. The ADB names some of "Gooseberry's mob": Ricketty Dick, Jacky Jacky and Bowen Bungaree. They camped in the street outside Sydney hotels or in the Domain, where they put on displays of boomerang throwing for whoever was watching.

Her look became her trademark: a government-issue blanket, a headscarf and a clay pipe. The explorer John F. Mann first saw her at Brisbane Water in the early 1840s and wrote that "she had little on beyond an old straw bonnet".

Profile silhouette portrait of Cora Gooseberry with her pipe, 1836
Cora Gooseberry, Widow of King Bungaree, Brocken Bay Tribe. One of W. H. Fernyhough's twelve profile portraits of Aboriginal people of New South Wales, Sydney, 1836. W. H. Fernyhough, 1836, State Library of New South Wales, public domain, via Wikimedia Commons

At Government House, 1844

In July 1844 the Australian newspaper reported that she went to a levee at Government House. She wore her straw hat and a "new pink robe of very curious workmanship", with "the order of her tribe in the form of a crescent, suspended by a brass chain from her ebon neck". That crescent was her breastplate. The language is the paper's, and it was having a bit of fun at her expense, but she turned up all the same.

With Angas at North Head, 1845

Cora knew how to tell a good story. She told the artist George French Angas that Bungaree had ruled Sydney's Aboriginal people when the First Fleet arrived in 1788. The ADB points out that Bungaree was probably only about ten at the time.

In July 1845 she did something more valuable. In exchange for flour and tobacco, she took Angas and the police commissioner W. A. Miles to the Aboriginal rock carvings at North Head. There she told them "all that she had heard her father say" about the places where "dibble dibble walk about". The ADB reads this as a hint that Moorooboora had been a koradji (the ADB's word) from that country. Wikipedia notes that she kept her cultural knowledge of coastal Sydney and only shared some of it, carefully, with curious British visitors.

Angas painted her, and his watercolour Old Queen Gooseberry, Widow of Bungaree (the portrait at the top of this page) was shown at the Egyptian Hall in London in 1846.

The Breastplates

A breastplate, also called a king plate or gorget, was a crescent-shaped metal plate worn on a chain round the neck. Wikipedia explains that colonial authorities handed them out to Aboriginal people they saw as leaders. The design was copied from the gorgets worn by army officers, and plates were often inscribed "King", "Queen" or "Chief". Aboriginal societies didn't have kings or queens. Clans made decisions through groups of senior men and women, so the titles were the colonists' invention. The ADB calls Bungaree's own title, "Chief of the Broken Bay Tribe", given with his plate by Macquarie in 1815, "a completely fictitious title".

Cora had two breastplates, and both survive:

  • A brass plate inscribed "Cora Gooseberry Freeman Bungaree Queen of Sydney and Botany", held in the Mitchell Library, State Library of NSW, together with her rum mug.
  • Another engraved "GOOSEBERRY Queen of Sydney to South Head", held by the Australian Museum.

I couldn't find a free-to-use photo of either plate, so the images below are other breastplates from New South Wales and Queensland, to show what they looked like and how they were worn.

Brass king plate of King Dick of Boondie
The breastplate of King Dick of Boondie, from western Queensland, on display at the Miles & District Historical Village. Yearsahead, 2010, CC BY-SA 3.0, via Wikimedia Commons
Aboriginal man wearing breastplate inscribed King Sandy
A man wearing a breastplate inscribed "King Sandy", Brisbane, 1864–69, photographed by Daniel Marquis. Daniel Marquis, John Oxley Library, State Library of Queensland, public domain, via Wikimedia Commons

Her Last Years in Town

Cora lived at Camp Cove and other harbour camps well into old age. Wikipedia says that in her last few years she moved into the city and stayed at the hotels run by her friend Edward Borton, an ex-convict publican. The ADB gives his name as "E. Borton (or Berton)".

Conrad Martens view over the Rocks rooftops looking east, 1842
View from the window, The Rocks, Sydney, looking east, by Conrad Martens, 1842. This was the town Cora knew in her last decade. Conrad Martens, 1842, State Library of New South Wales, public domain, via Wikimedia Commons

Death at the Sydney Arms, 1852

On 30 July 1852 Cora Gooseberry was found dead at the Sydney Arms Hotel in Castlereagh Street. The ADB says press reports had her drinking in the kitchen the night before. The coroner found she had died of natural causes. She would have been about 75.

Borton paid for her burial and a headstone in the Presbyterian section of the Sandhills (Devonshire Street) cemetery, where Central Station is now. Her stone was later moved to the pioneers' cemetery at Botany. Its epitaph has since worn away, but Mrs A. G. Foster wrote it down in 1901, so the words weren't lost.

