Search This Blog

Sunday, October 18, 2026

Zetland – From the Waterloo Swamp and Victoria Park Racecourse to the BMC Car Plant and Green Square – A History

A note for Aboriginal and Torres Strait Islander readers: this page talks about the Gadigal people and their Country, and it names Aboriginal people. Some of the sources linked here may contain images and names of people who have died.

If you catch the train to Green Square today you step out into glass towers, a sunken library, a beach-style pool and a brand-new high street. It's hard to picture that you're standing on what was a swamp, then a mill pond, then a woolwash dam, then a pony track, then a car factory, then a Navy store, and that for about 150 years this was one of the smelliest, dirtiest corners of Sydney. Zetland has had more lives than most suburbs, and plenty of them weren't pretty.

This is the story of how a patch of Gadigal wetland, four kilometres south of the city, went from sandhills and waterbirds to tanneries, wool scourers, a racecourse, the Mini, an incinerator the locals called the "Zetland Monster", and finally one of the biggest urban renewal jobs in the country.

Green Square Town Centre in 2022
Green Square Town Centre in 2022. Kksuppo, CC BY-SA 4.0, via Wikimedia Commons

Gadigal Country – Sandhills, Swamps and Waterbirds

Long before anyone thought of drawing a street grid here, this was Gadigal Country. The City of Sydney's history of the area describes a system of sand dune wetlands that stretched across what we now call Green Square, with a rich mix of plants and animals. Aboriginal people would have gathered to forage around the body of water that later became known as the Waterloo Swamp. The apartments on Gadigal Avenue sit right in the middle of where that swamp used to be.

The City's park history for Joynton Park says the Waterloo Swamp was part of a chain of wetlands running from Botany Bay north to Redfern. When the City Historian, Lisa Murray, went looking for a possible Aboriginal name for the area in 2014, she painted a picture of it: Sheas Creek and the swamp ringing with oyster catchers, water hens, teal, bitterns, quail, ducks, bronze-winged pigeons, brolgas and black swans, with brush wallabies, echidnas and bandicoots in the undergrowth and gliders and possums in the trees at night. Aboriginal people would have hunted many of these birds and animals and collected the eggs of the waterbirds. Two of the names she put forward were Badu, the Sydney language word for water, and Yurungi, wild duck, both recorded by First Fleet writers.

The Lachlan Swamp in Centennial Park after rain
The Lachlan Swamp in Centennial Park after rain. The country around Zetland was once part of a chain of sandhill wetlands like this, running from Botany Bay up towards Redfern. Lloyd0038, CC BY-SA 4.0, via Wikimedia Commons

The water from these swamps drained away south-west into Sheas Creek, then into the Cooks River and Botany Bay. In 1896, while workers were digging out Sheas Creek for the Alexandra Canal, they turned up dugong bones, Aboriginal stone hatchets and the remains of an ancient forest in the estuarine clay below low tide level. Ron Ringer's Dictionary of Sydney entry on the canal says the Australian Museum's curator, Robert Etheridge, found the dugong had been butchered with a blunt cutting or chopping tool. It's one of the best bits of evidence for how long Aboriginal people have lived around these waters.

Digging out the dugong bones found in the bed of Sheas Creek in 1896
Digging out the dugong bones found in the bed of Sheas Creek in 1896. Stone hatchet heads were found nearby, a reminder of the Aboriginal people who lived around these waters long before the canal. Australian Museum Archives, public domain, via Wikimedia Commons

Mills, Convicts and the Waterloo Estate

The same water that fed the swamp caught the eye of the early colonists. The City of Sydney's house history for 22 Gadigal Avenue says the first water mill went up in 1815 to make use of the swamp.

In 1823 the Crown granted 1,400 acres here to William Hutchinson. His story is a very Sydney one. According to the Australian Dictionary of Biography, he was sentenced to death at the Old Bailey in 1796 for theft, had it changed to transportation, and arrived in 1799. He was caught stealing again and sent to Norfolk Island, where he worked his way up to superintendent of convicts. Governor Macquarie then made him principal superintendent of convicts and public works in Sydney in 1814. In 1820, with Samuel Terry, he was part owner of the Waterloo flour mill. Wikipedia's Waterloo article talks about the "Lachlan and Waterloo Flour Mills" and says the mill was in what's now Kensington.

Another former convict, Daniel Cooper, became a partner in Hutchinson, Terry & Co. (the Waterloo Company) in 1821. The ADB says Cooper had been transported for life in 1815 for stealing, arrived in January 1816, and was fully pardoned by 1821. In 1825 Cooper and Solomon Levey became the sole owners of the company, which people then knew as Cooper & Levey. The Dictionary of Sydney's record for the Waterloo Estate shows Cooper owning it from 1825 until his death in 1853, when it passed to Daniel Cooper junior. Wikipedia says he was Cooper's nephew and the first Speaker of the NSW Legislative Assembly. The estate wasn't carved up until the 1880s.

That long ownership is the key to the whole area. The City's Green Square infrastructure plan says that for most of the 19th century almost all of Alexandria, Beaconsfield, Waterloo, Zetland and Rosebery belonged to the Coopers. Lisa Murray notes that the Cooper Estate's leases shaped how the district grew, and that the land for Waterloo Town Hall, Alexandria Town Hall and South Sydney Hospital was all donated by the estate.

Where the Name Zetland Comes From

Zetland is an old spelling of Shetland, but the suburb didn't get its name from the islands. It got it from a racing stable.

In 1874 the Governor of New South Wales, Sir Hercules Robinson, set up a big horse training stable here called Zetland Lodge. It stood back from where Bourke and Elizabeth Streets meet. Lisa Murray's 2013 report on the name says Elizabeth Street was supposedly extended out to Zetland Lodge because the Governor wanted it, and was declared a main road so the colonial government had to keep it up.

Governor Sir Hercules Robinson, the keen racing man who set up the Zetland Lodge stables in 1874
Governor Sir Hercules Robinson, the keen racing man who set up the Zetland Lodge stables in 1874. Freeman Brothers Studio, Powerhouse Museum collection, public domain, via Wikimedia Commons

Robinson was mad about racing. He was patron of the Australian Jockey Club at Randwick, the Northern Jockey Club and the Hawkesbury Racing Club. He hired the trainer Thomas Lamond to run Zetland Lodge, and the winners came thick and fast: Fitz Yattendon, Kingsborough, St Leger, Hyperion and Habena. His colours were the "Zetland" or "Aske Hall" spots, red spots on white. When his daughter Nora married in 1878, her travelling dress was done in her father's racing colours.

So why "Zetland"? The Earl of Zetland, Thomas Dundas, was a huge figure in English racing and freemasonry. Wikipedia says he was Grand Master of the United Grand Lodge of England from 1844 to 1870, a senior member of the Jockey Club, and won the Derby and St Leger with his horse Voltigeur in 1850. He died at Aske Hall in Yorkshire, the name that went on Robinson's racing spots. Exactly how he was connected to Robinson depends on who you read (more on that below).

Thomas Dundas, 2nd Earl of Zetland, painted by Francis Grant in 1841
Thomas Dundas, 2nd Earl of Zetland, painted by Francis Grant in 1841. The suburb ends up with his title by way of Robinson's stables. Francis Grant, public domain, via Wikimedia Commons
The Earl of Zetland as "The Most Worshipful Grand Master" in Vanity Fair, 4 December 1869
The Earl of Zetland as "The Most Worshipful Grand Master" in Vanity Fair, 4 December 1869. He was Grand Master of the English Freemasons and a big name on the English turf. James Tissot, public domain, via Wikimedia Commons

When Robinson left to become Governor of New Zealand in 1878, he handed Zetland Lodge over to Thomas Lamond. Lamond made it one of the best-known stables in Sydney. He trained four Sydney Cup winners and the 1881 Melbourne Cup winner, Zulu. He also sat on Waterloo Council for 21 years, from 1887 to 1907, and was mayor four times. When he died in 1912, aged 72, Zetland Lodge was the oldest racing stable in metropolitan Sydney, and his son Stanley had taken over.

The name spread from the stable to the streets. In 1885 William Cooper decided to subdivide the land around Zetland Lodge. The "Zetland Estate" first went up for auction on 13 June 1885, with blocks fronting Bourke Street and Botany Road that ran right back to the dam of Geddes Brothers' woolwashing works. Waterloo Council dedicated the new streets, Merton, Dundas, Portman and Tilford, in August 1885. The Zetland Hotel opened in 1886, and by 1895 people were just calling the area "Zetland". It took a long time to become official, though. The Geographical Names Board only formally assigned Zetland as a suburb on 19 July 1996.

A leafy street in old Zetland
A leafy street in old Zetland. Pockets of terraces and lanes from the 1885 Zetland Estate subdivision still survive among the new towers. Sardaka, CC BY 3.0, via Wikimedia Commons
A Bills horse trough in Zetland, a small leftover from the days when this was horse country, with training stables serving the racecourses all around
A Bills horse trough in Zetland, a small leftover from the days when this was horse country, with training stables serving the racecourses all around. Mattinbgn, CC BY 3.0, via Wikimedia Commons

The Smelliest Corner of Sydney – Tanneries, Wool Scourers and Brickworks

The swamps that made the land hard to build houses on made it perfect for industry. Mills needed water power, wool washers needed water to scour fleeces, and everyone needed somewhere to get rid of their waste.

Ron Ringer's Dictionary of Sydney entry on Sheas Creek explains the push. The Slaughter House Act of 1849 made all the "noxious trades" move more than a mile (1.6 kilometres) out of the city. That sent brickmakers, tanners, wool washers and chemical works out to places like St Peters, Alexandria and Waterloo. He doesn't mince words: "the stench created by industrial processes must have been truly appalling." Waste was got rid of the simple way, by letting it run into Sheas Creek.

The City's Green Square plan says that by the 1850s the Cooper Estate had become an industrial suburb, with brickworks, candle and soap factories, tanneries, breweries and wool washing firms, as well as schools and churches. The industries drank so much water that by 1869 the wetlands were radically changed. The Waterloo Mills Woolwashing Establishment was big enough to make the Australian Town and Country Journal in 1877. On top of the factory waste, from 1882 to 1916 the southern outfall sewer carried the southern suburbs' sewage from Surry Hills down to a sewage farm at the mouth of the Cooks River, and part of it was an open channel.

