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Thursday, November 12, 2026

Intercolonial Exhibition Building – Prince Alfred Park – Sydney – NSW

The Intercolonial Exhibition Building – Prince Alfred Park – Central – Sydney

Walk south of Central into Prince Alfred Park and the lawns feel like they are waiting for something bigger than a lunchtime kickabout. They were. Sydney’s first purpose-built exhibition hall stood here — in what had been Cleveland Paddocks — years before the Domain got its Garden Palace. The Intercolonial Exhibition Building opened on 30 August 1870 for the Intercolonial Exhibition of General Industries and Arts, organised by the Agricultural Society of NSW to mark the centenary of Cook’s landing at Botany Bay and to rehearse colonial displays for overseas shows. All the Australian colonies and New Zealand were invited.

The park had been gazetted in the mid-1860s and named for Prince Alfred after his 1868 visit. City engineer Edward Bell designed the hall; Benjamin Backhouse laid out the grounds — the first Australian park designed around a major exhibition, ahead of Barnet’s 1879 Garden Palace and Melbourne’s Royal Exhibition Building of 1880. After 1870 the hall stayed busy with shows, concerts and later uses, including the Australian War Memorial museum collections from 1925 until they moved to Canberra in 1936.

The building came down in 1954. The park is still public open space; some of the nineteenth-century planting, including boundary Moreton Bay figs from the early layout, is part of its heritage character. The photographs here remember the lost hall — different building, different park, nine years earlier than the Garden Palace.

The First Sydney Exhibition Building
Prince Alfred Park

Wide view of the Exhibition Building and grounds at Prince Alfred Park, with sheds, carriages and a crowd in front of the hall
The Exhibition Building in Prince Alfred Park during an exhibition, with temporary sheds, carriages and a crowd in front of the hall. From the existing My Australian History Journey page, first published 24 April 2021. Historic photograph; the same general view is known from nineteenth-century photographs of the park. Reproduced from John’s existing post.
Formal front elevation of the Exhibition Building, with the fan-shaped gable, corner towers, a group of men and a horse-drawn cart
The main front of the Exhibition Building, with its fan-shaped gable window, corner towers and a group standing by a cart. This is the photograph already on the existing page. From the existing My Australian History Journey page, 24 April 2021. The same view is in the City of Sydney Archives as “Intercolonial Exhibition Building, Prince Alfred Park, September 1870” (unique ID A-00008410; also Dictionary of Sydney media 2731, archives reference 026/026164). Historic photograph; public domain in Australia. Reproduced from John’s existing post; archive original City of Sydney Archives.

To think, this was only demolished in the 1950’s.... to make way for a swimming Pool....

Those words and the two photographs above are from the existing page on My Australian History Journey, first published on 24 April 2021. What follows is a fuller illustrated history of the same building, keeping that text and those pictures in place. The second photograph is the well-known formal view of the main front, also held by the City of Sydney Archives.

Country, Cleveland Paddocks and a new park

The ground that became Prince Alfred Park lies in lower Surry Hills, bounded by Chalmers Street, Cleveland Street and the railway lands around Central. Before the colonial town pushed south, a tributary of Blackwattle Creek ran through the area. The City of Sydney’s park history records that this was a place where Aboriginal people could still camp in the early years of the settlement, and that they were later pushed out as the paddock was reduced. The Dictionary of Sydney places the park on land that had been known as Cleveland Paddocks, after Cleveland House, the colonial house still standing at the corner of Bedford and Buckingham streets and usually dated to the 1820s. [1] [2]

The first large colonial cut into the paddock was the railway, begun in 1850 and opened in 1855, with its early terminus near St Paul’s Square to the west of the present park. In 1856 more land was taken for Cleveland Street Public School. What remained, used as an uneven cricket ground from about 1850, was gazetted as a public reserve on 22 December 1865. [2]

The name Prince Alfred Park belongs to 1868, when Queen Victoria’s second son, Prince Alfred, Duke of Edinburgh, visited Sydney — the first member of the British royal family to come to Australia. He survived an assassination attempt at Clontarf on 12 March 1868, and colonial authorities moved quickly to attach his name to public places, including this park and the hospital later known as Royal Prince Alfred. Together with the new name, Sydney Municipal Council approved an early park design by Alderman John Sutherland MLA. Draining, fencing and putting the open watercourse into a sewer marked the start of the work. The site was still uninviting: in 1869 Jules Joubert, later the driving figure of the 1870 exhibition, called it “a quagmire with a filthy drain running across it, a plague spot.” [1] [2] [3]

Edward Bell’s hall and Benjamin Backhouse’s grounds

In May 1869, before any permanent hall was finished, the Agricultural Society of New South Wales held its first Metropolitan Intercolonial Exhibition at Prince Alfred Park. The following year, which marked a century since Cook’s landing at Botany Bay, the City of Sydney built a permanent Exhibition Building in the northern part of the park. It is the first purpose-built exhibition hall in Sydney, and it stood nine years before the Garden Palace in the Domain and a decade before Melbourne’s Royal Exhibition Building. [1] [3]

The designer was Edward Bell, the City Engineer. The City of Sydney Archives still hold a City Engineer’s memorandum submitting plans and elevations for the proposed building, and another estimating the cost at not more than £16,350. Those papers record the official estimate; they are not, by themselves, a statement of the final contract sum, and the builder is not named with the same certainty in the sources used here. [1] [4]

The architect Benjamin Backhouse redesigned the park around the new hall. The Dictionary of Sydney and the City of Sydney both treat this as the first Australian park laid out in connection with a major exhibition, and they point to the landscaping of the 1867 Paris Exhibition as the international model. Ground near the building was terraced and lower areas were infilled. Moreton Bay figs were planted as an informal row along the boundaries, in the manner promoted by Charles Moore, Director of the Botanic Garden; Queensland kauri, Port Jackson figs and coogera likely also belong to this early phase. Some of those boundary figs remain. [1] [2]

The Exhibition Building from the front and side, standing on an open lawn, about the 1870s
The Exhibition Building from the front and side, standing on an open lawn, about the 1870s. A later hand has written “Exhibition Building” on the mount. John Lane Mullins, albumen photoprint, State Library of New South Wales, PXA 420. Public domain.
The same hall from a similar angle, with a dirt path, a few figures on the grass and houses to the right
The same hall from a similar angle, with a dirt path, a few figures on the grass and houses to the right. Although sometimes catalogued as an “exhibition hall” interior view, this print is an exterior of the Prince Alfred Park building. Charles Bayliss, from the B.O. Holtermann archive of Merlin and Bayliss prints; National Library of Australia / Wikimedia Commons (“Exhibition Hall, Metropolitan Intercolonial Exhibition, Prince Alfred Park, Sydney”). No known copyright restrictions; nineteenth-century photograph, public domain in Australia.
The Exhibition Building across the lawns of Prince Alfred Park, about 1890, with hoop pines and a street fence in the foreground
The Exhibition Building from an elevated point across the park, about 1890, with winding paths, hoop pines and a street fence in the foreground. NSW Government Printing Office glass plate, State Archives Collection, 4481_a026_000364; Dictionary of Sydney media 2934. No known copyright restrictions. The print bears an older “Archives Office of N.S.W. / Reproduction rights reserved” stamp, which is an administrative mark on a public-domain plate.
A companion plate from the same Government Printing Office series, taking in more of the city to the left and placing the hall to the right
A companion plate from the same Government Printing Office series, taking in more of the city to the left and placing the hall to the right. It is a different negative from the view above, not merely a crop of it. NSW Government Printing Office glass plate, State Archives Collection, 4481_a026_000363; Wikimedia Commons. No known copyright restrictions.

The landscaped park around the hall is also recorded in later nineteenth-century photographs held by the City of Sydney Archives: a formal three-quarter view dated about 1880, with the hall on open grass and a house to the right; and an undated view of a path and a bench, with two men and an umbrella, and a church at the right. [24]

The Exhibition Building from the front and side, on open grass, about 1880, with a house to the right
The Exhibition Building from the front and side, on open grass, about 1880, with a house to the right. City of Sydney Archives, unique ID A-00027413, node 588058, dated circa 1880, https://archives.cityofsydney.nsw.gov.au/nodes/view/588058. No Copyright — public domain; may be used freely, with attribution to the City of Sydney Archives.
The Exhibition Building in the landscaped park, from a path, with two men on a bench and an umbrella, and a church at the right
The Exhibition Building in the landscaped park, from a path, with two men on a bench and an umbrella, and a church at the right. The City of Sydney Archives record is undated. City of Sydney Archives, unique ID A-00008404, “The Intercolonial Exhibition Building, Prince Alfred Park Surry Hills,” node 569049, https://archives.cityofsydney.nsw.gov.au/nodes/view/569049. No Copyright — public domain; may be used freely, with attribution to the City of Sydney Archives.