Julian Ashton painting of the overgrown Devonshire Street cemetery, 1894
The Old Cemetery, Devonshire Street, 1894, by Julian Ashton. Cora was buried in the Presbyterian section in 1852. Julian Ashton, 1894, State Library of New South Wales, public domain, via Wikimedia Commons
Norman Selfe drawing of the Sand Hills burying grounds, 1894
The Sand Hills Burying Grounds, drawn by Norman Selfe for his 1894 scheme, showing the cemetery's layout. Norman Selfe, 1894, State Library of New South Wales, public domain, via Wikimedia Commons
Devonshire Street Cemetery in 1902
Devonshire Street Cemetery in 1902, just before the graves were moved to make way for Central Station. State Archives and Records NSW, CC BY 2.0, via Wikimedia Commons

How She's Remembered

Cora is one of the best-pictured Aboriginal people of early Sydney. The ADB lists portraits by Charles Rodius (a pencil portrait from 1844 showing her in a plain Mother Hubbard dress), William Fernyhough, Eugène Delessert and James S. Bray, as well as Angas's watercolour in the South Australian Museum. The National Library of Australia holds a Rodius portrait too, and the British Museum has copies of Fernyhough's 1836 print.

British Museum copy of Fernyhough's profile print of Cora Gooseberry
The British Museum's copy of Fernyhough's 1836 print, Gooseberry. Widow of King Bungaree. W. H. Fernyhough, 1836, British Museum, public domain, via Wikimedia Commons

Her things are still with us too: the brass plate and rum mug at the Mitchell Library, and the second plate at the Australian Museum. And every time someone says "Maroubra", they're saying her father's name.

Timeline

  • c.1758 – Moorooboora, Cora's father, is born.
  • c.1777 – Cora (Kaaroo/Caroo) is born.
  • 1788 – The First Fleet arrives at Sydney Cove.
  • 1798 – Moorooboora dies.
  • 1790s – Bungaree moves from Broken Bay to Sydney.
  • 1815 – Macquarie sets up Bungaree's group at Georges Head and gives him his breastplate.
  • Mid-1820s – Matora dies and Cora becomes Bungaree's principal wife (per Paul Irish, via Wikipedia).
  • 1828 – Bungaree's group moves to the Domain.
  • 24 November 1830 – Bungaree dies and is buried at Rose Bay.
  • 1836 – Fernyhough publishes his profile portrait of her.
  • Early 1840s – John F. Mann sees her at Brisbane Water.
  • 1844 – Rodius draws her in pencil. In July she attends a levee at Government House.
  • July 1845 – She guides Angas and W. A. Miles to the North Head rock carvings.
  • 1846 – Angas exhibits her portrait at the Egyptian Hall, London.
  • 30 July 1852 – She is found dead at the Sydney Arms Hotel, Castlereagh Street, and buried at the Sandhills cemetery.
  • 1901 – Mrs A. G. Foster records the epitaph on her headstone, later moved to Botany.

Where the Sources Disagree

  • Her name. The ADB lists Kaaroo, Carra, Caroo, Car-roo and Ba-ran-gan. Wikipedia settles on Caroo, following Jakelin Troy.
  • Her birth year. Every source gives "c.1777", which is an estimate. The ADB's heading drops the "c." and simply says 1777.
  • Children. Wikipedia (citing Keith Vincent Smith's Mari Nawi) says she and Bungaree may have had no children together, and that she helped raise Bowen. The ADB records that Boio ("Long Dick") claimed to be her son by Bungaree. Neither source says whether the claim was true.
  • When she became "queen". Wikipedia's infobox gives Bungaree as her husband "w. 1830", while its text, citing Paul Irish, has her as principal wife after Matora died in the mid-1820s.
  • The publican. The ADB gives his surname as Borton "or Berton". Wikipedia uses Edward Borton.
  • The breastplate wording. The ADB gives the Mitchell Library plate as "Cora Gooseberry Freeman Bungaree Queen of Sydney and Botany". Wikipedia, citing Val Attenbrow, sets it out line by line as "Cora Gooseberry/ Freeman/ Bungaree / Queen of Sydney and Botany".
  • Bungaree's voyage. The ADB dates the Investigator voyage 1801–02. Wikipedia's Bungaree article says 1802–03.
  • Where her headstone is. The ADB says it was moved to the "pioneers cemetery at Botany" and that its epitaph has faded. Wikipedia names this Pioneers Cemetery, Botany, and says the stone was moved "shortly afterwards". The ADB just says "later".

My Earlier Posts

Sources

Saturday, April 24, 2021

Scientology House – Castlereagh Street – Sydney – New South Wales

If you walk Castlereagh Street near Hyde Park and clock the Federation warehouse with the brick pilasters and that bronze-glazed front, you are looking at the Vickery Building — not a purpose-built church. Boot manufacturer Joseph Vickery & Co put it up in 1908 (architect Alfred Newman, Federation Free Classical). The Sydney Morning Herald of the day reckoned it would “considerably improve this portion of the city,” which tells you how industrial-commercial this stretch still felt.

The Church of Scientology bought the property in 1979, after which municipal inventories often listed it as Scientology House. A major heritage refurbishment and vertical expansion, finished 2014 for the Sydney Ideal Organisation, restored façade elements and added upper storeys. Whatever the present use, the fabric story is a 1908 commercial warehouse adapted and enlarged under later heritage controls.

Photographs here show the Castlereagh Street elevations and commemorative signage associated with the site.