The NSW Shale & Oil Company's refinery in Botany Road, Waterloo, from the Australian Town and Country Journal of 10 April 1875
The NSW Shale & Oil Company's refinery in Botany Road, Waterloo, from the Australian Town and Country Journal of 10 April 1875. Smoke, smells and runoff were part of everyday life on the old Waterloo Estate. Australian Town and Country Journal, public domain, via Wikimedia Commons
The "Comet" kerosene works in Botany Road, Waterloo, from the Illustrated Sydney News, 23 March 1878
The "Comet" kerosene works in Botany Road, Waterloo, from the Illustrated Sydney News, 23 March 1878. Illustrated Sydney News, public domain, via Wikimedia Commons

The area also had a strong Chinese presence. The Green Square plan notes that the streets around Retreat Street in Alexandria have had Chinese residents since at least the 1870s, that the district had the biggest concentration of Chinese market gardeners in Sydney in the 1880s and early 1900s, and that the Chinese Temple in Retreat Street was built in 1909. There was also a large dairy that supplied milk to much of the eastern suburbs. The City's Transform history walk, put together by the City Historian, adds clairvoyants, shopkeepers and factory workers to the mix, and promises to tell you "why the area used to smell so bad".

When the Cooper Estate was broken up, big blocks of land came free for purpose-built factories. Alexandria Council boasted in 1943 that it had "not less than 550 factories", making it "the largest industrial municipality in Australia", and called itself the "Birmingham of Australia". The Green Square plan puts the workforce at 22,238. Minties, Jaffas, Akubra hats and Kooka ovens all came out of factories in the Green Square area.

The Quality Casting (later Qualcast) building in Waterloo, photographed by Sam Hood in 1944
The Quality Casting (later Qualcast) building in Waterloo, photographed by Sam Hood in 1944. By then the old Cooper Estate was lined with purpose-built factories. Sam Hood, State Library of NSW, public domain, via Wikimedia Commons

Glass, Water Heaters and More

One of the biggest names was Australian Glass Manufacturers on South Dowling Street, Waterloo. The City's Sydney Barani site says glass was one of South Sydney's main industries by the late 19th century, and that by the 1920s AGM had a monopoly on glassmaking in Sydney. Its offshoot, Crown Crystal Glass, was formed in 1926 and made everything from crystal to Pyrex. By the late 1930s the company was turning out 9,634 different kinds of bottles and containers. Many Aboriginal people worked in the factories of South Sydney, including AGM. When the Green Square area was first rezoned in 1999, the former "ACI" site in Waterloo, now Crown Square, was one of the two biggest single sites, along with Victoria Park.

The Australian Glass Manufacturers works from South Dowling Street, Waterloo, in an aerial photo by Milton Kent from about 1948 to 1952
The Australian Glass Manufacturers works from South Dowling Street, Waterloo, in an aerial photo by Milton Kent from about 1948 to 1952. Factory roofs run all the way to the horizon. Milton Kent, State Library of NSW, public domain, via Wikimedia Commons
A three-wheel tractor and trailer belonging to Australian Glass Manufacturers, about 1935, probably taken by Sam Hood
A three-wheel tractor and trailer belonging to Australian Glass Manufacturers, about 1935, probably taken by Sam Hood. State Library of NSW, no known copyright restrictions, via Wikimedia Commons

Rheem was another. Rheem's own company history says the American drum maker began making drums in Australia in 1937 and built its first Australian water heater at Waterloo in 1939. The Housing Industry Association adds that the Waterloo plant made 44-gallon steel drums for the oil industry.

Sheas Creek Becomes the Alexandra Canal

All that water, and all that muck, flowed down Sheas Creek. In the 1880s the government decided to turn the creek into a proper canal, so barges could carry coal, blue metal and building materials, and so the swamps could be drained for more industry. Dredging started in 1887 where Sheas Creek met the Cooks River, and a lot of the digging was done by unemployed men on relief work during the 1890s depression. The canal was finished in 1905, but it silted up almost as soon as it opened, it was too shallow for big boats, and you had to time the tides. Ringer calls it a "white elephant". In 1912 work stopped altogether.

The railway bridge over the Alexandra Canal (old Sheas Creek) in 1925
The railway bridge over the Alexandra Canal (old Sheas Creek) in 1925. Everything that drained off the swamps and factories around Zetland ended up down this way. Australian Railway Historical Society collection, University of Newcastle, public domain, via Wikimedia Commons

The canal is still a drain for this whole area. The Dictionary of Sydney says rainwater runoff from Newtown, Redfern, Erskineville, Alexandria and Zetland all ends up in it, and many people see it as Australia's most polluted stretch of waterway. I'll come back to that in the section on contamination.

Victoria Park Racecourse – The "VP"

The biggest change to the swamp came from one man: James Joynton Smith. According to the ADB, he was born in London in 1858, ran away to sea as a boy, did well running hotels in New Zealand, and came to Sydney around 1890. He went on to own the Carlton Hotel in the city, the Imperial at Mount Victoria and the Carrington at Katoomba. He was Lord Mayor of Sydney in 1918, sat in the Legislative Council, started Smith's Weekly in 1919, backed Sydney's first radio station, and was president of the NSW Rugby League from 1910 to 1928. The City's history notes he made his fortune from "the pastimes of the people". It also describes him as "moustached with one glass eye and a monocle".

James Joynton Smith in 1909, the hotelier who drained the Waterloo Swamp and opened Victoria Park Racecourse
James Joynton Smith in 1909, the hotelier who drained the Waterloo Swamp and opened Victoria Park Racecourse. Unknown photographer, public domain, via Wikimedia Commons

The City's house history says Smith bought the swampy land in 1904. Its bounds were Epsom Road, Joynton Avenue, South Dowling Street and what later became O'Dea Avenue. The Joynton Park history says it was drained in 1906 by cutting a trench through to Sheas Creek, which let the water run off to Botany Bay and left two to three metres of natural peat surrounded by sandhills. On 15 January 1908 Smith opened Victoria Park Racecourse.

Pony racing was the big draw. The races had bigger fields and shorter distances than the club courses, which meant closer finishes and better odds for punters. The Dictionary of Sydney says proprietary courses like this one, and others at Kensington, Rosebery, Ascot and Canterbury, meant Sydneysiders could go to the races almost any day of the week. Victoria Park had a reputation as the best of them. The house history says some Randwick trainers actually preferred to stable and work their horses at the VP. The ADB says it was the first course in Australia to give women their own retiring rooms, and the City says it used a totalisator, a machine that worked out the betting pool, instead of leaving it to the bookies.

Sand and fence posts at Victoria Park Racecourse, Zetland, photographed by Sam Hood in the 1930s
Sand and fence posts at Victoria Park Racecourse, Zetland, photographed by Sam Hood in the 1930s. The old sandhills were never far away. Sam Hood, State Library of NSW, public domain, via Wikimedia Commons
Another of Sam Hood's 1930s views of the sandy edge of Victoria Park Racecourse
Another of Sam Hood's 1930s views of the sandy edge of Victoria Park Racecourse. Sam Hood, State Library of NSW, public domain, via Wikimedia Commons

The VP wasn't just for horses. Wikipedia says a clay and cinder track 1.81 kilometres long was laid around the course in 1908 for car and motorbike racing. The first motor meeting, on 6 October 1908, had six horse races followed by a car race, the One Hundred Guinea Handicap. Fred Howarth won the final in a Sizaire-Naudin two days later, after the horse races ran late. In 1909 Colin Defries got a Wright Model A aeroplane, "The Stella", off the ground here for about 110 metres at around four and a half metres up. The City calls it one of Australia's earliest powered flights, and Wikipedia says Australian aviation historians credit Defries with the first aeroplane flight in Australia.

The cover of a Victoria Park, Zetland, racebook from July 1935
The cover of a Victoria Park, Zetland, racebook from July 1935. Ross Brothers, Sydney, Les Haigh Family Collection, CC0, via Wikimedia Commons
Inside the same 1935 Victoria Park racebook, with the day's starters and results
Inside the same 1935 Victoria Park racebook, with the day's starters and results. Ross Brothers, Sydney, Les Haigh Family Collection, CC0, via Wikimedia Commons
Rogilla, with jockey Darby Munro, in the Sir Herbert Maitland Stakes at Victoria Park in 1935, when they ran third
Rogilla, with jockey Darby Munro, in the Sir Herbert Maitland Stakes at Victoria Park in 1935, when they ran third. Sydney Morning Herald, Les Haigh Family Collection, public domain, via Wikimedia Commons

The racing ended with the Second World War. The house history says the last races were held in 1942, when the military took the course over. It reopened for horse training in 1945, but proprietary racing had been banned by then, so there were no more race days. Part of the old grandstand had a second life as the balcony of Smith's Carrington Hotel in Katoomba. The three-storey totalisator building, "the Tote", is the only part of the racecourse still standing on Joynton Avenue. Joynton Smith died at Coogee in 1943.

Royal South Sydney Hospital

Joynton Smith's other big local project was a hospital. Wikipedia says locals started raising money for a South Sydney hospital in 1908 and made Smith their provisional president. A 25-bed public hospital was built from 1912 and opened in 1913. It became "Royal" in 1917 and grew to 110 beds the next year. The ADB calls it Smith's favourite charity and says he was a director until he died. The land came from the Cooper Estate.

Royal South Sydney Hospital on Christmas Day 1936
Royal South Sydney Hospital on Christmas Day 1936. Sam Hood, State Library of NSW, public domain, via Wikimedia Commons
Staff of South Sydney Hospital on Christmas Day 1940
Staff of South Sydney Hospital on Christmas Day 1940. Sam Hood, State Library of NSW, public domain, via Wikimedia Commons

New brick buildings went up in 1976 and the hospital moved into rehabilitation, orthopaedics and community health. In 1991 it merged with the Prince of Wales and Prince Henry Hospitals, and the general services, including the emergency department, were run down. Wikipedia says that last part was controversial. The hospital closed for good in 2003 and the site went to South Sydney Council, later the City of Sydney. It sat empty for years. The old nurses' quarters reopened as the Joynton Avenue Creative Centre in May 2018, and Matron Ruby Grant Park now sits on the old hospital grounds.

A plaque on what was left of the Royal South Sydney Hospital in 2013, before the site became part of the Green Square town centre
A plaque on what was left of the Royal South Sydney Hospital in 2013, before the site became part of the Green Square town centre. Hippietrail, CC BY-SA 3.0, via Wikimedia Commons
The Joynton Avenue Creative Precinct in 2025
The Joynton Avenue Creative Precinct in 2025. The old nurses' quarters reopened as the Joynton Avenue Creative Centre in May 2018. ColonelLight, CC0, via Wikimedia Commons

The Car Plant – Morris, Austin, the Mini and the P76

After the war, the empty racecourse was bought by Lord Nuffield, the head of Morris Motors. The City's house history puts the purchase in 1948, while Wikipedia says 1947. Nuffield wanted to use most of the land for a car factory and sell the rest for a mix of housing and industry. That was the first of the post-war housing fights here: the new Cumberland County Council had zoned the area for industry only, so the City Council knocked back the housing on its advice. The industrial subdivision was approved on 10 December 1951 and finalised in 1952, with Lot 12 becoming the car plant.