The Intercolonial Exhibition of 1870

Advertisements in August 1870 announced the Metropolitan Intercolonial Exhibition in the “new Exhibition Building,” Prince Alfred Park, “in commemoration of the Anniversary of the first landing of Captain Cook in Australia,” commencing on Tuesday 30 August and closing about 30 September. The Dictionary of Sydney records the same dates and the same alternative name, and describes the event as the first major inter-colonial exhibition in the park, held to showcase agricultural produce, manufactures and fine arts. It gives the attendance as over 185,000. Jules Joubert, secretary of the Agricultural Society, ran the organisation; a report in the Evening News on 1 September called him the “mainspring of the Exhibition.” [3] [5] [6]

The opening day had fine weather. On the second day rain drove visitors into the hall, which looked nearly as crowded as it had the day before, while the livestock, machinery, implements and horticultural exhibits outside were almost deserted. A brass band played in a pavilion in the grounds; inside, Mr Packer performed on a large organ. Admission on the opening day was five shillings; later charges were usually one shilling, with higher prices on some Thursdays. Towards the end of the run the building was lit and opened in the evenings as well. Exhibitors were admitted early each morning to dust and arrange their stands. A later official volume, The Industrial Progress of New South Wales, published in 1871 by the Government Printer, gathered the report of the exhibition with papers on the colony’s resources. [5] [6] [7]

The official report of the 1870 exhibition, published in 1871 by the New South Wales Government Printer, Thomas Richards
The official report of the 1870 exhibition, published in 1871 by the New South Wales Government Printer, Thomas Richards. Title page of The Industrial Progress of New South Wales: being a Report of the Intercolonial Exhibition of 1870, at Sydney, Sydney, 1871; Wikimedia Commons. Public domain.

The hall itself was a great iron-and-brick exhibition room under a barrel roof, with a fan-shaped gable window in the main front, galleries along the sides, and a pair of corner towers with cupolas. Montagu Scott’s engraving of the interior, published in the Illustrated Sydney News, shows how that space was used in 1870: a fountain and plant beds down the centre aisle, flags hung from the roof, pictures and cases along the galleries, a dense crowd on the floor, and the organ standing in front of the great fan window. Newspaper reports of the opening week mention the same organ, the galleries, and a mixture of colonial manufactures, needlework, pictures, plaster busts and plants. Victoria was among the colonies that sent exhibits; the Australasian reported in early August that Victorian entries had closed with 278 certificates. [6] [8]

The interior of the Exhibition Building during the 1870 exhibition: a fountain and plants down the centre, flags in the roof, crowded galleries, and the organ in front of the great fan window
The interior of the Exhibition Building during the 1870 exhibition: a fountain and plants down the centre, flags in the roof, crowded galleries, and the organ in front of the great fan window. Eugene Montagu (Monty) Scott, engraving published in the Illustrated Sydney News, 1870. Wikimedia Commons; also recorded in the State Library of New South Wales and the National Library of Australia. Public domain.

A photograph in the City of Sydney Archives shows the same interior in 1870, quieter than the crowd in Scott’s engraving: the fountain and plant beds down the centre aisle, pictures hung along the galleries, the iron roof and the great fan window at the far end, and a trade sign on the gallery. It is a rare photographic record of the hall as first used, not only an engraving of it. [24]

The main hall of the Exhibition Building in 1870, photographed rather than engraved: a fountain and plant beds down the centre aisle, pictures along the galleries, the iron roof, the great fan window
The main hall of the Exhibition Building in 1870, photographed rather than engraved: a fountain and plant beds down the centre aisle, pictures along the galleries, the iron roof, the great fan window at the far end, and a trade sign on the gallery. City of Sydney Archives, unique ID A-00008434, “Main hall of the Intercolonial Exhibition Building, Prince Alfred Park Surry Hills,” node 569079, https://archives.cityofsydney.nsw.gov.au/nodes/view/569079. No Copyright — public domain; may be used freely, with attribution to the City of Sydney Archives.

Outside the hall the 1870 exhibition was a small town of sheds, tents and special pavilions. A photograph attributed to Charles Percy Pickering, in the State Library of New South Wales, looks across the horticultural ground towards striped and conical-roofed buildings, with a flag, a church and a chimney on the skyline. The library’s catalogue notes the Wesleyan church and the Mortuary Station in the background, and the sign of the Australian Patent Tile Company can be read on one of the long sheds. John Sharkey, first official photographer to the New South Wales Government Printing Office, took a related view of the horticultural section in September 1870, and others of the farm machinery and livestock pens, the bookstall and office of the British and Foreign Bible Society, and a display of ornamental iron castings set against the brick wall of the hall itself. Those Sharkey plates survive as later Kodak presentation prints; the photographs on them are of the 1870 exhibition, and several are captioned in the negative “Exhibition Prince Alfred Park, Sept 1870.” [9] [10]

Charles Percy Pickering’s 1870 photograph of the horticultural grounds at the Intercolonial Exhibition, with pavilions, a flag and a church on the skyline
The horticultural ground at the 1870 Intercolonial Exhibition, with temporary pavilions, a flag, and a church and chimney on the skyline. The State Library notes the Wesleyan church and the Mortuary Station in the background. Attributed to Charles Percy Pickering, 1870, State Library of NSW, SPF/161, digital order no. a089161; Dictionary of Sydney media 3754. Public domain.
The horticultural section in September 1870, a related view to Pickering’s, with the same conical-roofed pavilion and striped shed, and three women seated in the foreground
The horticultural section in September 1870, a related view to Pickering’s, with the same conical-roofed pavilion and striped shed, and three women seated in the foreground. The negative is captioned “Exhibition Prince Alfred Park, Sept 1870.” John Sharkey, N.S.W. Government Printing Office, September 1870; later Kodak Historical Photography presentation print no. 136. Wikimedia Commons. No known copyright restrictions; public domain in Australia.
Farm machinery and livestock pens in the grounds, September 1870, with implements set out on the bare earth and long open sheds behind
Farm machinery and livestock pens in the grounds, September 1870, with implements set out on the bare earth and long open sheds behind. John Sharkey, N.S.W. Government Printing Office, September 1870; Kodak presentation print no. 138. Wikimedia Commons. No known copyright restrictions; public domain in Australia.
The bookstall and office of the British and Foreign Bible Society at the 1870 exhibition
The bookstall and office of the British and Foreign Bible Society at the 1870 exhibition. The surviving plate is badly cracked, but the painted lettering on the conical pavilion can still be read. John Sharkey, N.S.W. Government Printing Office, 1870; Kodak presentation print no. 141. Wikimedia Commons. No known copyright restrictions; public domain in Australia.
An exhibit of ornamental iron castings set out against the brick wall of the Exhibition Building itself, 1870
An exhibit of ornamental iron castings set out against the brick wall of the Exhibition Building itself, 1870. John Sharkey, N.S.W. Government Printing Office, 1870; Kodak presentation print no. 144, titled on the mount “Prince Alfred Park Exhibition, exhibit of iron castings.” Wikimedia Commons. No known copyright restrictions; public domain in Australia.

Two further City of Sydney Archives photographs, both dated 1870, show the hall from the street and from the railway side of the old paddock. One, captioned in the print “EXHIBITION PRINCE ALFRED PARK SYDNEY SEPTR 1870,” looks along a hoarding of posters towards a pay kiosk lettered “NEW ENTRANCE PAY HERE,” with a horse and cart in the roadway. The other, titled Cleveland Paddock and Exhibition Building, looks across railway sleepers and open excavation towards the hall and a church, with “REDFERN” written on the print. [24]

The Exhibition Building from the street in September 1870, with a hoarding of posters, a pay kiosk lettered “NEW ENTRANCE PAY HERE,” and a horse and cart
The Exhibition Building from the street in September 1870, with a hoarding of posters, a pay kiosk lettered “NEW ENTRANCE PAY HERE,” and a horse and cart. The print is captioned “EXHIBITION PRINCE ALFRED PARK SYDNEY SEPTR 1870.” City of Sydney Archives, unique ID A-00008412, node 569057, https://archives.cityofsydney.nsw.gov.au/nodes/view/569057. No Copyright — public domain; may be used freely, with attribution to the City of Sydney Archives.
Cleveland Paddock and the Exhibition Building, 1870: a view across railway sleepers and open excavation towards the hall and a church, with “REDFERN” written on the print
Cleveland Paddock and the Exhibition Building, 1870: a view across railway sleepers and open excavation towards the hall and a church, with “REDFERN” written on the print. City of Sydney Archives, unique ID A-00033199, node 596736, https://archives.cityofsydney.nsw.gov.au/nodes/view/596736. No Copyright — public domain; may be used freely, with attribution to the City of Sydney Archives.