 






The building at 201 Castlereagh Street, long known in city records as Scientology House, began life in 1908 as the Vickery Building for boot manufacturer Joseph Vickery & Co. Contemporary press praised the Federation Free Classical warehouse as an improvement to this industrial-commercial stretch of the city. Brick pilasters and a distinctive glazed façade still mark it as an early twentieth-century Castlereagh Street landmark.


The Church of Scientology acquired the property in 1979, after which municipal heritage inventories commonly listed it as Scientology House. A major heritage refurbishment and vertical expansion (completed 2014) restored historic façade elements and added upper storeys when the premises were fitted out as the Sydney Ideal Organisation. Whatever the present religious use, the fabric story is that of a 1908 commercial warehouse adapted and enlarged under later heritage controls.


Photographs here show the Castlereagh Street elevations and commemorative signage associated with the site.

Scientology House - Castlereagh Street - Sydney - New South Wales 








Sunday, February 9, 2020

Australia Hotel - Castlereagh Street - SYDNEY




The Australia Hotel - Castlereagh Street Sydney















The Australia Hotel, located on Castlereagh Street in Sydney, was once a prominent and historic hotel that played a significant role in the city's hospitality and social scene. Here's an overview of its history:

Establishment and Early Years:

  • The Australia Hotel was established in 1891, during a period of economic growth and development in Sydney.
  • The hotel was designed by the architect William Wardell in the Second Empire architectural style, characterized by its elaborate façade and distinctive mansard roof.

Grandeur and Amenities:

  • The Australia Hotel was known for its grandeur and opulent interiors. It boasted luxurious amenities, including a large dining room, ballroom, bar, and accommodations for guests.
  • Its central location in the heart of Sydney made it a popular choice for visitors and locals alike.

Social Hub and Gatherings:

  • The hotel quickly became a social hub and gathering place for various events, meetings, and celebrations.
  • It hosted social occasions, weddings, balls, and other gatherings that attracted Sydney's elite and upper classes.

Accommodations and Services:

  • The Australia Hotel provided upscale accommodations for travelers and guests. Its elegant rooms and services catered to a discerning clientele.

Decline and Closure:

  • Over time, changing preferences and economic shifts impacted the hotel's viability. Modernization of accommodations and shifts in tourism trends led to decreased patronage.
  • The Australia Hotel faced financial difficulties and a decline in its reputation.

Demolition:

  • Despite efforts to preserve the historic building, the Australia Hotel was demolished in 1971.
  • Its demolition was met with public outcry and debates about heritage preservation.

Legacy:

  • The Australia Hotel's demolition marked the loss of a significant architectural and historical landmark in Sydney.
  • Its legacy continues to be remembered as an emblem of the city's history and a reminder of the importance of preserving heritage buildings.

While the Australia Hotel is no longer physically present, its history and impact on Sydney's hospitality industry and social life remain noteworthy. Its story serves as a testament to the ever-evolving nature of urban landscapes and the challenges of preserving historic structures in the face of modern development




















The renowned French actress Sarah Bernhardt's visit to Sydney and her stay at the Australia Hotel left a lasting impression on the city's cultural history. Sarah Bernhardt was one of the most famous actresses of the late 19th and early 20th centuries, known for her exceptional talent and charisma on the stage. Here's an overview of her visit:

Visit to Sydney:

  • Sarah Bernhardt toured Australia as part of her international performance schedule. Her visit to Sydney took place in 1891.
  • At the time of her visit, she was already a legendary figure in the world of theater, celebrated for her roles in classic plays and her larger-than-life persona.

Staying at the Australia Hotel:

  • During her time in Sydney, Sarah Bernhardt stayed at the Australia Hotel, which was known for its luxurious accommodations and central location.
  • Her choice to stay at the Australia Hotel added to the hotel's prestige and drew attention to her presence in the city.

Theater Performances:

  • While in Sydney, Sarah Bernhardt performed at the Theatre Royal, captivating audiences with her performances.
  • She was known for her dramatic acting style and ability to portray a wide range of characters, from tragic heroines to comedic roles.

Cultural Impact:

  • Sarah Bernhardt's visit to Sydney created a significant cultural buzz. Her performances were widely covered by the media, and her presence drew large crowds and admirers.

Reception and Legacy:

  • The people of Sydney welcomed Sarah Bernhardt with enthusiasm and excitement. Her performances received positive reviews, and her visit was seen as a highlight of the city's cultural calendar.
  • Her time at the Australia Hotel and her performances left a lasting impact on the city's cultural scene and theater enthusiasts.

Continued Legacy:

  • Sarah Bernhardt's legacy as an iconic actress and her visit to Sydney are remembered as significant moments in the city's cultural history.
  • The Australia Hotel's connection to her visit adds to the hotel's historical importance and its role in hosting notable figures.

Sarah Bernhardt's visit to Sydney and her stay at the Australia Hotel provided an opportunity for the city's residents to experience the talent of a theatrical legend. Her impact on the cultural landscape of Sydney during her visit continues to be appreciated and remembered to this day.