Wikipedia's BMC Australia article says Nuffield Australia opened its new 57-acre assembly plant in March 1950, building Morris Minors and Morris Oxfords from kits shipped out from England. In 1954 Nuffield and Austin merged into the British Motor Corporation (Australia), and Victoria Park became the company's head office, design centre and main factory. The house history gives the workforce as about 150 when the plant started, around 4,000 by the mid-1960s, and between 5,000 and 5,500 at its peak. The company changed its name to British Leyland Motor Corporation by 1969, and to Leyland Australia in 1972.

The BMC-Leyland Australia Heritage Group's reference book describes a whole industrial town on the old track. The CKD plant unpacked the kits from England and assembled, painted and trimmed the cars. The Unit Plant made engines, gearboxes and axles, and had its own apprentice school. Fisher & Ludlow ran a press shop with presses of up to 900 tons, and the newer Car Assembly Building was said to be one of the most modern in the world. In 1968 a new administration building opened on the eastern side, and the plant's official address moved from Joynton Avenue, Zetland, to South Dowling Street, Waterloo.

A 1964 Austin Freeway, one of the BMC Australia family cars of the 1960s
A 1964 Austin Freeway, one of the BMC Australia family cars of the 1960s. sv1ambo, CC BY 2.0, via Wikimedia Commons

Then came the Mini. The Heritage Group's MiniWorld book says the Morris 850 was announced in the papers on 23 March 1961, with the Cooper following in 1963, the van in 1964 and the Moke in 1966. BMC Australia wasn't sure Australians would buy it at all. Its product engineer worried that Aussies started out with a big second-hand "bomb" rather than a small car, and thought the best hope was the second-car market. It's a funny thing to read now, given how many Minis ended up on Sydney roads. Museums Victoria says the Australian Mini was built at Zetland from 1961 to 1974.

A 1961 Morris Mini Mk I 850
A 1961 Morris Mini Mk I 850. The Morris 850 was announced in March 1961, and Australian Minis were built at Victoria Park, Zetland, until 1974. Cars Down Under, CC BY 2.0, via Wikimedia Commons
A 1970 Australian Moke
A 1970 Australian Moke. Moke production at Victoria Park began in 1966. Bob Adams, CC BY-SA 2.0, via Wikimedia Commons

The last big car to come out of Zetland was the Leyland P76. The City's Joynton Park history lists Morris, Austin and Wolseley cars and "the famous Leyland P76" among the plant's products. Wikipedia says the P76 won Wheels Car of the Year for 1973, but it had bad luck. Inflation was rising, industrial action was hitting both the parts makers and the Zetland plant, and the car came out just as the 1973 oil crisis killed demand for big cars. Leyland shut the plant in late 1974 (sources give October, December or simply 1975), and Mini and Moke production moved to Enfield.

A 1974 Leyland P76 Super V8
A 1974 Leyland P76 Super V8. The P76 was built at Zetland and died with the plant in 1974. Sicnag, CC BY 2.0, via Wikimedia Commons

The Navy Moves In

Once Leyland had gone, the Royal Australian Navy took over the site. The house history says there were eight general factory buildings and an office block for about 450 staff. The Navy used most of them as stores that held everything from ship propellers and generators to frozen food and pencils, though not explosives or missiles. About 800 people, mostly civilians, worked there until 1990, when things began to wind down. By 1996 the Navy had gone.

The Problems – Floods, Smoke and Poisoned Ground

None of this came without a price. By the time people started talking seriously about housing at Zetland, the place had three big problems: it flooded, the air was bad, and the ground and water were contaminated.

Flooding

You can drain a swamp, but the water still wants to go somewhere. The City's 2015 Green Square infrastructure plan says that since early colonial times the wetlands and creeks had held back development, and parts of Green Square sit on a floodplain where heavy rain causes serious flooding. The area is in the Alexandra Canal catchment, the biggest in the City of Sydney. It covers 1,141 hectares, or 43 per cent of the City's land, from Moore Park and Surry Hills right down through Zetland. In big storms the old pipes overflow and the water runs along the streets and pools in the low spots.

The fix was a 2.5-kilometre trunk stormwater drain from Link Road, Zetland, to the Alexandra Canal, running through the new town centre. The City and Sydney Water signed a deal to build it together in November 2013. The 2015 plan was blunt: without it, development in the town centre "could be severely hindered". The aim was to cut dangerous flooding on Joynton Avenue and Botany Road, with the drain due to be running by December 2017.

The "Zetland Monster"

Just as industry was fading, Zetland got a new neighbour it never asked for. Redfern News tells the story. In 1965 Waverley and Woollahra councils applied to build a rubbish incinerator in Botany Road, Waterloo. The City of Sydney said no, but in 1966 the Land and Valuation Court approved it. It was built over the filled-in Waterloo Dam, right next to Zetland's houses. The City's Green Square plan says its huge chimney poured out "stench, pollution and particle fallout round the clock". Locals called it the "Zetland Monster".

Residents were protesting within a year of it opening. In 1974 the State Pollution Control Commission ordered it shut, but it was overhauled and reopened in July 1976. In 1989 tests found dioxins in the emissions 30 to 60 times over world standards, and in 1992 further tests found levels up to 153 times over. Greenpeace blockaded it for a day in August 1992. After years of campaigning by the local action group ZCAG, Greenpeace and South Sydney Council, the incinerator closed in 1996. In its last year the EPA classed the ash as hazardous. It stood empty for years before it was knocked down to make room for the town centre.

Contaminated Ground and Water

A century and a half of tanning, scouring, refining, glassmaking and car-making leaves its mark in the soil. The worst of it sits in the canal. On 25 August 2000 the NSW Environment Protection Authority declared the bed of the Alexandra Canal, from Huntley Street, Alexandria, to the Cooks River, a remediation site under the Contaminated Land Management Act. The EPA found organochlorine pesticides (chlordane, DDT and dieldrin), PCBs and metals in the sediment. It said there was hardly any life left in the canal bed, that PCBs in the fish were over the legal limits, and that disturbing the mud would stir the poisons up again. The Dictionary of Sydney quotes a 2008 EPA report calling it "the most severely contaminated canal in the southern hemisphere", and says plans to make it a "Venice of Sydney" were dropped that year because cleaning it up would cost too much.

The Alexandra Canal in 2008, with the city skyline in the distance
The Alexandra Canal in 2008, with the city skyline in the distance. In 2000 the EPA declared the canal bed a remediation site. Pigmypossum, public domain, via Wikimedia Commons

On dry land, every old industrial block in Zetland has to be checked and cleaned up before people can live on it. NSW planning law (SEPP 55, "Remediation of Land") is there to make sure a change of use, especially to housing, doesn't put people's health at risk. A good example is 94–104 Epsom Road, the land next to Gunyama Park. A 2020 City of Sydney planning report says it was part of the racecourse, with army use during the war. Between 1952 and 1980 it was owned by Olympic Tyre & Rubber and used for car repair workshops and a petrol station, and from 1980 it was a council depot. The site investigation found hot spots with too much lead, PAHs (polycyclic aromatic hydrocarbons) and friable asbestos. The developer had to prepare a Remedial Action Plan to dig out the hot spots or bury them carefully, with sign-off from an accredited site auditor. The council also made it test for PFAS "forever chemicals" in the groundwater, which sits only about 3.5 metres down. The auditor's view was that the PFAS risk was very low and could be treated if it turned up.

The northern end of the Alexandra Canal in April 2025
The northern end of the Alexandra Canal in April 2025. Nick-D, CC BY-SA 4.0, via Wikimedia Commons

The Housing Debates

Housing versus industry is an old fight here. In the early 1950s, as noted above, the County Council's industrial zoning stopped Nuffield putting houses on part of the racecourse. Next door, Wikipedia's Waterloo article says there were slum clearance plans from at least the 1960s, protests against new towers in the 1970s, and a Builders Labourers Federation green ban in 1974 to protect low-income housing. Zetland ended up with the incinerator in the 1960s partly because other parts of Sydney saw it as a convenient place to put their waste.

From Factories to Flats – Green Square

The Green Square plan says that after the war, manufacturing either shrank or moved out west, leaving big empty industrial blocks. The downturn sped up from the 1970s. In August 1993 the Department of Planning launched the Green Square Strategy, an "urban village" for up to 30,000 people on the old industrial land east of the incinerator. Planning really got going in 1995, after the Airport Link railway and a station at Green Square were announced. A design competition followed, and in 1998 the Green Square Structural Masterplan was released.

Green Square railway station in 2011
Green Square railway station in 2011. The station opened in 2000 and gave its name to the whole renewal area. Gareth Edwards, CC BY-SA 3.0, via Wikimedia Commons

In 1996 the NSW Government set up the South Sydney Development Corporation to run the South Sydney Growth Centre, including the old Navy stores at Victoria Park. In December 1997 the Victoria Park land was sold to Landcom, the State's developer. Landcom put in the sewers, phone lines and roads (Gadigal Avenue among them), and its 1998 masterplan allowed for 2,500 homes for 3,800 people. Most of Green Square was rezoned in 1999 under the South Sydney plans, and the Victoria Park masterplan was approved the same year. By 1999 almost every building on the site had been knocked down except the heritage-listed Tote.

Council Boundaries

Zetland has changed councils several times. It sat in the old Municipality of Waterloo. Wikipedia's history of the City of South Sydney says a council by that name (first called Northcott) ran from 1968 to the start of 1982 and again from 1989 to 2004. The second South Sydney Council had its offices on Joynton Avenue, Zetland, until it moved to Redfern in 2001. In 2004 the State Government merged it with the City of Sydney. Along the way, the suburb boundaries were tidied up and Zetland was formally named a suburb in July 1996.

Victoria Park in the 1990s and 2000s

Private builders went to work on the cleared land. Among the first was 22 Gadigal Avenue, the ESP apartments, finished in 2004. It has 221 apartments and won an Australian Institute of Building award that year. The street names tell the site's story if you know how to read them. Levy and Hutchinson recall the old landholders. Joynton Avenue, Tote Park, Victoria Park Parade and Grandstand Parade recall the racecourse. Nuffield Park and Austin, Wolseley, Morris and Leyland Groves recall the car plant.