Sydney Punch kept an eye on the same ground the following year. Its cartoon “A Damper for Joubert,” published on 19 August 1871, shows the Exhibition Building in the background while the Mayor turns a hydrant on Joubert and his men, who have been painting an Agricultural Society advertisement on the pavement. The joke is about street publicity, but the hall is already a recognisable civic landmark. [11]

Sydney Punch cartoon of 1871, A Damper for Joubert, with the Exhibition Building in the background and the Mayor turning a hydrant on pavement advertisers
“A Damper for Joubert,” 1871: the Mayor turns a hydrant on Jules Joubert and his men for painting an Agricultural Society advertisement on the pavement. The Exhibition Building stands in the background. Sydney Punch, 19 August 1871, p. 108, State Library of NSW, ML QA827/S; Dictionary of Sydney media 3179. Public domain.

Annual shows until the move to Moore Park

The 1870 exhibition was the beginning of the building’s working life, not the end of it. The Agricultural Society held its yearly exhibitions in the hall and park until 1881, when it moved to Moore Park — the site that later became familiar as the Royal Easter Showground, before the Show itself moved again to Homebush. A plan issued as a supplement to the Sydney Mail on 20 April 1872, now in the Mitchell Library, shows how the park was arranged for that year’s Agricultural Society exhibition: the main building in the north, rings and sheds for stock, a circular judging or parade area, and an inset bird’s-eye view of the hall. The streets named on the sheet include Cleveland Street and Castlereagh Street, the latter later realigned as Chalmers Street when Central station and the city railway were rebuilt. [1] [2] [12]

1872 plan of Prince Alfred Park showing the Exhibition Building and the layout of the Agricultural Society’s exhibition, with a small bird’s-eye view of the hall
Plan of Prince Alfred Park for the Agricultural Society’s exhibition of 1872, issued as a supplement to the Sydney Mail on 20 April 1872, with an inset bird’s-eye view of the hall. State Library of NSW, a4996001 / XV1/Par/P Alf/2; Dictionary of Sydney media 3845. Public domain.

The hall also served as a large indoor meeting place. On 12 July 1886 it held a demonstration of Orangemen, recorded in an engraving in the Illustrated Sydney News of 14 August 1886: a packed floor and galleries, with portrait medallions of the officers above. It is a reminder that the building’s calendar was not only agricultural. [13]

Engraving of a packed demonstration of Orangemen in the Exhibition Building on 12 July 1886, with portrait medallions of the officers
A demonstration of Orangemen in the Exhibition Building on 12 July 1886, with the floor and galleries packed and portrait medallions of the officers above. Illustrated Sydney News, 14 August 1886, p. 20, State Library of NSW, TN115; Dictionary of Sydney media 4470. Public domain.

Concerts, skating, wool and Hordern’s temporary store

After the Agricultural Society left for Moore Park, the building remained a public hall with a succession of other uses. The City of Sydney’s history of the park lists concerts and roller-skating among them, and the park itself continued to host circuses, open-air concerts and, in later years, buckjumping competitions. [1]

Roller skating is documented in the council’s own files. In August 1887, K. A. Skinner & Co., writing as the Columbia Skating Rink at the Exhibition Building, asked the Mayor for a long lease — from 1 April to 30 September, six consecutive months, for five years from 1888 — at the then rental of £30 a week, offering to give the building up for municipal meetings and pointing to money already spent on “beautifying” it. The application was not granted, but the letter is clear evidence that a rink was already operating in the hall that year. City records also refer to later rink names, including the Sydney Skating Rink from 1906 and the Exhibition Skating Rink in the 1920s and 1930s. A glass-plate photograph in the National Library of Australia, catalogued at about 1930 and now out of copyright as a pre-1955 photograph, shows the main front with large signs reading “Exhibition Rink” and “Roller Skating.” The corner towers are not visible in that plate. The catalogue date sits in the same decade as the War Memorial Museum’s occupancy of the building (1925–1935), and is best treated as an approximate date rather than a precise year. Photographs of the museum period, and City of Sydney photographs dated 1953, both show the towers still standing, so the skating plate should not be read as evidence that the towers were permanently removed. [14] [15] [16]

The hall in its roller-skating days, with “Exhibition Rink” and “Roller Skating” on the main front
The hall in its roller-skating days, with “Exhibition Rink” and “Roller Skating” on the main front. The corner towers are not visible in this plate. The National Library catalogues it at about 1930; that date is approximate, and sits in the same decade as the War Memorial Museum’s years in the building. City of Sydney photographs dated 1953 show the towers still standing at demolition, so this plate should not be read as proof that they were permanently taken down. National Library of Australia, PIC/15611/15857, nla.obj-163085484, Fairfax archive of glass plate negatives. Out of copyright in Australia (created before 1955). The Fairfax collection record also notes that restrictions on publication may apply; included here as a historic photograph of the building, with that caveat.

The hall was also let for storage. The City of Sydney Archives hold letters from Mort & Co., the wool brokers, about renting the Exhibition Building, including a confirmation of a lease for November and December 1879. That is firm evidence of a wool-trade tenancy in those months; it should not be stretched into a claim that the building was a permanent wool store for the rest of its life. [17]

A much more public emergency came in July 1901. On 10 July a fire destroyed Anthony Hordern & Sons’ Palace Emporium at the Haymarket. The Australian Dictionary of Biography records that Samuel Hordern leased the Exhibition Building and opened there the next day. A City of Sydney file from 15–23 July 1901 notifies the Finance Committee of the lease “as a result of fire in premises.” The arrangement was temporary. Hordern later built a new Palace Emporium on Brickfield Hill, opened in 1905 according to the same biographical entry, or in 1906 according to Museums of History NSW. The Prince Alfred Park hall was never itself the Palace Emporium; it was the firm’s emergency premises after the fire. [18] [19] [20]

The Australian War Memorial Museum

The building’s most solemn public chapter began in 1925. After the Australian War Museum exhibition in Melbourne’s Royal Exhibition Building closed in January 1925, the collection came to Sydney while a permanent memorial was being planned for Canberra. Senator George Pearce, as Minister for Home and Territories, negotiated a lease with Sydney Council for the Exhibition Building at Prince Alfred Park. The Australian War Memorial’s registry history records that the Sydney exhibition opened on 3 April 1925. A later Memorial account says it was officially opened by the Governor-General, Lord Forster, on 8 April 1925. While in Sydney the exhibition was known as the Australian War Museum Memorial, reflecting the official change of name from “Australian War Museum” to “Australian War Memorial” in October 1923. It drew large attendances from the first days and closed on 31 January 1935. Staff then packed the collection; the transfer to Canberra began in December 1935 and was completed in early March 1936. That is why some published summaries say the museum was in the building until 1936: the public exhibition ended in January 1935, and the collections finished leaving the following year. [21] [22]

The Exhibition Building with Australian War Memorial Museum painted in large letters on the barrel roof, towers still in place, and trees in the park
The Exhibition Building during its years as the Australian War Memorial Museum, with the name painted along the roof and the two towers still standing. Australian War Memorial, P08655.003, collection C1243080. Copyright expired; public domain.

A photograph in the Australian War Memorial shows the hall in that period with “AUSTRALIAN WAR MEMORIAL MUSEUM” painted in large letters along the barrel roof, the two towers still in place, and trees and a path in the foreground. It is one of the clearest images of the building’s interwar civic face, halfway between the agricultural shows of the 1870s and the empty storehouse of the 1940s.

The last years, demolition and the swimming pool

The hall had not yet reached the end of its government use. Australian War Memorial photographs from the 1940s show the building employed as a store for relics and paper by the Military History Section: one is an exterior view, with palms and fig trees around a still-recognisable side and end; the other shows a mobile crane stacking paper inside. [23]

The Exhibition Building in the 1940s, used as a Military History Section store, with trees and palms around the side and end of the hall
The hall in the 1940s, when the Military History Section used it as a store for relics and paper. Australian War Memorial, 129840, collection C239903. Copyright expired; public domain.
A mobile crane stacking paper inside the Exhibition Building store in the 1940s
Inside the same store: a mobile crane stacking paper in the Exhibition Building. Australian War Memorial, 129841, collection C238482. Copyright expired; public domain.