The ESP apartments at 22 Gadigal Avenue in 2006
The ESP apartments at 22 Gadigal Avenue in 2006. Built in 2004, they stand on what was the middle of the Waterloo Swamp, and later the car plant. J Bar, CC BY-SA 3.0, via Wikimedia Commons
Apartments on Victoria Park Parade in 2010
Apartments on Victoria Park Parade in 2010. The street names keep the racecourse alive. OSX, public domain, via Wikimedia Commons

East Village

East Village opened on 22 October 2014, with a supermarket, gym, shops and cafés, plus 206 apartments upstairs and a 6,500 square metre "Sky Park". Its address is Victoria Park, Cooper Place, so the Coopers are still on the map.

East Village at Victoria Park, which opened in October 2014 with shops below and apartments above
East Village at Victoria Park, which opened in October 2014 with shops below and apartments above. Turner Studio, CC BY-SA 4.0, via Wikimedia Commons

Why It's Called Green Square

The name Green Square is much newer than Zetland, and it doesn't refer to grass. Lisa Murray found that in 1937–38, when O'Riordan Street was rebuilt, a small reserve was made where it met Botany Road. Alexandria Council named it Green Square after Alderman Frederick Green, a Labor man who pushed hard for local industry and jobs, was mayor in 1937–38 and 1945, and later served as Member for Redfern from 1950 to 1968. Hardly anyone knew the name until the railway station opened in 2000. In 2012 the Council named the new town centre plaza Green Square to keep it going. When Urban Growth NSW pushed in 2013 and 2014 to rename the town centre as a separate suburb called Green Square, the City Historian recommended against it. Her view was that Zetland had been in continual use for about 140 years and shouldn't be changed "for expediency or fashion". She suggested Green Square be an "urban place" within Zetland and Alexandria instead.

The Library and Plaza

The City opened the Green Square Library and Plaza in September 2018. Stewart Hollenstein with Stewart Architecture won a worldwide competition to design it. Most of the library is underground, which is no small thing on land the City notes "was once a swamp". It has 40 skylights, a sunken garden, an amphitheatre and a six-storey glass tower poking up through the plaza. Hanging in the atrium is Cloud Nation, an aeroplane by the artists Claire Healy and Sean Cordeiro, with a tiny world of people and houses built onto it. It's a nice nod to Colin Defries and his 1909 flight just up the road. In 2019 the library won the Sir Zelman Cowen Award for Public Architecture.

Green Square Library and Plaza in 2022, with the glass tower rising out of the plaza and the library itself underground
Green Square Library and Plaza in 2022, with the glass tower rising out of the plaza and the library itself underground. Kksuppo, CC BY-SA 4.0, via Wikimedia Commons
Another look at the Green Square library in November 2022
Another look at the Green Square library in November 2022. Sam Wilson, CC BY-SA 4.0, via Wikimedia Commons
The Green Square renewal in July 2021, with the library tower on the left
The Green Square renewal in July 2021, with the library tower on the left. Drematros, CC BY-SA 4.0, via Wikimedia Commons

Gunyama Park Aquatic and Recreation Centre

Gunyama Park Aquatic and Recreation Centre opened at 17 Zetland Avenue on 1 February 2021. The City says it's the biggest pool complex built in Sydney since the 2000 Olympics. Andrew Burges Architects, Grimshaw and TCL won the 2014 design competition, and CPB Contractors built it. There's a 50-metre outdoor pool set inside a bigger, beach-shaped pool, a 25-metre indoor pool, a hydrotherapy pool, a kids' water play area and a full-size sports field. The planting draws on the old wetlands. Out front is Bangala, a bronze sculpture by Aunty Julie Freeman (Eora/Yuin) and Jonathan Jones (Wiradjuri/Kamilaroi), modelled on the water carriers Aboriginal people used along the east coast. After more than a century of drains, dams and dirty water, it seems fitting that water is now what brings people here.

Gunyama Park Aquatic and Recreation Centre in 2022
Gunyama Park Aquatic and Recreation Centre in 2022. It opened on 1 February 2021 on land that was once part of the racecourse and later a council depot. Ampamci, CC BY-SA 4.0, via Wikimedia Commons
The entrance to the Drying Green, a 6,200 square metre park bounded by Portman Street, Geddes Avenue, Paul Street and Zetland Avenue
The entrance to the Drying Green, a 6,200 square metre park bounded by Portman Street, Geddes Avenue, Paul Street and Zetland Avenue. Ampamci, CC BY-SA 4.0, via Wikimedia Commons

Zetland Today

The numbers show how fast it's all happened. The City's 2015 plan says about 3,000 people lived in the Green Square area when it was rezoned in 1999, and 21,200 by 2014. At the 2021 Census, the Australian Bureau of Statistics counted 12,622 people in Zetland alone, with a median age of 30, in 7,466 private dwellings. Wikipedia gives 10,078 for 2016. The same 2015 plan expected Green Square to be home to 53,190 people by 2030.

Ebsworth Street now runs through the town centre and is billed as Sydney's first new high street in a century. Wikipedia says a new primary school is going onto the old hospital land on Joynton Avenue. The trams that ran through Zetland from 1902 until 1957 are long gone, as is the Zetland Post Office (1937 to 1983). But if you walk the Transform trail from the library you can still find old terraces, the horse trough and the Tote.

Ebsworth Street, billed as Sydney's first new high street in a century
Ebsworth Street, billed as Sydney's first new high street in a century. Ampamci, CC BY-SA 4.0, via Wikimedia Commons
Zetland Avenue in 2022
Zetland Avenue in 2022. Ampamci, CC BY-SA 4.0, via Wikimedia Commons

Timeline

  • Before 1788 – Gadigal Country of sandhills, creeks and wetlands, including the Waterloo Swamp.
  • 1815 – First water mill built to use the swamp (City of Sydney).
  • 1820 – Hutchinson and Terry part owners of the Waterloo flour mill.
  • 1823 – 1,400 acres granted to William Hutchinson (the Waterloo Estate).
  • 1825 – Daniel Cooper and Solomon Levey become sole owners of the Waterloo Company. The estate stays with the Coopers for decades.
  • 1849 – Slaughter House Act pushes noxious trades a mile out of the city.
  • 1850s – Cooper Estate has become an industrial suburb.
  • 1874 – Governor Sir Hercules Robinson sets up Zetland Lodge stables.
  • 1878 – Zetland Lodge passes to trainer Thomas Lamond.
  • 1881 – Lamond's Zulu wins the Melbourne Cup.
  • 1882–1916 – Southern outfall sewer runs through the district, partly as an open channel.
  • 13 June 1885 – Zetland Estate goes to auction. Streets dedicated in August.
  • 1886 – Zetland Hotel opens.
  • 1887–1905 – Sheas Creek dug out as the Alexandra Canal.
  • 1896 – Dugong bones and stone hatchets found in Sheas Creek.
  • 1902 – Trams start running through Zetland.
  • 1904 – Joynton Smith buys the swamp land.
  • 1906 – Swamp drained via a trench to Sheas Creek.
  • 15 January 1908 – Victoria Park Racecourse opens.
  • 6 October 1908 – First motor race meeting at Victoria Park.
  • 1909 – Colin Defries flies at Victoria Park.
  • 1913 – South Sydney Hospital opens. It becomes "Royal" in 1917.
  • 1938 – Green Square reserve named after Alderman Frederick Green.
  • 1939 – Rheem makes its first Australian water heater at Waterloo.
  • 1942 – Last races at Victoria Park. The military takes over.
  • 1943 – Alexandria claims 550 factories and calls itself the "Birmingham of Australia".
  • 1947/48 – Lord Nuffield buys the racecourse.
  • March 1950 – Nuffield Australia's assembly plant opens.
  • 10 December 1951 – Industrial subdivision approved. Housing is refused.
  • 1954 – BMC (Australia) formed, with its head office at Victoria Park.
  • 1957 – Zetland trams close.
  • 23 March 1961 – Morris 850 (Mini) announced.
  • 1966 – Moke production begins.
  • 1972/73 – Waterloo Incinerator opens.
  • 1973 – Leyland P76 launched.
  • Late 1974 – Leyland closes the Zetland plant. The Navy moves in.
  • 1989–2004 – Second South Sydney Council, with offices on Joynton Avenue until 2001.
  • 1993 – Green Square Strategy launched.
  • 1996 – Incinerator closes. The Navy has left. South Sydney Development Corporation set up. Zetland formally assigned as a suburb (19 July).
  • 1997 – Victoria Park sold to Landcom.
  • 1998 – Green Square Structural Masterplan and Victoria Park masterplan.
  • 1999 – Most of Green Square rezoned. The old factories are demolished.
  • 2000 – Green Square station opens. The EPA declares the Alexandra Canal bed a remediation site (25 August).
  • 2003 – Royal South Sydney Hospital closes.
  • 2004 – South Sydney merged into the City of Sydney. ESP apartments completed.
  • 2007/08 – Incinerator demolished.
  • 2013 – Trunk drain agreement between the City and Sydney Water.
  • 22 October 2014 – East Village opens.
  • 2018 – Joynton Avenue Creative Centre (May) and Green Square Library (September) open.
  • 1 February 2021 – Gunyama Park Aquatic and Recreation Centre opens.
  • 2021 – Census counts 12,622 people in Zetland.

Where the Sources Disagree

  • How the Earl of Zetland was connected to Robinson. The Dictionary of Sydney says the suburb was named after the Earl of Zetland in the 1870s "by his relative Governor Sir Hercules Robinson". Lisa Murray's City Historian report says the Earl was "reputedly a relation of his wife, Lady Robinson". Wikipedia says the stable was "presumably" named after the Earl because he was a friend of the Governor and a fellow mason. All three agree the suburb's name came through the Zetland Lodge stables. I couldn't find any source I could actually read that says the name came straight from a racehorse called "Lord Zetland". The racing link I could confirm is that the Earl was a leading turf man (his Voltigeur won the 1850 Derby) and that Robinson raced in the "Zetland" spots.
  • When the swamp was drained and the course opened. The City's house history has Joynton Smith buying the land in 1904. The Joynton Park history says it was drained in 1906. The Green Square infrastructure plan says the racecourse was "created in 1906". The ADB and the Dictionary of Sydney both give the opening as 15 January 1908.
  • When the racecourse closed. The house history says the last races were in 1942. The ADB, the Dictionary of Sydney and the Joynton Park history say 1944. Erik Nielsen's chapter title in Histories of Green Square runs "1908–1943". A 2020 City planning report says the Victoria Park company ran the site as a racecourse "from 1910 to 1946".
  • What the course was used for in the war. The house history says the military took it over. Wikipedia says it was used for an aircraft factory. The 2020 planning report says part of it was an army base from 1939 to 1945.
  • When Nuffield bought it and when the plant opened. Wikipedia says 1947, the City's house history says 1948. Wikipedia's BMC article says the plant opened in March 1950 (and elsewhere in the same article says it was "opened by Lord Nuffield in 1957"). The house history says it started as an assembly plant "around 1954 with about 150 employees".
  • When the car plant closed. Wikipedia's P76 article says October 1974. The City's house history says December 1974. The Heritage Group book says "late 1974". The City's Joynton Park history and Wikipedia's Zetland and Victoria Park articles say 1975.
  • The first mill. The City's house history says the first water mill went up in 1815. The Dictionary of Sydney says Hutchinson developed a water-powered flour mill in 1818. The ADB and the house history say Hutchinson was part owner of the Waterloo mill in 1820.
  • The incinerator's dates. The City's Green Square plan says it ran from 1972 to 1996 and was demolished in 2008. Redfern News says it opened in 1973 and was demolished in 2007.
  • Who founded the hospital, and when. The ADB says Joynton Smith founded (Royal) South Sydney Hospital in 1910. Wikipedia says fundraising began in 1908 with Smith as provisional president, building started in 1912 and it opened in 1913.
  • When Green Square station opened. Lisa Murray's report says May 2000. The City's infrastructure plan says "late 2000".