City of Sydney photographs dated 1953 show the hall in its last months, and demolition already under way. In one view from Chalmers Street the building still stands, its fan-shaped gable and a corner tower intact, on cracked asphalt, with two figures in the middle distance. In others the roof cladding has already been stripped, leaving the iron barrel trusses and the fan gable as a skeleton, while both towers are still up. Close views look up through the exposed arches to the fan window, and into the gutted interior: debris on the floor, side galleries opened to the hall, a figure among the wreckage, and a painted mark on a broken wall. Those 1953 views are also the clearer evidence that the towers survived until demolition. The National Library’s roller-skating plate, catalogued at about 1930, does not show them, but it should not be read as proof that they were permanently taken down. [24]

The Exhibition Building from Chalmers Street in 1953, still standing: the fan-shaped gable and a corner tower intact, on cracked asphalt, with two figures in the middle distance
The Exhibition Building from Chalmers Street in 1953, still standing: the fan-shaped gable and a corner tower intact, on cracked asphalt, with two figures in the middle distance. City of Sydney Archives, unique ID A-00042736, “Exhibition Building, Prince Alfred Park, Chalmers Street Surry Hills,” 1953, node 683538, https://archives.cityofsydney.nsw.gov.au/nodes/view/683538. CC BY-NC-ND 4.0; attribute City of Sydney Archives.
The Exhibition Building in 1953, with the roof cladding already stripped, the iron barrel trusses and fan gable left as a skeleton, and both towers still standing
The Exhibition Building in 1953, with the roof cladding already stripped, the iron barrel trusses and fan gable left as a skeleton, and both towers still standing. City of Sydney Archives, unique ID A-00008429, “Intercolonial Exhibition Building, Prince Alfred Park Chalmers Street Surry Hills,” 1953, node 569074, https://archives.cityofsydney.nsw.gov.au/nodes/view/569074. CC BY-NC-ND 4.0; attribute City of Sydney Archives.
The other flank of the hall in 1953, seen across the lawn: roof cladding gone, the iron trusses exposed, and the towers still up
The other flank of the hall in 1953, seen across the lawn: roof cladding gone, the iron trusses exposed, and the towers still up. City of Sydney Archives, unique ID A-00042793, “Exhibition Building, Prince Alfred Park, Chalmers Street Redfern,” 1953, node 683602, https://archives.cityofsydney.nsw.gov.au/nodes/view/683602. CC BY-NC-ND 4.0; attribute City of Sydney Archives.
Demolition in 1953, close to the fan-shaped gable: the frame of the great window and a corner tower still standing, with beams in the foreground
Demolition in 1953, close to the fan-shaped gable: the frame of the great window and a corner tower still standing, with beams in the foreground. City of Sydney Archives, unique ID A-00008427, “Demolition, Intercolonial Exhibition Building, Prince Alfred Park,” 1953, node 569072, https://archives.cityofsydney.nsw.gov.au/nodes/view/569072. CC BY-NC-ND 4.0; attribute City of Sydney Archives.
Looking up through the stripped iron roof arches towards the fan window, during demolition in 1953
Looking up through the stripped iron roof arches towards the fan window, during demolition in 1953. City of Sydney Archives, unique ID A-00008431, “Demolition, Intercolonial Exhibition Building, Prince Alfred Park,” 1953, node 569076, https://archives.cityofsydney.nsw.gov.au/nodes/view/569076. CC BY-NC-ND 4.0; attribute City of Sydney Archives.
The stripped interior in 1953: debris on the floor, an opening cut through the end wall, the fan window still in place, and a figure among the wreckage
The stripped interior in 1953: debris on the floor, an opening cut through the end wall, the fan window still in place, and a figure among the wreckage. City of Sydney Archives, unique ID A-00008426, “Demolition, Intercolonial Exhibition Building, Prince Alfred Park,” 1953, node 569071, https://archives.cityofsydney.nsw.gov.au/nodes/view/569071. CC BY-NC-ND 4.0; attribute City of Sydney Archives.
The gutted interior in 1953, looking along the side galleries and columns, with debris on the floor and a painted “5” on a broken wall
The gutted interior in 1953, looking along the side galleries and columns, with debris on the floor and a painted “5” on a broken wall. City of Sydney Archives, unique ID A-00042812, “Interior of Exhibition Building, Prince Alfred Park, Chalmers Street Surry Hills,” 1953, node 683627, https://archives.cityofsydney.nsw.gov.au/nodes/view/683627. CC BY-NC-ND 4.0; attribute City of Sydney Archives.

Photographs dated 1954 show the site after the hall itself had come down. One of the corner towers stands alone among rubble and stacked timber, with a church behind the trees; another view records a remaining wall fragment with an arched opening, two men, and ladders among the debris. [24]

One of the corner towers standing alone on the demolition site in 1954, among rubble and stacked timber, with a church behind the trees
One of the corner towers standing alone on the demolition site in 1954, among rubble and stacked timber, with a church behind the trees. City of Sydney Archives, unique ID A-00042847, “Tower at Exhibition Building demolition site, Prince Alfred Park,” 1954, node 683666, https://archives.cityofsydney.nsw.gov.au/nodes/view/683666. CC BY-NC-ND 4.0; attribute City of Sydney Archives.
Another view of the isolated tower on the demolition site, with stacked timber in the foreground and palms beyond
Another view of the isolated tower on the demolition site, with stacked timber in the foreground and palms beyond. The City of Sydney Archives title dates this 1954; the catalogue page itself does not display a year. City of Sydney Archives, unique ID A-00042849, “Exhibition Building demolition site tower, Prince Alfred Park,” node 683669, https://archives.cityofsydney.nsw.gov.au/nodes/view/683669. CC BY-NC-ND 4.0; attribute City of Sydney Archives.
A remaining wall fragment on the demolition site in 1954, with an arched opening, two men, and ladders among the debris
A remaining wall fragment on the demolition site in 1954, with an arched opening, two men, and ladders among the debris. City of Sydney Archives, unique ID A-00042848, “Exhibition Building demolition site, Prince Alfred Park,” 1954, node 683668, https://archives.cityofsydney.nsw.gov.au/nodes/view/683668. CC BY-NC-ND 4.0; attribute City of Sydney Archives.

After the Second World War the demand for outdoor public swimming pools in metropolitan Sydney increased, and from 1944 learning to swim became compulsory for New South Wales primary-school children. In 1954 the Exhibition Building was demolished. The City of Sydney’s park history is the best guide to what replaced it: a swimming pool, a wading pool and later an ice rink. Prince Alfred Park Pool opened in 1958, the second post-war pool in the area after Victoria Park Pool in 1954. The Dictionary of Sydney’s shorter statement that “the swimming pool was built in 1954” is best read as a reference to the year of demolition and replacement, not as a record of the opening day. The ice-skating rink opened behind the pool in the winter of 1959, was in use until 1985, and was demolished in 1996–97. [1] [2]

Other familiar pieces of the present park are older than the pool. Tennis courts were built in 1924. The Coronation Playground, named for the coronation of King George VI, was built between 1936 and 1939 according to the Dictionary of Sydney; the City of Sydney’s history gives its opening as 1940. The central avenue of London plane and brush box, and the Washington and Canary Island date palms, are generally dated to the interwar years. [1] [2]

The park today

The pool remained in use until 2009, when it was closed for a major upgrade. The redevelopment added new tennis courts and a basketball court, and the redesigned pool opened in 2013. In 2018 the City of Sydney named the central lawn Equality Green, commemorating the marriage-equality campaign; thousands of people had gathered in the park on the morning of 15 November 2017 to hear the result of the postal survey. A rainbow path was added in 2019. [1]

Prince Alfred Park in 2026: the rainbow path on Equality Green, with the yellow umbrellas of the swimming pool — on the site of the Exhibition Building — on the mound beyond
Prince Alfred Park in 2026: the rainbow path on Equality Green, with the yellow umbrellas of the swimming pool — on the site of the Exhibition Building — on the mound beyond. Photograph, 2026, Wikimedia Commons, “Prince Alfred Park Rainbow path, Surry Hills, Sydney NSW. 2026.” CC0 1.0 Public Domain Dedication.
A Moreton Bay fig in the park today
A Moreton Bay fig in the park today. Boundary figs were planted in the early layout around the Exhibition Building, and some of that nineteenth-century planting remains. Photograph, 2026, Wikimedia Commons, “Moreton bay fig in Prince Alfred Park - Surry Hills Sydney NSW - 2026 02.” CC0 1.0 Public Domain Dedication.

None of that later landscape brings the Exhibition Building back. Its site is now the pool and the lawns at the northern end of the park, just south of Central. The fan-shaped gable, the organ, the fountain, the painted museum letters and the roller-skating signs survive only in pictures. What remains on the ground is the park that Backhouse and the fig planters shaped around the hall, and the fact — as the existing page already says — that this was Sydney’s first purpose-built exhibition building, demolished in the 1950s to make way for a swimming pool.

Related reading: the existing page, First Sydney Exhibition Building – Prince Alfred Park; The Garden Palace – The Sydney International Exhibition of 1879; Cleveland House, Surry Hills, on Historic Sydney Mansions; Devonshire Street Cemetery, under Central; and The Attempted Assassination of Prince Alfred, Clontarf, 12 March 1868.