My Earlier Posts

Sources

Sydney's Aboriginal Rock Engravings – Whales, Wallabies and Ancestral Beings Cut in Sandstone, from Bondi to Ku-ring-gai Chase

A note for Aboriginal and Torres Strait Islander readers. This page is about the rock engravings of the Sydney region. They are cultural places that belong to the Aboriginal peoples of this Country, and many are still sacred today. This page names people who have died, including Cora Gooseberry and Governor Arthur Phillip, and it includes a historical portrait. Some quotes from colonial writers use words and ideas that are offensive today. I've only included sites that the National Parks and Wildlife Service, local councils or the Australian Museum already publish. Please don't go looking for, or share, the locations of sites that aren't public.

I acknowledge the Gadigal, Guringai, Darug, Dharawal and all the other Traditional Custodians of the land and waters of the Sydney region, and pay my respects to Elders past and present.

Engraved figures of a man and a woman, Ku-ring-gai Chase National Park
Engraved man and woman on a sandstone platform in Ku-ring-gai Chase National Park, photographed in 1982. Drlectin, CC BY-SA 4.0, via Wikimedia Commons

You can walk past them for years without knowing they're there. On a flat shelf of sandstone above the surf at North Bondi, or on a ridge in Ku-ring-gai Chase, there are outlines cut into the rock: a whale longer than a bus, a line of hopping wallabies, a man with his arms up, a trail of footprints heading off into the scrub. They are the rock engravings of the Sydney region, and they're among the oldest pictures in the city.

This page covers what they are, how they were made, how old they might be, whose Country they're on and what happened to them after 1788. That last part covers the roads built over them, the stonemasons who recut them and the long arguments about how to look after them. Where the sources don't agree, I've said so.

What the Engravings Are

Archaeologists split Sydney's rock art into two kinds. Pigment art (drawings, paintings and stencils in charcoal and ochre) sits in rock shelters, out of the weather. Engravings are mostly out in the open, cut into flat platforms of sandstone. Jo McDonald's study of Sydney Basin rock art uses exactly that split: there are two art contexts, "in rockshelters and on open engraving sites" [33]. Val Attenbrow, writing for the Dictionary of Sydney, says Sydney engravings "occur principally on open horizontal sandstone platforms", though some turn up in shelters and on vertical rock faces [13].

The style is local. The Australian Museum calls it "simple figurative" and says the style "is confined to the region" [30]. NPWS says engraving sites on Hawkesbury sandstone have "a distinctive style of engraving which is unique in Australia" [19]. Most of the figures are just outlines. The Wikipedia summary of McDonald's work puts it at 97 per cent outline only, with infilled bodies kept mostly for culture heroes [1].

The Sandstone

Hawkesbury sandstone rock platform in Ku-ring-gai Chase National Park
A flat Hawkesbury sandstone platform in Ku-ring-gai Chase. Most Sydney engravings are cut into open platforms like this. Poyt448 (Peter Woodard), CC BY-SA 4.0, via Wikimedia Commons

The rock is Hawkesbury Sandstone. The Ku-ring-gai GeoRegion guide to West Head describes it as a medium to coarse quartz sandstone of Triassic age, laid down between 247 and 242 million years ago [4]. Across much of the northern and southern bush the surface has cracked into a pattern of plates and polygons, which geologists call tessellation, and a lot of the engravings are cut straight across those cracks [3, 5].

Attenbrow makes the point that Sydney is lucky in its rock. Its sandstone shelters and platforms are where so much of the evidence of Aboriginal life has survived [13]. But the softness that made the stone easy to cut also lets it wear away. Waverley Council's page on the Bondi engravings, written with the Gujaga Foundation, says the markings "have eroded due to the softness of the rock, the natural influences of weathering and people treading on these sacred sites" [11].

Weathered Sydney sandstone outcrop
Weathered Sydney sandstone. The same soft rock that made engraving possible also wears the grooves away. Whiteghost.ink, CC BY-SA 3.0, via Wikimedia Commons

How They Were Made

Most accounts agree on the basic method. The Australian Museum, describing an engraved echidna at West Head, says an outline was sketched first. Then "a series of holes would have been drilled along the lines with a pointed stone or shell or piece of hard wood", and the holes were joined by rubbing a sharp object along the line. The result is a U-shaped groove up to about 2 cm deep and 2 cm wide [30]. Natural grooves in sandstone are usually V-shaped, and grooves cut with steel tools are narrower and deeper [30, 1].

The Gujaga Foundation text on the Waverley Council site describes it as pecking a line of holes and then joining them, "similar to a joining of the dots" [11]. Archaeologists call this "conjoined-puncturing" [13]. You can see the method for yourself at the Resolute Track platform near West Head. The GeoRegion guide notes that two engraved eels there "began as a series of conical pits that were then joined as a line" [4].

One caution from Attenbrow: nobody actually knows what tool was used. No outsider recorded an engraving being made until the late nineteenth century, and on that one occasion the maker used a metal tool [13].

Engraved human figure in Ku-ring-gai Chase National Park
A 1.7-metre engraved figure in Ku-ring-gai Chase National Park, with a swollen leg and no neck. Poyt448 (Peter Woodard), Public domain, via Wikimedia Commons

How Many Are There?

The honest answer is thousands, and the count depends on who's counting and what they count.

  • Jo McDonald's PhD study used a sample of 717 open engraving sites. She says that was 39.5 per cent of the engraving sites known in the region in 1994 [33]. That works out to roughly 1,800 known engraving sites at the time (my arithmetic, not hers).
  • Those 717 sites held 7,804 motifs. The commonest was the human footprint, or "mundoe", at about 17 per cent, then unidentifiable shapes and fish [33].
  • Wikipedia's article on the Sydney engravings, citing McDonald, says there are "approximately 2,000 rock engraving sites". It also says "many thousands" of individual engravings are known, though most locations aren't made public [1].
  • The State Library of NSW's Eora story says the Eora "created hundreds of galleries" engraved in the sandstone of the Sydney Basin [32].
  • Most sites are small. McDonald found the average engraving site has 10.9 motifs, almost one in five has just one, and only four sites in her sample have more than 90 [33].

Some park-level figures from NPWS: more than 350 Aboriginal sites in Ku-ring-gai Chase National Park on one NPWS page, and over 800 on another (see "Where the Sources Disagree" below) [8, 2]. Brisbane Water National Park has "hundreds of rock engraving sites" [19]. Garigal National Park has around 100 recorded Aboriginal sites of all kinds [28, 29]. These figures count every kind of Aboriginal site, not just engravings.

How Old Are They?

This is the hardest question, and the sources are careful about it. Engravings on open rock usually have no soil or charcoal over them to carbon-date.

  • Attenbrow (Dictionary of Sydney) says that apart from post-contact images like sailing ships, dating Sydney's engraved and painted images "has proved impossible". She gives two minimum ages from nearby. In the Macdonald Valley, engravings that had been partly buried must be older than 2,800 years, going by radiocarbon dates from the deposit next to them. In the Blue Mountains, a mineral crust over an engraved bird track gave a minimum age of 1,790 years [13].
  • The Australian Museum says the style and condition of the West Head echidna suggest it was made "in the last few thousand years" [30].
  • McDonald says the region's art fits the Simple Figurative styles, which are predicted to be "a relatively recent (Holocene) phenomenon" [33].
  • Wikipedia says Sydney rock art dates to around 5,000 years, possibly up to 7,000. It cites popular articles, not a dating study, and puts the simple figurative style at around 3,000 to 4,000 BC [1].
  • At individual sites the estimates vary. One is "possibly up to 2,000 years old" for the deeper-cut southern part of the Bondi group (Terri McCormack, Dictionary of Sydney) [12]. Another is "about 1000 years old" for the Balls Head carvings (Sydney Morning Herald, 2008) [14]. At Bulgandry, NPWS says most engravings are "more than 200 years old with many perhaps ten times that age" [17].

Some engravings are young. Sailing ships, a clay pipe, bulls and a woman in a skirt have all been recorded. They were cut after 1788, so engraving carried on after the British arrived [13]. There's a further complication: engravings were sometimes re-grooved during later ceremonies, which makes the age of the groove you see today even harder to pin down [30, 1].

Whose Country

The engravings sit across the Country of many peoples, and the names used for them vary between sources and over time. The Australian Museum lists the clans living between Botany Bay, Broken Bay and Parramatta in 1788. They include the Gadigal, Wangal, Wallumedegal, Boromedegal, Gamaragal, Borogegal, Birrabirragal and Gayamaygal, who spoke languages now known as Darug and Dharawal. Gundungurra was spoken to the south-west and Darginung north-west of the Hawkesbury [31]. The Museum also points out that the language names Darug, Dharawal, Darginung and Gundungurra only came into use after the 1870s, through early anthropologists and linguists [31].