Sources

  1. City of Sydney, “History of Prince Alfred Park,” 27 March 2013, cityofsydney.nsw.gov.au. Design by Edward Bell; grounds by Benjamin Backhouse; 1869 first Metropolitan Intercolonial Exhibition; permanent building 1870–1954; Agricultural Society exhibitions until the 1881 move to Moore Park; later concert, skating and other uses; War Memorial Museum; demolition in 1954 and the 1958 pool, 1959–1996/97 ice rink, and 2009–13 upgrade.
  2. Anne-Maree Whitaker, “Prince Alfred Park,” Dictionary of Sydney, 2008, dictionaryofsydney.org/entry/prince_alfred_park. Cleveland Paddocks, gazetteer date 22 December 1865, naming in 1868, Backhouse layout, War Memorial Museum, trees, tennis courts, Coronation Playground, pool and ice rink.
  3. Dictionary of Sydney, “Intercolonial Exhibition 1870,” dictionaryofsydney.org/event/intercolonial_exhibition_1870, and “Intercolonial Exhibition Building,” dictionaryofsydney.org/building/intercolonial_exhibition_building. Dates 30 August–30 September 1870; attendance over 185,000; constructed 1870, demolished 1954.
  4. City of Sydney Archives, memorandum of the City Engineer’s office submitting plans and elevations for the proposed Exhibition Building (node 1098772); memorandum estimating costs not exceeding £16,350 (node 1098771); memorandum by Edward Bell on the cost of changing wooden columns for iron ones (node 1098954).
  5. Advertisements for the Metropolitan Intercolonial Exhibition, including Sydney Morning Herald, 10 August 1870, and 20 September 1870 (evening opening and programme). Trove.
  6. Evening News (Sydney), 1 September 1870, “Metropolitan Intercolonial Exhibition,” Trove nla.news-article107128559. Weather, crowds, Joubert, Packer’s organ, indoor and outdoor exhibits.
  7. The Industrial Progress of New South Wales: being a Report of the Intercolonial Exhibition of 1870, at Sydney, Sydney, Thomas Richards, Government Printer, 1871.
  8. The Australasian, 6 August 1870, “Town News,” on the closing of Victorian entries. Trove nla.news-article138066307.
  9. Charles Percy Pickering (attributed), “Intercolonial Exhibition, Prince Alfred Park, Sydney, 1870,” State Library of NSW, SPF/161, digital order no. a089161, archival.sl.nsw.gov.au; Dictionary of Sydney media 3754.
  10. John Sharkey, Government Printing Office photographs of the Prince Alfred Park exhibition, September 1870, later issued in a Kodak Historical Photography presentation (Wikimedia Commons: horticultural section; farm machinery and livestock pens; British and Foreign Bible Society bookstall; exhibit of iron castings). Sharkey is identified on those mounts as first official photographer to the N.S.W. Government Printing Office, 1869–1896.
  11. “A Damper for Joubert,” Sydney Punch, 19 August 1871, p. 108, State Library of NSW, ML QA827/S; Dictionary of Sydney media 3179.
  12. “Plan of Prince Alfred Park, showing the position of buildings for the Agricultural Society’s Exhibition of 1872,” supplement to the Sydney Mail, 20 April 1872, State Library of NSW, a4996001 / XV1/Par/P Alf/2; Dictionary of Sydney media 3845.
  13. “Demonstration of Orangemen in the Exhibition Building,” Illustrated Sydney News, 14 August 1886, p. 20, State Library of NSW, TN115; Dictionary of Sydney media 4470. The demonstration was held on 12 July 1886.
  14. City of Sydney Archives, letter, K. A. Skinner & Co., Columbia Skating Rink, Exhibition Building, Prince Alfred Park, to the Mayor, 2–25 August 1887, unique ID A-00313415, node 1550372.
  15. City of Sydney Archives, “Skating Rinks” collection note, node 1941754, including later rink names associated with the Exhibition Building.
  16. “Roller skating rink in the Exhibition Building, Prince Alfred Park, Sydney, ca. 1930,” National Library of Australia, PIC/15611/15857, nla.obj-163085484, Fairfax archive of glass plate negatives. Catalogued as out of copyright (created before 1955); the Fairfax collection record also notes that restrictions on publication may apply.
  17. City of Sydney Archives, letters of Mort & Co., wool warehouses, regarding rental of the Exhibition Building, including confirmation of a lease for November and December (nodes 1089854 and 1084386).
  18. G. P. Walsh, “Hordern, Anthony (1842–1886)” (and the attached life of Samuel Hordern), Australian Dictionary of Biography, adb.anu.edu.au/biography/hordern-anthony-3796. Fire of 10 July 1901; lease of the Exhibition Building and opening there the next day; new Brickfield Hill premises, 1905.
  19. City of Sydney Archives, “Lease of Exhibition Building to Anthony Hordern, 1901,” unique ID A-00163839, node 806907, 15–23 July 1901.
  20. Museums of History NSW, “Anthony Hordern & Sons,” mhnsw.au/stories/department-stores/anthony-hordern-and-sons/, for the temporary move after the 1901 fire and the date 1906 for the new Palace Emporium.
  21. Australian War Memorial, “Australian War Memorial Museum, Sydney Exhibition registry files,” awm.gov.au/collection/C1377958. Opening 3 April 1925; closure 31 January 1935; transfer to Canberra, December 1935–early March 1936.
  22. Australian War Memorial, collection photograph P08655.003, “The Sydney Exhibition Building in Prince Alfred Park,” awm.gov.au/collection/C1243080; and the Memorial’s account of the official opening by Lord Forster on 8 April 1925.
  23. Australian War Memorial, 129840, exterior of the Exhibition Building used as a store for relics and paper by the Military History Section, C239903; and 129841, paper being stacked in the store with a mobile crane, C238482. Period 1940–1949. Public domain.
  24. City of Sydney Archives photographs of the Exhibition Building used in this history: unique IDs A-00008412, A-00033199 and A-00008434 (1870); A-00027413 (circa 1880); A-00008404 (undated); A-00042736, A-00008429, A-00042793, A-00008427, A-00008431, A-00008426 and A-00042812 (1953); and A-00042847, A-00042848 and A-00042849 (1954; A-00042849 is dated 1954 in the archives title, though the catalogue page itself does not display a year). Catalogue pages at archives.cityofsydney.nsw.gov.au. Rights as marked on each record: No Copyright for the nineteenth-century plates; CC BY-NC-ND 4.0 for the 1953–54 photographs.

Wednesday, November 11, 2026

Wambangalang – Dubbo – NSW

Wambangalang — A Pastoral Station and Rural Community on Wiradjuri Country

South of Dubbo, along the Obley Road, Wambangalang belongs to a different world from the great houses around Sydney Harbour. Its story is one of creeks and grazing country, a nineteenth-century cattle station, a farming community and a small country church. Today its name is also familiar to generations of schoolchildren who have visited the Wambangalang Environmental Education Centre.

The historic station is documented by 1849, when its improvements included a four-room cottage, stables, a stockman's hut and cattle yards. That is a much more modest beginning than an imposing Victorian mansion. Wambangalang's interest lies as much in its surrounding landscape and changing uses as in any single house. The old station, the modern locality and the education centre share a name, but they should not be treated as identical properties with an unbroken set of boundaries.

Wiradjuri Country and the name Wambangalang

Wambangalang is on Wiradjuri Country. The NSW Department of Education identifies the land occupied by its environmental education centre as being under the traditional custodianship of the Wiradjuri people. The centre lies about 27 kilometres from Dubbo, in a landscape of woodland, grassland and creeks. Its educational activities extend into the surrounding country, including Wambangalang Creek, Turtle Rock and the Wambuul–Macquarie River. [2][11]

There is a particularly interesting historical record of the name in the State Library of New South Wales. A manuscript in its Vocabulary of New South Wales Aboriginal Dialects, dated approximately 1908, records “wambangalang” as “mob of grey kangaroos”. Immediately below it, the related spelling “wambangalong” is given as “a place for kangaroos”. These are the manuscript's recorded English glosses, not interchangeable modern translations. [1]

The education centre uses the words “WAMBUWUNY NGARANG” with the English explanation “Grey Kangaroo meeting place” on its website. That contemporary wording and the older vocabulary both associate the name with kangaroos, but they are different records. The old manuscript does not, by itself, establish every detail of the local place-name's origin or its pronunciation. [12]

The Aboriginal history of this country did not begin with a station name, a land grant or a European dwelling. Colonial references to “runs”, “improvements” and “holdings” describe the pastoral occupation of land within Wiradjuri Country; they do not describe an empty landscape waiting to acquire a history.