Closer to particular places:

  • Bondi: Waverley Council acknowledges the Bidjigal, Birrabirragal and Gadigal people of the Sydney coast [11].
  • Balls Head: North Sydney Council describes it as Cammeraygal Country [16]. Karen Smith of the Aboriginal Heritage Office told the ABC that the Cammeraygal and Wallumedegal were living in the North Sydney area in 1788 [15].
  • Kurnell / Kamay: NPWS says two nations, the Goorawal and the Gweagal, were living in what is now Kamay Botany Bay National Park when Europeans first arrived [26].
  • Ku-ring-gai Chase and Muogamarra: NPWS runs walks in Ku-ring-gai Chase with Guringai Tours and Traditional Custodians [8]. For Muogamarra, NPWS reports that the Darug Tribal Aboriginal Corporation treats Berowra Creek as a boundary, with Darug people to the west and Ku-ring-gai people to the east [25]. Les McLeod, an Aboriginal guide on the Hawkesbury, is quoted saying "the Guringai people would have visited a couple of times a year to re-engrave" the figures [1].
  • The south: Dharawal National Park is "the traditional land of the Dharawal Aboriginal people" [21]. NPWS says the Jibbon Headland engravings in Royal National Park show "the Dharawal People's past and present links to the land" [27].

The State Library's Eora story uses Eora, meaning "the people", for the coastal clans, and credits them with the engraved galleries of the Sydney Basin [32].

What They Show

Attenbrow lists the commonest subjects of engraved and painted images around Sydney: men and women, hands, footprints, ancestral or supernatural beings, kangaroos and wallabies, dingoes, wombats, echidnas, fish, eels, sharks, dolphins, whales, sun-fish, turtles, snakes, lizards, emus, lyrebirds, brush turkeys, shields, boomerangs, axes, spears, clubs and dilly bags [13]. The State Library adds "sky heroes" to the list [32].

Line tracing of an engraving of Daramulan
A tracing of an engraving of the ancestral being Daramulan, made by a Wikimedia contributor from a published photograph. Sanglorian, CC BY-SA 4.0, via Wikimedia Commons

Whales are a Sydney speciality. The Australian Museum notes that engraved whales are found "on rock platforms along the coast and around the shores of Sydney Harbour", naming Balls Head and Grotto Point at Clontarf [31]. The Garigal plan of management calls large whale motifs "an uncommon feature" that "may have been culturally significant" [29]. The Museum also records what may be part of the reason. Stranded whales were a feast. In September 1790 Watkin Tench described about two hundred people gathered around a dead whale on the beach at Manly Cove, cooking it on fires [31].

Ancestral beings turn up too. Wikipedia describes Baiame with a striped head-dress and Daramulan with a large club foot, possibly part-emu [1]. The GeoRegion guide records a large "Daramulan-like ancestral figure" at the Elvina Track site [5].

As for what it all meant, the sources are modest. Attenbrow says the original cultural meaning of Sydney's rock images "has not been retained in oral histories and was not recorded by the first British colonists". She suggests they may have been made for ceremony as well as everyday reasons: to bring luck in hunting and fishing, to teach, to tell stories or simply to show something the artist had seen [13]. The Gujaga Foundation text calls engraving sites "our classrooms" and says they also pointed to local sources of food [11]. Karen Smith told the ABC that Balls Head "was a really big rock art gallery", but "what the story was they were trying to tell, we don't know." She added: "Nobody actually asked or cared enough to ask the people here what that story is" [15].

Well-Known Sites

All of these sites are publicly described by NPWS, a local council or the Australian Museum. I've only repeated what those bodies already publish.

Bondi Golf Course, North Bondi

Engraved sandstone platform, Bondi Golf Course, North Bondi
The engraved rock platform at Bondi Golf Course, North Bondi, on the cliff top above Murriverie. Sardaka, CC BY-SA 4.0, via Wikimedia Commons

On the sea side of the golf course, on a cliff-top platform above a fishing rock known as Murriverie or Marevera, is Sydney's best-known engraving group [12]. Waverley Council (with the Gujaga Foundation) describes two large groups. The southern group is covered over and includes a whale, porpoise, fish, human figures, boomerangs and footprints. The northern group, the one you can see, has a seal, shark, fish and a boomerang [11].

Terri McCormack, in the Dictionary of Sydney, says the carvings stretched more than 60 metres south. She describes the largest as an eight-metre shark that appears to be attacking a male figure, possibly "the first record of a shark attack at Bondi". She says it was earlier thought to be a whale, but the fins identify it as a shark [12]. The Hiking the World site record calls the central figure a whale and thinks the shark-attack reading is "incorrect" [36]. More on that below.

Large engraved marine figure, North Bondi
Large marine figures at North Bondi. Some sources call the biggest a whale and others a shark. Sardaka, CC BY-SA 4.0, via Wikimedia Commons

Bondi is also where the re-grooving argument came to a head (see "Protection and the Re-grooving Debate").

Engraved fish, North Bondi
Engraved fish at North Bondi. Waverley Council had a stonemason recut these grooves in 1951 and 1964. Sardaka, CC BY 3.0, via Wikimedia Commons
Engravings at North Bondi with encroaching grass
More of the North Bondi engravings, with grass creeping over the edge of the platform. Sardaka, CC BY 3.0, via Wikimedia Commons

Ku-ring-gai Chase: the Basin Track

NPWS calls the Basin Aboriginal art site "one of the best examples of rock engravings" in Ku-ring-gai Chase. It's near the start of the Basin Track off West Head Road, and NPWS says to come in the early morning or late afternoon, "when the shadows give an edge to the faint, yet impressive engravings" [2]. The GeoRegion guide says it has about 40 figures and part-figures. They include fish and wallabies in profile, men and women alongside shapes that may be crescent moons, and a few mundoes [4].

Engraved kangaroos, Basin Track site
Kangaroos or wallabies at the Basin Track engraving site, Ku-ring-gai Chase. Schomynv, Public domain, via Wikimedia Commons

Ian Sim recorded the site in 1965. His record includes a man with a four-rayed head-dress holding a fish and a boomerang, and a man and woman engraved side by side with arms overlapping and raised. There's also a line of seven wallabies hopping north and a wallaby with a young one following [3].

Engraved man and woman, Basin Track site
The man and woman at the Basin Track site, side by side with their arms raised. Schomynv, Public domain, via Wikimedia Commons
Engraved figure, Basin Track, Ku-ring-gai Chase
An engraved figure at the Basin Track site, recorded by Ian Sim in 1965. Sardaka, CC BY-SA 4.0, via Wikimedia Commons
Engraved animal, Basin Track, Ku-ring-gai Chase
An engraved animal at the Basin Track site. NPWS says to come early or late in the day, when the shadows sharpen the lines. Sardaka, CC BY-SA 4.0, via Wikimedia Commons
Engraved animal outline, Basin Track, Ku-ring-gai Chase
An engraved animal on the Basin Track. The grooves only stand out properly when the sun is low. Sardaka, CC BY-SA 4.0, via Wikimedia Commons
Wharf and beach at The Basin, Pittwater
The Basin on Pittwater, where the Basin Track ends after passing the engraving site. Poyt448 (Peter Woodard), CC0, via Wikimedia Commons

Ku-ring-gai Chase: the Elvina Track

Fred McCarthy recorded the Elvina Track engraving site off West Head Road in 1954. According to the GeoRegion guide it has at least 53 motifs spread over several heavily tessellated platforms. They include a large whale, emus (one with an egg), goannas, fish, shields, wallabies, eels and the large Daramulan-like figure. Natural cracks in the rock seem to have been used to suggest one or two long snakes [5]. The NPWS page for the Elvina trail itself is about the walk down to Elvina Bay and doesn't mention the engravings [7].

Engraving at the Elvina Track site
An engraving at the Elvina Track site off West Head Road, which has at least 53 figures. Sardaka, CC BY-SA 4.0, via Wikimedia Commons
Engraving at the Elvina Track site
Another engraving at the Elvina Track site. Many of the figures there are cut across the cracked, tessellated rock. Sardaka, CC BY-SA 4.0, via Wikimedia Commons

Ku-ring-gai Chase: West Head and the Lion Island View

NPWS's Aboriginal Heritage walk links the Resolute and West Head tracks. It passes Red Hands Cave (stencils, not engravings), a set of rock engravings and an old occupation shelter, then comes out at West Head Lookout [6]. On the Resolute platform, the GeoRegion guide points out a man with outstretched arms and a club or axe at his waist, two eels with cross-bars, and the leftovers of older engravings. It adds that other engravings "were destroyed when the trail was constructed" [4].

Long engraved figure at West Head
A 20-metre engraving at West Head, Ku-ring-gai Chase. Poyt448, Public domain, via Wikimedia Commons

From the lookout NPWS says you can see across the Hawkesbury to Lion Island Nature Reserve and the Central Coast beaches [9]. The GeoRegion guide adds that 20,000 years ago this view "would have been across a forested valley", with the coast 8 to 12 km further out. When the sea rose after the last Ice Age it drowned "a landscape that was occupied by Aboriginal people" [4].

The Australian Museum's echidna engraving is also at West Head. It's 90 cm long with 12 lines for quills, and it shares a site with six fish up to 1.9 m long, a shark, two shields, two stingrays and at least 75 mundoes [30].

West Head Lookout
West Head Lookout, where the Aboriginal Heritage walk finishes. John Dalton, CC BY-SA 3.0, via Wikimedia Commons
View over Broken Bay from West Head Lookout
Looking out over Broken Bay from West Head Lookout. NPWS says Lion Island and the Central Coast beaches are in view from here. Travelstine, CC BY-SA 4.0, via Wikimedia Commons
Lion Island and Pearl Beach from Ettalong
Lion Island at the mouth of the Hawkesbury, seen from the Central Coast side at Ettalong. Max.Furby, CC BY-SA 4.0, via Wikimedia Commons

Mount Ku-ring-gai

Mount Ku-ring-gai station is the start of the NPWS track to Berowra. NPWS says it passes "an Aboriginal midden" and that middens are common through the park [10]. I couldn't find an NPWS, council or Australian Museum page that names an engraving site on that track, so I'm not pointing to one.

Bush track at Mount Ku-ring-gai
The Mount Ku-ring-gai track, which NPWS says passes an Aboriginal midden on the way to Berowra. Maurice van Creij, CC BY 3.0, via Wikimedia Commons

Muogamarra Nature Reserve

Muogamarra, between Cowan and the Hawkesbury, is only open for about six weeks a year around August and September, to protect "sensitive natural and cultural heritage values". Visits are by booked guided tour, and NPWS says visitors get the chance to see Aboriginal rock engravings [24]. NPWS also says Aboriginal sites in the reserve "will be preserved and managed in partnership with Aboriginal people". It notes some engravings in the reserve date from the nineteenth century and belong to its European history [25].

View over Muogamarra Nature Reserve
Muogamarra Nature Reserve from Lloyd Trig. It opens for about six weeks a year, on booked tours only. PRFenelon, CC BY-SA 4.0, via Wikimedia Commons

Balls Head, Waverton

Balls Head was dedicated as a public reserve in 1926, and North Sydney Council says it and Berry Island both "feature Aboriginal rock carvings" [16]. The best known is a whale about six metres long with the faint outline of a man inside it. Some read the man as a "clever man" singing the whale into the harbour, but Karen Smith told the ABC that interpretations have conflicted over the years [14, 15]. The Herald reported in 2008 that another animal carved near the whale's tail looks like a dog or a horse. If it's a horse, the Cammeraygal were still carving there after 1788 [14].

Plaque at Balls Head Reserve lookout
The 1974 plaque at Balls Head lookout. The headland is named after Lieutenant Henry Lidgbird Ball of the First Fleet ship Supply. Sardaka, CC BY-SA 4.0, via Wikimedia Commons

Balls Head also shows how much has been buried. In the early 1900s a road was built to service the coal loader, and it covered four engravings and part of the whale's tail. A 2008 dig, done to turn the site into a community nursery, found them again: a man, two "spirit men" with rays from their heads and what looks like a school of fish [14].

View from Balls Head Reserve over Sydney Harbour
The view from Balls Head. North Sydney Council says the whale engraving was cut on a platform with views up and down the Harbour. Sardaka, CC BY-SA 4.0, via Wikimedia Commons

Bantry Bay, Garigal National Park

Wikipedia describes the Bantry Bay site in Garigal National Park as an "extensive engraving site" with animals, people, symbols and a whale [1]. The NPWS plan of management for Garigal describes one large engraving site in the park with more than 80 separate figures. It says it "is believed to be the group noted by White in 1788 during an expedition led by Governor Arthur Phillip … the first seen by Europeans in Australia". The same site was noted by the geologist Etheridge in 1890 and by W. D. Campbell in 1899, and the plan calls it "one of the most important surviving sites in the Sydney area" [29]. The plan doesn't name the site. The Hiking the World record says it's Bantry Bay, with 116 figures over five platforms after a 1966 survey, up from 84 counted in the 1890s [37].

Engravings near Bantry Bay, Garigal National Park
Part of the large engraving site near Bantry Bay in Garigal National Park. Sardaka, CC BY 3.0, via Wikimedia Commons
Faint engravings near Bantry Bay
Faint figures near Bantry Bay. The grooves show up best in raking light. Sardaka, CC BY 3.0, via Wikimedia Commons
Bantry Bay, Garigal National Park
Bantry Bay in Garigal National Park, on Middle Harbour. Dykramer, CC BY-SA 4.0, via Wikimedia Commons

Kurnell / Kamay

Kamay is where Aboriginal people and the crew of the Endeavour met in 1770. NPWS says "significant Aboriginal sites have been recorded in the park, including middens and engravings" [26]. I couldn't find an NPWS page pointing visitors to a particular engraving at Kurnell, so the best way to learn about the area's Aboriginal history is on NPWS's guided Aboriginal cultural tours there [26].

Sandstone cliffs at Kurnell
Sandstone cliffs at Kurnell. NPWS says engravings and middens are recorded in Kamay Botany Bay National Park. J Bar, CC BY-SA 3.0, via Wikimedia Commons

Dharawal National Park and Jibbon

Dharawal National Park, near Helensburgh and Appin, became a national park in 2012 [21]. Its plan of management highlights "exceptionally well-preserved drawings, stencils and paintings", not engravings [22]. The plan also commits NPWS not to publicise the locations of Aboriginal sites without the agreement of the local Aboriginal land council and other Aboriginal representatives [22]. If you want to see engravings on Dharawal Country, NPWS points to Jibbon Headland in Royal National Park. It calls these "some of the region's most outstanding engravings" and has built a boardwalk and viewing platform there [27].

Waterfall in Dharawal National Park
Water over sandstone in Dharawal National Park. NPWS lists drawings, stencils, paintings and grinding grooves here. Doug Ford, CC BY 2.0, via Wikimedia Commons

Over the Hawkesbury: Bulgandry

Bulgandry, near Kariong in Brisbane Water National Park, is on the Central Coast rather than in Sydney. I've included it because NPWS says it's cut into the same Hawkesbury sandstone, in the same distinctive style, and NPWS has made it easy to visit [19]. Its name belongs to the large engraving of a man "thought to represent an ancestral hero, depicted with an impressive headdress". There are also wallabies, fish, a dolphin, what may be a canoe and a bird, and axe-sharpening grooves nearby. A 290-metre path and a boardwalk around the engravings mean you can see it all without stepping on the rock [17, 18, 20].

Bulgandry engraving, Brisbane Water National Park
Bulgandry, the large engraved ancestral figure with a headdress, in Brisbane Water National Park near Kariong. PRFenelon, CC BY-SA 4.0, via Wikimedia Commons

What the Colonists Saw

Portrait of Captain Arthur Phillip by Francis Wheatley, 1786
Captain Arthur Phillip, painted by Francis Wheatley in 1786. The official account of his voyage, published in 1789, describes figures carved on the rocks around Port Jackson. Francis Wheatley, State Library of New South Wales, Public domain, via Wikimedia Commons

The British noticed the engravings almost straight away. The Voyage of Governor Phillip to Botany Bay, published in London by John Stockdale in 1789, says that on Phillip's excursions around Botany Bay and Port Jackson "the figures of animals, of shields, and weapons, and even of men, have been seen carved upon the rocks". It says fish were often shown, and "in one place the form of a large lizard was sketched out with tolerable accuracy". On top of one hill there was a man "in the attitude usually assumed by them when they begin to dance" [34]. The writer goes on to claim these people had no clothing and somehow made art before shelter. It's a reminder of how little the newcomers understood about what they were seeing.

In April 1788 Phillip and the surgeon John White camped two nights in what is now Garigal National Park, exploring west of Manly [29]. NPWS believes the large engraving group White noted on that trip is the one in the park [29].

W. D. Campbell's 1899 Survey

The first big attempt to record the engravings came more than a century later. William Dugald Campbell measured and described them for Aboriginal Carvings of Port Jackson and Broken Bay, published by the NSW Government Printer, W. A. Gullick, in 1899 [35]. The Garigal plan of management calls it Campbell's "1899 treatise" [29]. Later recorders still use his plates as reference points. The Hiking the World site records cite Campbell's plate numbers for Bondi and Bantry Bay, and say he recorded 85 figures across three neighbouring groups at Bondi, of which only one group can still be seen [36, 37]. Later recorders built on his work, including Fred McCarthy, whose papers on Sydney engravings appeared in the Records of the Australian Museum from 1956, and Ian Sim in the 1960s [1, 3, 5].

Aboriginal people still held knowledge of these places through the colonial years. The Gujaga Foundation text notes that coastal people such as Cora Gooseberry and Johnny Baswick's son Freddy "continued to hold knowledge of engravings in the 19th century" [11].

Damage, Vandalism and Loss

Sydney grew straight over a lot of this. A few examples from the sources:

  • Development. The Garigal plan of management says most Aboriginal sites in that district "have been destroyed by development" [29].
  • Roads and trails. The Balls Head road buried engravings for more than 80 years [14]. At West Head, the GeoRegion guide thinks building the fire trail probably destroyed engravings beside the Resolute platform [4]. At Bantry Bay, Hiking the World says a cart track and then the road that became the Wakehurst Parkway ran over the site, and mountain bikes later rode across it until it was fenced [37].
  • Feet. At Jibbon, NPWS says that for decades visitors walked along the engravings and "this led to deterioration" [27]. Waverley Council lists people treading on the Bondi site as one cause of erosion [11].
  • Vandalism. The GeoRegion guide says the Basin Track engravings "are occasionally vandalized" [4]. Wikipedia notes most locations aren't publicised so that they're protected from vandalism and kept sacred [1].
  • Weather and plants. McCormack describes the Bondi carvings as "poorly drained, blistering, and in danger of being damaged" [12]. At Bondi and Jibbon, grass and soil are creeping over the edges [36, 27].

Protection and the Re-grooving Debate

Aboriginal people kept the engravings fresh themselves. Several sources say grooves were re-cut during later ceremonies [1, 30], and Les McLeod's description of the Guringai re-engraving a site a couple of times a year makes the same point [1].

The trouble started when non-Aboriginal authorities did the recutting. At Bondi, Waverley Council fenced the northern group in 1933. Then it had a stonemason "recut and deepen the grooves in 1951 and 1964". The Gujaga Foundation text says "some of the images were not traced exactly to the original imagery and were not done using a traditional method" [11]. McCormack calls the 1964 work "a misguided attempt" [12]. Hiking the World gives more background. An advisory panel of twelve academics chaired by Fred McCarthy recommended re-cutting by a majority, not unanimously, and Ian Sim supervised the work in August 1964. The site record says "none of the discussions involved any members of the Aboriginal community", and that the Local Aboriginal Land Council later condemned it as "an act of desecration" [36]. The same writer admits that without the recutting "there would be very little left to see" at Bondi [36].

Today the approach is gentler and done with Aboriginal people. At the Basin Track, the GeoRegion guide says "Aboriginal teams" sometimes enhance the engravings using "narrow nylon brushes and water to remove lichen" [4]. Its Basin page shows "NPWS authorised highlighting" done "in collaboration with local Aboriginal groups" [3]. NPWS has put boardwalks at Bulgandry and Jibbon to keep feet off the rock [18, 27]. In Dharawal National Park it monitors sites with the Tharawal Local Aboriginal Land Council [23]. At Muogamarra, sites are managed "in partnership with Aboriginal people" [25].

Visiting Respectfully

If you go to see the public sites, here's what NPWS and the councils ask:

  • Don't walk on engravings or touch rock art, and don't use flash photography [20]. At Bulgandry, keep off the rock shelf altogether [17].
  • Stay on boardwalks and tracks where they exist [18, 27].
  • The GeoRegion guide says school groups take their shoes off to limit damage at the Resolute platform, "you could too" [4].
  • Go early or late in the day. NPWS and the Australian Museum both say the grooves show up best when the sun is low and the shadows are long [2, 30].
  • Don't remove anything, and don't post the location of any site that isn't already published. NPWS policy is not to publicise site locations without the agreement of Aboriginal communities [22, 20].
  • Better still, go with Aboriginal guides. NPWS lists Guringai Tours in Ku-ring-gai Chase and Aboriginal cultural tours at Kamay [8, 26].