A station and a four-room cottage by 1849

An advertisement in the Sydney Morning Herald of 24 May 1849 gives an unusually clear glimpse of early Wambangalang. Auctioneer Samuel Lyons was offering three herds of cattle together with the rights to the stations on which they ran, in the district of Wellington. The three stations were Minore, Wambangalang and Goonoo. [4]

Wambangalang formed Lot 2. It was advertised with 1,000 head of cattle, described as a mixed herd, and three stock horses. The improvements were listed as a cottage containing four rooms, “built by the late proprietor for his own use”, a stable, a stockman's hut, a good stockyard and a milking yard. There was a wheat paddock of about twelve acres and a grass paddock of about one hundred acres.

The advertisement also claimed that the run was well watered in all seasons by two creeks and several springs. Water was a major selling point: livestock, people, gardens and cultivated paddocks all depended upon it. The wording is nevertheless a seller's assurance, not a guarantee that Wambangalang escaped every later drought.

The distinction between the proprietor's cottage and the stockman's hut is revealing. The station was already more than an isolated shelter. It combined a domestic residence with accommodation for pastoral work, buildings for horses, facilities for handling cattle and a small cultivated component. The milking yard and wheat paddock show that daily life required more than simply allowing cattle to range over the surrounding country.

This description establishes that a house existed before the advertisement appeared. It does not supply the cottage's construction year, the name of its builder or a definite architectural style. Nor does the phrase “late proprietor” identify that person. The earliest documented dwelling at Wambangalang should therefore be dated before May 1849, rather than assigned a precise building date without supporting evidence.

Sydney Morning Herald, 24 May 1849, page 4, containing the Wambangalang sale notice.
The Sydney Morning Herald, 24 May 1849, page 4. The Wambangalang advertisement (Lot 2, in Samuel Lyons’s sale notice) appears in the lower half of the page, a little to the right of centre.
Credit: Sydney Morning Herald, 24 May 1849, p.4; National Library of Australia, Trove, nla.news-page1512757. Original newspaper text is public domain in Australia. Source.

What can be said about its architecture?

The early cottage's four rooms are the only definite details of its residential plan in the 1849 advertisement. Its walls, roof, verandahs, windows and internal arrangement are not described. Calling it a stone mansion, a Georgian villa or a grand homestead would go beyond that account.

What the advertisement does describe is a small homestead complex: a private cottage associated with separate working buildings and yards. The stable and stockman's hut mattered to the operation of the place just as much as the owner's rooms. Wambangalang's early built history is therefore best understood through the relationship between residence, labour, livestock and water.

No photograph of the four-room cottage described in 1849 has been identified here, and no claim is made that a present school building is that cottage. The history of a place-name can survive even when the identity or survival of an early building remains uncertain.

Edwin Hurst Lane and the Orange connection

One of Wambangalang's documented nineteenth-century owners was Edwin Hurst Lane. Orange City Council's local-history resource, drawing on the history of the Lane family, identifies him as the youngest son of William Lane. After completing his education and visiting New Zealand, Edwin returned and purchased Wambangalang Station in the Dubbo area. The account says he lived there for about sixteen years. [3]

The family's story connects Wambangalang with Orange and Bathurst rather than with the harbour estates of eastern Sydney. William Lane had owned Orton Park at Bathurst and acquired land in the Orange district. Other members of the family were associated with properties including Clifton Grove, Rosedale and Rosehill.

On returning to Orange, Edwin built Llanello in 1885. That is a separate house and an important distinction. The later sale to Amelia Hubbard in 1908, and the subsequent purchase by the Patrician Brothers in 1914, belong to the account of the Orange property. Its later names, Croagh Patrick College and Croagh Patrick Orphanage, should not be transferred to Wambangalang Station.

Edwin's residence at Wambangalang is a substantial family connection, but the existing account does not make him the builder of the cottage already advertised in 1849. Ownership, residence and construction are different parts of a house's history and do not necessarily belong to the same person.

A large pastoral holding in the 1889 directory

By 1889 the name also appeared in a formal record of Crown pastoral holdings. William Hanson's The Pastoral Possessions of New South Wales lists “Wambangalang Pastoral Holding, No. 600”, in the Dubbo land district and the counties of Narromine and Gordon. The entry comprises several named runs, rather than describing only a house and its garden. [5]

Hanson records a leasehold area of 58,510 acres and a resumed area of 56,925 acres, with the Commercial Banking Company of Sydney named as holder. These figures concern the Crown-land holding and its component areas. They should not be taken as the acreage of today's locality, the education centre or a single surviving homestead property.

The distinction between leasehold and resumed land was part of the land-administration system described in Hanson's directory. The word “resumed” in that context did not mean that the area had simply ceased to be pastoral country. His introduction explains the different arrangements for leasing and annual occupation, and the opportunities for selection on resumed areas.

The bank's appearance in the directory also does not establish why it held the land or prove a particular personal financial crisis in the Lane family. It does show that Wambangalang's history included a substantial institutional landholding, beyond the domestic story of an individual resident.

Wambangalang Pastoral Holding No. 600 in William Hanson’s 1889 directory, naming the Commercial Banking Company of Sydney as holder.
Wambangalang Pastoral Holding No. 600 in William Hanson’s 1889 directory, naming the Commercial Banking Company of Sydney as holder.
Credit: William Hanson, The Pastoral Possessions of New South Wales (1889), p.366; digitised copy via Internet Archive. Detail of the original page; original published work is public domain in Australia. Source.

Mail routes and a wider rural community

By the 1870s Wambangalang was a recognised point on the route between Obley and Dubbo. A government notice published in the Sydney Morning Herald on 12 September 1874 included a proposed once-weekly mail service between the two places, travelling “via Wambangalang and the Springs”. [7]

Such a reference places Wambangalang within the practical geography of country life. Stations and scattered households depended upon connections to neighbouring settlements, even when their names appeared less often in metropolitan news than those of prominent towns. The mail-route notice is evidence of that connection, not proof of a large village or a particular surviving post-office building.

Another connection was with the natural world. A 2016 study in Australian Field Ornithology identifies E. H. Lane of Wambangalang Station as a correspondent whose bird-breeding observations were used by Alfred J. North. The station is placed about 25 kilometres south of Dubbo, in valleys off the Herveys Range. [6]

The observations discussed in the study concerned several honeyeaters and related birds. This gives Wambangalang an interest beyond stock numbers and land tenure: knowledge gathered around a pastoral property also entered the published record of Australian bird life. It is a fitting connection for a district now closely associated with outdoor education.

St John the Baptist, Emmagool

Beside the environmental education centre on Obley Road stands another part of the area's story: St John the Baptist, Emmagool. The church was established in 1928 as a community church for different denominations and later became Anglican. Its ninetieth anniversary was reported in the Daily Liberal in 2018. [8]

Longstanding parishioner Shirley Trethowan recalled that timber had been donated from farms around the district and milled at “Cranbrook”, owned by the Pascoe family. Her recollection gives a human dimension to the building: it represented contributions from surrounding households, not simply the patronage of one wealthy owner.

The photograph published with that account shows a small weatherboard church, with a steep corrugated roof, projecting entrance porch and pointed-arched openings. These modest Gothic details made it recognisable as a church while retaining the scale and materials of a country community building.

According to Mrs Trethowan's account, Val and Don Wright were the first couple married there, in 1957. Baptisms and regular services also formed part of its life. These are attributed community recollections, rather than an independently complete register of every ceremony.

In 2021 the church was offered for sale. The Elders advertisement described its foundation stone as dating from 1928 and stated that the building was heritage-listed. It was presented as a church awaiting a new use, not as an already equipped house. The advertisement is a useful record of that transition, but it does not by itself establish the building's occupation or use in November 2026. [9]

From field studies to environmental education

The NSW government's school-history record dates the opening of Wambangalang Field Studies Centre to March 1976. It records that designation through December 1998, followed by the name Wambangalang Environmental Education Centre from January 1999. The year 2026 marks fifty years since the field-studies centre opened. [10]

The Department of Education describes the centre as occupying 12.5 hectares within a travelling stock route reserve, with regenerating box-gum grassy woodland. Its activities bring students into contact with the same broad elements that shaped the district's earlier life: water, soil, trees, animals and the ways people use the land. [2]

The modern centre is not presented here as a mansion converted into a school. Its significance is different. A comparatively small area of woodland and outdoor teaching space now supports visiting classes from across NSW, with programs for Kindergarten to Year 12 and professional learning for teachers.

Its published 2026 site information describes dormitory accommodation, tents, a kitchen and dining area, classrooms and a campfire space. Activities include woodland studies, dip-netting, soil science, sustainable gardening and Aboriginal education. The buildings are part of a working educational place, rather than a staged display of nineteenth-century domestic life. [13]

The centre's current facilities information places Wambangalang Creek, Turtle Rock and the Wambuul–Macquarie River within its wider learning environment. It also notes the practical realities of a rural location, including patchy mobile reception. The emphasis remains on direct experience of country rather than learning about it only through a classroom window. [11]

Heritage and Wambangalang today

Wambangalang has several layers of heritage: Wiradjuri Country and language, pastoral occupation, the Lane connection, a locally supported church and fifty years of environmental education. These layers should not be reduced to a single supposed “heritage mansion”.