Timeline

WhenWhat happened
247–242 million years agoHawkesbury Sandstone is laid down [4]
18,000–8,000 years agoThe sea rises after the last Ice Age and drowns valleys like the one now under Broken Bay [4]
More than 2,800 years agoMinimum age for partly buried engravings in the Macdonald Valley [13]
Last few thousand yearsAustralian Museum's estimate for the West Head echidna engraving [30]
1788Phillip's parties see figures carved on rocks around Botany Bay and Port Jackson. In April, Phillip and John White camp in what is now Garigal National Park [34, 29]
After 1788Sailing ships and other contact images are engraved [13]
1789The Voyage of Governor Phillip to Botany Bay is published, describing the carvings [34]
September 1790Tench describes about 200 people feasting on a stranded whale at Manly Cove [31]
1890Etheridge notes the large Garigal engraving group [29]
1899W. D. Campbell publishes Aboriginal Carvings of Port Jackson and Broken Bay [35]
Early 1900sA road to the Balls Head coal loader buries four engravings and part of the whale's tail [14]
1926Balls Head and Berry Island dedicated as public reserves [16]
1933Waverley Council fences the northern Bondi group [11]
1951Bondi engravings recut by a stonemason [11, 12]
1954Fred McCarthy records the Elvina Track site [5]
August 1964Bondi engravings re-grooved again, supervised by Ian Sim [11, 36]
1965Ian Sim records the Basin Track site [3]
1966Bantry Bay recount: 116 figures over five platforms [37]
1994Jo McDonald's sample of 717 engraving sites, 39.5% of those then known [33]
July 2008Buried Balls Head engravings are uncovered again [14]
2012Dharawal National Park proclaimed [21]
2026North Sydney marks 100 years of the Balls Head and Berry Island reserves [16]

Where the Sources Disagree

  • How many sites in Ku-ring-gai Chase? NPWS's park pages say "more than 350 Aboriginal sites" [8]. Its Basin art site page says "over 800" [2]. NPWS doesn't explain the difference.
  • How many in Garigal? The plan of management says "nearly 100" [29]. The current NPWS page says "over 100" [28].
  • How many engraving sites in Sydney? About 2,000, according to Wikipedia citing McDonald [1]. McDonald's own 1994 figures imply about 1,800 known at the time [33]. The State Library says "hundreds of galleries" [32].
  • Whale or shark at Bondi? McCormack (Dictionary of Sydney) says the eight-metre figure is a shark attacking a man, "earlier thought to be a whale" [12]. Hiking the World calls it an eight-metre whale with a shark and dolphin overlapping it, and rejects the shark-attack reading [36]. Waverley Council lists a whale in the covered southern group and a shark in the visible northern group [11].
  • When was Bondi recut? Waverley Council says a stonemason recut the grooves in 1951 and 1964 [11]. McCormack says the carvings were "retouched and fenced in 1951", with the re-grooving attempt in 1964 [12]. But Waverley dates the fence to 1933 [11].
  • How old? The estimates run from "about 1000 years" at Balls Head [14] and up to 2,000 years at Bondi [12] to minimum ages of 1,790 and 2,800 years elsewhere [13], and "around 5,000 … possibly 7,000" in Wikipedia [1]. Attenbrow says reliable dating "has proved impossible" [13].
  • What tool? The Australian Museum suggests a pointed stone, shell or hard wood [30]. Attenbrow says the implement "is not known" [13].
  • Who is in the Balls Head whale? A man, a clever man singing the whale in or a creator figure. The Herald says "it is unclear", and Karen Smith says the story isn't known [14, 15]. The animal near the tail could be a dog or a horse [14].
  • Names of peoples. The sources use Eora, Gadigal or Cadigal, Cammeraygal or Gamaragal, Guringai or Ku-ring-gai, Darug and Dharawal or Tharawal. Spellings vary, and the Australian Museum notes the language names date only from after the 1870s [31, 32, 25].

My Earlier Posts

Sources

  1. Wikipedia, "Sydney rock engravings" (revision 1316216953). https://en.wikipedia.org/wiki/Sydney_Rock_Engravings
  2. NSW National Parks (NPWS), "Basin Aboriginal art site", Ku-ring-gai Chase National Park. https://www.nationalparks.nsw.gov.au/things-to-do/aboriginal-sites/basin-aboriginal-art-site
  3. Ku-ring-gai GeoRegion, "The Basin Site". https://kuringgaigeoregion.au/the-basin-site/
  4. Ku-ring-gai GeoRegion, "West Head" geosites guide. https://kuringgaigeoregion.au/geosites/sandstone-plateaus/west-head/
  5. Ku-ring-gai GeoRegion, "Elvina Trail". https://kuringgaigeoregion.au/elvina-trail/
  6. NPWS, "Aboriginal Heritage walk", Ku-ring-gai Chase National Park. https://www.nationalparks.nsw.gov.au/things-to-do/walking-tracks/aboriginal-heritage-walk
  7. NPWS, "Elvina trail", Ku-ring-gai Chase National Park. https://www.nationalparks.nsw.gov.au/things-to-do/walking-tracks/elvina-trail
  8. NPWS, "Ku-ring-gai Chase National Park – Learn more". https://www.nationalparks.nsw.gov.au/visit-a-park/parks/kuringgai-chase-national-park/learn-more
  9. NPWS, "West Head lookout". https://www.nationalparks.nsw.gov.au/things-to-do/lookouts/west-head-lookout
  10. NPWS, "Mount Ku-ring-gai track to Berowra Station". https://www.nationalparks.nsw.gov.au/things-to-do/walking-tracks/mount-kuringgai-track-to-berowra-station
  11. Waverley Council Library, "Rock engravings – North Bondi" (text courtesy the Gujaga Foundation). https://celebrating.waverley.nsw.gov.au/nodes/view/73407
  12. Terri McCormack, "Bondi rock carvings", Dictionary of Sydney, 2008. https://dictionaryofsydney.org/entry/bondi_rock_carvings
  13. Val Attenbrow, "Archaeological evidence of Aboriginal life in Sydney", Dictionary of Sydney, 2012. https://dictionaryofsydney.org/entry/archaeological_evidence_of_aboriginal_life_in_sydney
  14. "Ancient spirits lifted", Sydney Morning Herald, 13 July 2008. https://www.smh.com.au/national/ancient-spirits-lifted-20080713-gdslxe.html
  15. "Archaeological dig reveals mystery death in picturesque Sydney Harbour park", ABC News, 2 November 2017. https://www.abc.net.au/news/2017-11-02/mystery-burial-aboriginal-woman-balls-head-sydney-curious-sydney/9069892
  16. North Sydney Council, "Exhibition marks 100 years of Balls Head and Berry Island Reserves". https://www.northsydney.nsw.gov.au/news/article/435/exhibition-marks-100-years-of-balls-head-and-berry-island-reserves
  17. NPWS, "Bulgandry Art Site Aboriginal Place", Brisbane Water National Park. https://www.nationalparks.nsw.gov.au/things-to-do/aboriginal-sites/bulgandry-art-site-aboriginal-place
  18. NPWS, "Bulgandry Art Site Aboriginal Place – Visitor info". https://www.nationalparks.nsw.gov.au/things-to-do/aboriginal-sites/bulgandry-art-site-aboriginal-place/visitor-info
  19. NPWS, "Bulgandry Art Site Aboriginal Place – Learn more" (Brisbane Water National Park). https://www.nationalparks.nsw.gov.au/things-to-do/aboriginal-sites/bulgandry-art-site-aboriginal-place/learn-more
  20. NPWS, "Where nature, culture and art collide". https://www.nationalparks.nsw.gov.au/get-inspired/stories/where-nature-culture-and-art-collide
  21. NPWS, "Dharawal National Park – Learn more". https://www.nationalparks.nsw.gov.au/visit-a-park/parks/dharawal-national-park/learn-more
  22. NPWS, Dharawal National Park, Dharawal Nature Reserve and Dharawal State Conservation Area Plan of Management. https://www.environment.nsw.gov.au/sites/default/files/dharawal-national-park-nature-reserve-state-conservation-area-plan-of-management-220491.pdf
  23. NPWS, "Dharawal National Park – What we're doing". https://www.nationalparks.nsw.gov.au/visit-a-park/parks/dharawal-national-park/what-we-are-doing
  24. NPWS, "Muogamarra Nature Reserve". https://www.nationalparks.nsw.gov.au/visit-a-park/parks/muogamarra-nature-reserve
  25. NPWS, "Muogamarra Nature Reserve – What we're doing". https://www.nationalparks.nsw.gov.au/visit-a-park/parks/muogamarra-nature-reserve/what-we-are-doing
  26. NPWS, "Kurnell area – Learn more", Kamay Botany Bay National Park. https://www.nationalparks.nsw.gov.au/visit-a-park/parks/kurnell-area/learn-more
  27. NPWS, "Conservation and coastal engravings in Royal National Park". https://www.nationalparks.nsw.gov.au/conservation-programs/conservation-and-coastal-engravings-in-royal-national-park
  28. NPWS, "Garigal National Park – Learn more". https://www.nationalparks.nsw.gov.au/visit-a-park/parks/garigal-national-park/learn-more
  29. NPWS, Garigal National Park Plan of Management. https://www.environment.nsw.gov.au/sites/default/files/garigal-national-park-plan-of-management-130789.pdf
  30. Australian Museum, "Rock engraving of an echidna". https://australian.museum/learn/collections/natural-science/australian-archaeology/indigenous-rock-engraving-of-an-echidna/
  31. Australian Museum, "Aboriginal people of coastal Sydney". https://australian.museum/learn/cultures/first-nations-collections/sydney/
  32. State Library of NSW, "Eora – Mapping Aboriginal Sydney 1770–1850". https://www.sl.nsw.gov.au/stories/eora
  33. Jo McDonald, Dreamtime Superhighway: An Analysis of Sydney Basin Rock Art and Prehistoric Information Exchange, Terra Australis 27, ANU E Press, 2008, Chapter 5. https://press-files.anu.edu.au/downloads/press/p109931/pdf/ch055.pdf
  34. The Voyage of Governor Phillip to Botany Bay, John Stockdale, London, 1789 (Project Gutenberg eBook #15100). https://www.gutenberg.org/ebooks/15100
  35. The Online Books Page, record for W. D. Campbell, Aboriginal Carvings of Port Jackson and Broken Bay, W. A. Gullick, Government Printer, 1899. https://onlinebooks.library.upenn.edu/webbin/book/lookupid?key=ha001666598
  36. Hiking the World, "Bondi Golf Course Aboriginal Site (Murriverie)". https://hikingtheworld.blog/engravings/bondi-golf-course-aboriginal-site/
  37. Hiking the World, "Bantry Bay Aboriginal Site". https://hikingtheworld.blog/engravings/bantry-bay-aboriginal-site/

All web pages were read on 18 October 2026. Pictures are from Wikimedia Commons, with the photographer and licence shown under each one.