The church's heritage recognition was reported in 2018 and repeated in its 2021 sale advertisement. That should not be confused with State Heritage Register status for the nineteenth-century Wambangalang station cottage: no such designation is asserted here. Historical importance and a particular statutory listing are not the same thing.

As at November 2026, the environmental education centre continues to describe its work in terms of hands-on learning, sustainability and connection with nature. Its woodland, model wetlands and outdoor spaces give a contemporary purpose to a rural place whose name was already familiar in the cattle-station advertisements of the 1840s.

The most securely documented early “house” at Wambangalang remains the four-room cottage described in 1849. Around that small dwelling stretches a much larger story — Aboriginal Country, pastoral land and working families, changing ownership, community worship and the continuing task of understanding and caring for the landscape.

Sources

  1. State Library of New South Wales, Vocabulary of New South Wales Aboriginal Dialects, Box 6, volume 6, c.1908, manuscript p.644, digital image FL6153235. Historical vocabulary and transcription.
  2. NSW Department of Education, School Infrastructure, Wambangalang Environmental Education Centre. Wiradjuri custodianship, site area, travelling stock route reserve and woodland.
  3. Orange City Council, The Orange Wiki, “Lane Place”, citing L. Hughes, Streets of Town, Orange and District Historical Society. Edwin Hurst Lane, Wambangalang and the separate history of Llanello.
  4. Sydney Morning Herald, 24 May 1849, p.4, “Advertising”, Samuel Lyons's sale notice, Lot 2, Wambangalang; National Library of Australia, Trove. Original page identifier: nla.news-page1512757.
  5. William Hanson, The Pastoral Possessions of New South Wales, Sydney: Gibbs, Shallard & Co., 1889, p.366, “Wambangalang Pastoral Holding, No.600”; see also the preface on land tenure.
  6. Ian A. W. McAllan and Kurtis J. Lindsay, “Stranger in the valley: Expansion in the range of the Spiny-cheeked Honeyeater in central eastern New South Wales”, Australian Field Ornithology 33 (2016), pp.125–132, especially p.126; DOI 10.20938/afo33125132.
  7. Sydney Morning Herald, 12 September 1874, p.2, “Advertising”, government mail-service notice, western roads, route 40; Trove.
  8. Faye Wheeler, “Emmagool Church near Dubbo to celebrate 90th anniversary”, Daily Liberal, 23 October 2018. Includes Shirley Trethowan's recollections and contributed church photograph.
  9. Elders Real Estate, Emmagool Church, 273R Obley Road, Wambangalang, archived sale advertisement with July 2021 expressions-of-interest deadline.
  10. NSW Department of Education, School History database: Wambangalang Environmental Education Centre. Opening and designation dates.
  11. Wambangalang Environmental Education Centre, “Facilities” and “About our centre”. Location, environments, facilities and current educational work.
  12. Wambangalang Environmental Education Centre, official website. Current name wording and photographs.
  13. Wambangalang Environmental Education Centre, WEEC Site Information Document 2026. Accommodation, facilities and activities.

Sunday, November 1, 2026

Government House, Sydney – The Domain and Royal Botanic Garden – Blore's Gothic Castle, Its Thirteen Bedrooms, the Governors Who Lived There and Governor Margaret Beazley – 1845 to Today

Drive in past the Conservatorium, through the gates off Macquarie Street, and there it is: a sandstone castle with turrets, battlements and Gothic windows, on a lawn above Farm Cove with the Opera House just beyond the trees. This is Government House, home of the Governors of New South Wales since 1845. Here's its story: how it came to be built, how it's laid out inside, how many bedrooms it has, who has lived there, and who lives there now.

Government House, Sydney, from the drive, 2015.

Government House, Sydney, from the drive, 2015. Image: Maksym Kozlenko, via Wikimedia Commons (CC BY-SA 4.0).

Before the Castle: Phillip's House on Bridge Street

NSW Parliament's history page says the first governor's residence was a canvas and timber structure that Arthur Phillip brought out on the First Fleet in 1788. A more permanent house followed that same year on what is now the corner of Bridge and Phillip Streets, where the Museum of Sydney stands. It was "extended and patched up over the years by successive governors but was always in poor condition", and governors much preferred their country house at Parramatta. The Governor's own website says that after nearly fifty years the Bridge Street house "had become worn and dilapidated".

The first Government House on Bridge Street, about 1809, by John William Lewin.

The first Government House on Bridge Street, about 1809, by John William Lewin. Image: John William Lewin (1770-1819), via Wikimedia Commons (public domain).

The old Government House and its grounds in 1819, by Joseph Lycett.

The old Government House and its grounds in 1819, by Joseph Lycett. Image: Joseph Lycett, via Wikimedia Commons (public domain).

First Government House in 1833, near the end of its life.

First Government House in 1833, near the end of its life. Image: unknown artist, via Wikimedia Commons (public domain).

Macquarie's Castle That Never Was

Governor Macquarie wanted a grand new residence and had his convict architect Francis Greenway design one, a Gothic castle. London refused to pay. Parliament's history says that "only the stables, designed by convict architect Francis Greenway, were erected". That "castle-like structure" is now the Sydney Conservatorium of Music. The Governor's site says the stables, finished in 1821, influenced both where the new house went and what style it was built in. I've written about the stables in Sydney Conservatorium of Music – The Old Government House Horse Stables.

Greenway's castellated Government House stables, painted by Conrad Martens in 1842.

Greenway's castellated Government House stables, painted by Conrad Martens in 1842. Image: Conrad Martens, via Wikimedia Commons (public domain).

Edward Blore's Design

In 1835 the British government finally agreed that a new Government House was essential (NSW Parliament). The commission went to Edward Blore, "at the time Special Architect to William IV, and responsible for completing parts of John Nash's design of Buckingham Palace", in the Governor's own words. Blore never came to Australia. He drew the plans in London, and the colony built them.

Edward Blore (1787–1879), the London architect who designed Government House, Sydney, without ever setting foot in the colony.

Edward Blore (1787–1879), the London architect who designed Government House, Sydney, without ever setting foot in the colony. Image: Georg Koberwein (1820–1876), via Wikimedia Commons (public domain).

The Australian Heritage Database explains that the local architect "had the responsibility of altering the plans to suit local conditions". By the time Governor Bourke left in December 1837 the design had been modified, tenders let and some foundations laid. Official approval from London arrived 15 to 18 months after work had started. The man in charge was the Colonial Architect Mortimer Lewis, with William Moir as Clerk of Works. Colonel George Barney of the Royal Engineers also helped, according to Parliament and the Dictionary of Sydney.

Building It, 1837–1845 (or 1847)

Sources disagree slightly on the dates. The Governor's website says construction "finally began" in 1836. NSW Parliament and the Dictionary of Sydney say 1837. The Heritage Register gives construction years of 1837–1847. Parliament says the materials were local: sandstone from Sydney quarries, cedar from the Shoalhaven and Hunter districts, and marble from inland NSW. A Queen's Birthday Ball was held in the unfinished house in 1843. Governor Sir George Gipps and his wife moved in in June 1845. The Dictionary of Sydney adds that the house "was ready for occupation in 1845 but was not completed until two years later". Old Government House on Bridge Street was demolished.

The new Government House rising behind the stables tower in 1841, painted by Conrad Martens.

The new Government House rising behind the stables tower in 1841, painted by Conrad Martens. Image: Conrad Martens, via Wikimedia Commons (public domain).

Government House in 1857–58, photographed by Matthew Fortescue Moresby (Royal Australian Historical Society).

Government House in 1857–58, photographed by Matthew Fortescue Moresby (Royal Australian Historical Society). Image: Royal Australian Historical Society, via Wikimedia Commons (no known copyright restrictions).

The Architecture: A Romantic Gothic Castle

NSW Parliament describes the style as "a romantic Gothic revival style – castellated, crenellated, turreted and bedecked with the coats of arms of its occupants over time". The Governor's site calls it "Tudor-Gothic … an imposing box-like form with castellated walls and towers". An older version of the same site, archived in 2013, calls it "the most sophisticated example of Gothic Revival architecture in the colony". The Heritage Register describes "a Gothic Revival two storey building with crenellated battlements, turrets, detailed interiors, extensive cellars and a porte cochere at the entrance". It's built of stone, with a slate roof, timber floors, unpainted cedar joinery and a stone-flagged verandah.

Government House from the north-east, 1872, photographed by Charles Percy Pickering.

Government House from the north-east, 1872, photographed by Charles Percy Pickering. Image: Charles Percy Pickering, NSW Government Printer, via Wikimedia Commons (public domain).

The entrance porch, photographed by Pickering in 1872, a year before the new portico was added.

The entrance porch, photographed by Pickering in 1872, a year before the new portico was added. Image: Charles Percy Pickering, NSW Government Printer, via Wikimedia Commons (public domain).

A stereograph of Government House from the early 1860s (Powerhouse Museum).

A stereograph of Government House from the early 1860s (Powerhouse Museum). Image: Powerhouse Museum from Sydney, Australia, via Wikimedia Commons (public domain).

Additions

Parliament lists the main additions: "a front portico in 1873, an eastern verandah in 1879 and extensions to the ballroom and Governor's study in 1900–01". The Heritage Register credits the portico and the arcade, the open cloister on the east side, to Colonial Architect James Barnet. It says this cloister "forms a verandah room which is supported by Gothic arches and forms an open balcony above". Other buildings in the grounds include the Lodge of about 1846, "a copy of a guard house at Windsor Castle", the Chalet of about 1890 by W. L. Vernon, and a 1937 brick gatehouse.

Government House across Farm Cove from Fort Macquarie, about 1880 (Australian National Maritime Museum).

Government House across Farm Cove from Fort Macquarie, about 1880 (Australian National Maritime Museum). Image: Australian National Maritime Museum on The Commons, via Wikimedia Commons (no known copyright restrictions).

The house and its terrace about 1900 (Powerhouse Museum).

The house and its terrace about 1900 (Powerhouse Museum). Image: Powerhouse Museum, Tyrrell Collection, via Wikimedia Commons (no known copyright restrictions).

The Lyon, Cottier Interiors

The house's great treasure is inside. Museums of History NSW says that in 1879 Barnet "commissioned the firm Lyon, Cottier & Co to decorate the state room interiors of Government House", partly to welcome the incoming governor Lord Augustus Loftus. The work shows the influence of the Aesthetic Movement. The drawing-room ceiling has "hand-painted medallions of pre-Raphaelite style allegorical portraits of the four seasons and night and day", set among stencilled flowers and vases. The friezes and dados borrow from "neo-Egyptian, neo-Grecian and Anglo-Japanese" ornament. The Australian Heritage Database says the Lyon and Cottier state rooms are "one of the finest examples of high art, interior design in Australia", and that the house's colonial furniture and portrait collections are "of national importance".

Lady Honor and Lady Morvyth Ward, daughters of Governor-General Lord Dudley, reading in a room at Government House, about 1908–11.

Lady Honor and Lady Morvyth Ward, daughters of Governor-General Lord Dudley, reading in a room at Government House, about 1908–11. Photograph by A. J. Perier. Image: Perier, A. J. (Albert James), via Wikimedia Commons (public domain).

How Many Bedrooms?

Two official sources give the same figure: thirteen bedrooms. The Heritage Register says "the ground floor contains twelve rooms and the first floor contains thirteen bedrooms", with "extensive staff offices and quarters" as well. NSW Parliament's page also says 12 rooms, "mostly for official purposes", on the ground floor and 13 bedrooms, but it puts them "on the second floor". The building is two storeys, so the Heritage Register's "first floor" is the better description. The Australian Heritage Database lists the twelve ground-floor rooms, including "an inner, outer and main hall, study, dining room, ante room, drawing room and ballroom". The count has changed over time. The Heritage Register says that for Prince Charles and Princess Diana's Bicentenary visit in 1988, "Bedrooms 4 and 5 were linked with a new door way", making the three-room Windsor Suite. I couldn't find a published count for the staff bedrooms in the service wings, or for the Chalet and the cottages in the grounds. In 1989 the potting shed was turned into a two-bedroom staff cottage.

Who Lived There

From Gipps in 1845 the house was home to the governors of New South Wales. At Federation it also became home to the Governor-General. The Australian Heritage Database explains that rivalry between Sydney and Melbourne meant both Government Houses were made official residences "of equal status". The first five Governors-General used the Sydney house until 1912, when the NSW Government "sparked a major controversy by effectively evicting the Governor-General". The same source lists the house's place in big events, including "the formation of the first Federal ministry; the first Federal Executive Council meeting … the sacking of Premier Lang". That was Governor Sir Philip Game's dismissal of Jack Lang in May 1932.

A garden party at Government House on 9 May 1935, photographed by Sam Hood.

A garden party at Government House on 9 May 1935, photographed by Sam Hood. Image: Sam Hood, via Wikimedia Commons (public domain).

Government House in 1938 (Royal Australian Historical Society).

Government House in 1938 (Royal Australian Historical Society). Image: Royal Australian Historical Society, via Wikimedia Commons (no known copyright restrictions).

The royal garden party at Government House during the Queen's 1963 visit.

The royal garden party at Government House during the Queen's 1963 visit. Image: State Archives and Records NSW, via Wikimedia Commons (CC BY 2.0).

The gardens grew with the governors and their wives. The Heritage Register mentions Governor Denison's five-acre vegetable garden, the 1869 Eastern Terrace with its fountain, the Countess of Belmore's palm grove of the 1870s, and Lady Game's "Spring Walk" of the 1930s. The Western Terrace, from 1836–45, is the oldest part of the garden.

The Eastern Terrace, laid out in 1869, looking towards the harbour.

The Eastern Terrace, laid out in 1869, looking towards the harbour. Image: Wpcpey, via Wikimedia Commons (CC BY-SA 4.0).

The garden front and terrace, 2024.

The garden front and terrace, 2024. Image: Paora, via Wikimedia Commons (CC0).

1996: The Governor Moves Out

In 1996 Premier Bob Carr decided the new governor, Gordon Samuels, would not live at Government House. The Heritage Register says Rear Admiral Peter Sinclair "was the last NSW Governor to reside at Government House" before the change. In March 1996 the Historic Houses Trust of NSW, now Sydney Living Museums, took over staffing and management, and the house and grounds were opened to the public. The Governor's office moved to the Chief Secretary's Building in Macquarie Street. The Daily Telegraph later called Carr "an ardent republican" and said the move was "criticised at the time as an attempt to downgrade the governor's role". Under the Trust, the Heritage Register says, "almost 2 million people" visited by 2011.

Government House with the city skyline behind, 2017.

Government House with the city skyline behind, 2017. Image: Sardaka, via Wikimedia Commons (CC BY-SA 4.0).

2011–2014: The Governors Come Home

On 7 October 2011, ABC News reported that Premier Barry O'Farrell would reverse Carr's decision and that Governor Marie Bashir and her husband, Sir Nicholas Shehadie, would move back. They were to live first in "the chalet, which adjoins the main Government House structure" while the main house was refurbished. The public would keep its access. Sources give different years for when the governor was fully back. The Heritage Register says that in December 2013 the house "resumed its role as the official Residence". NSW Parliament says "in 2013 the Governor resumed occupancy". Management passed from Sydney Living Museums back to the Office of the Governor at that time. General David Hurley, who took over in October 2014, told the Guardian he would live at Government House. Each governor since has lived there.

Government House seen from above, between the city and the harbour, 2024.

Government House seen from above, between the city and the harbour, 2024. Image: Paora, via Wikimedia Commons (CC0).

The Governor Today

I checked the Governor's official website on 1 November 2026. It describes Government House as "the Official Residence and Office of Her Excellency the Honourable Margaret Beazley 39th Governor of New South Wales and Mr Dennis Wilson". She is "the 28th Governor to occupy this Government House and has held the position since 2 May 2019". Her vice-regal program shows her receiving visitors and presiding at the Executive Council at Government House in the last week of October 2026. Thousands of people still come every year for open days, investitures, receptions and charity events.

The western side of the house, 2024.

The western side of the house, 2024. Image: Paora, via Wikimedia Commons (CC0).

The forecourt and flagpoles at the entrance, 2024.

The forecourt and flagpoles at the entrance, 2024. Image: Paora, via Wikimedia Commons (CC0).

Government House on an open day in January 2024.

Government House on an open day in January 2024. Image: Paora, via Wikimedia Commons (CC0).

The gates of Government House, 2023.

The gates of Government House, 2023. Image: Lachlan Andrews, via Wikimedia Commons (CC BY-SA 4.0).

More on My Blogs

References

  • Governor of New South Wales, "History" (governor.nsw.gov.au/government-house/history), and the Vice-Regal Program, fetched 1 November 2026.
  • Parliament of NSW, "Government House".
  • Heritage NSW, State Heritage Register, "Government House, Movable Heritage Collection and Gardens".
  • Australian Heritage Database, "Government House, Sydney" (Place ID 102246) and Register of the National Estate entry (Place ID 1866).
  • Dictionary of Sydney, "Government House".
  • Museums of History NSW, "The red drawing room at Government House".
  • ABC News, "NSW Governor returns to harbour-side house", 7 October 2011; Daily Telegraph, 7 October 2011; The Guardian, 5 June 2014.