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Wednesday, January 13, 2016
Tank Stream Bridge & Head of Sydney Cove
Thursday, December 31, 2015
DISSERTATION ETHNOLOGICAL VALUE OF AUSTRALIAN ART
DISSERTATION ETHNOLOGICAL VALUE OF AUSTRALIAN ART
The History Of The Sydney Garden Palace Is A Really Important Piece In The Jigsaw Puzzle That Is Australian Art And Where Australian Aboriginal Art Fits In To This Equation.
The History Of The Sydney Garden Palace Is Important to The History Of Australian Art. It Tells Us More About The Decisions Of The Trustees At The Time & It Clearly Demonstrates The Issue Of Colonisation That Keeps Australian Aboriginal Art Outside The Art Network During This Period..
The 1876 Sydney International Exhibition Which Highlighted the Issues Between The Academy & Local Artists Also Present Another Element To The Dissertion....
As Far As These International Trade Fairs Go, Since The Earliest Event In England In 1851, They Not Only Included Exhibitions From The Colonies, But Those Conquered Through The Process Of Colonisation, Framing Other Societies Alien To Their Own.
The Catalogue For The "ETHNOLOGICAL" Objects In The Sydney States That The Exhibition Was
"FOR THE PROPER EXHIBITION OF SAVAGE FINERY AND THE RELICS OF BARBEROUS NATIONS DOOMED TO SOON DISAPPEAR BEFORE THE ADVANCE OF THE WHITES, AS THE AUSTRALIAN ABOROGINES HAVE ALMOST DONE" - (Miller - Select Chronology - 330)
The Sydney Garden Palace (1878 - 1882)
Objects And Histories - Representation Of Aboriginality In Exhibition Of Aboriginal Objects (1855 - 1957)
Thursday, December 24, 2015
Australians Could Once Stand Proud
The Australian Commonwealth Crimes Act Of 1913 - Version 1
SECTION 24 AA - COMMONWEALTH CRIMES ACT 1913
Part II - Offences Against Governmenr
24aa. - Treachery
(1) A Person Shall Not -
(a) Do Any Act Or Thing With Intent
(i) To Overthrow The Constitution Of The Commonwealth By Revolution Or Sabotage; Or To Overthrow By Force Or Violence ; The Established Government Of The Commonwealth; Ot A State Or Of A Proclaimed Country; Or
Truganini – Among the Last of the Tasmanian Aboriginal People
Truganini - The Last Of The Tasmanian Aboriginals
By the Time Truganini Was 17 She'd Been Raped (And Probably Contracted Syphullis), Her Mother Had Been Stabbed To Death, Her Uncle Had Been Shot, Her Stepmother Had Been Kidnapped By Mutinous Convicts Who Took Her To China, Her Sisters Had Been
Enslaved By Sealers, And Her Betrothed Had Been Murdered In Front Of Her.
In Truganini's Case Each Assault Ipon Her Family Was Violent And Unprovoked. Her Mother Was Stabbed To Death.
Tasmanian Aboriginal Women Were Much Prized By The Sealers Because They Were Highly Skilled Hunters Who Could Earn A Lot Of Money.
The Treatment By The Sealers Was Undescribable
One Popular Torture For The Women Who Were Not Working Hard Enough Was To Tie The Women Face Down On The Ground and Put Hot Coals On Their Backs.
In One Case Some Sealers Caught A Woman Who Had Tried To Escape, Tied Her Up, And Then Cut Flesh From Her Ears And Her Thighs And Them Forced Her To Eat It.
Samuel Terry - The Botany Bay Millionaire's House - Pitt Street - Western Side - In Front Of The Angel Arcade
Samuel Terry's House - Pitt Street, Western Side, In Front Of The Angel Arcade
The Home of Samuel Terry Stood On This Site, Which Was Acquired By Lease By His Wife Rosetta in 1804
When Samuel Terry Died at The Age of 61, On The 25th February 1838, He Was Given A Magnificent Funeral Says The Sydney Gazette....
"The Deceased Was Followed To The Grave By A Large Number Of His Friends; & was Buried With Masonic Honours. The Band Of The 50th Regiment Headed The Procession, Playing The Dead March On Saul. Mr Terry's Will Was Read In The Presence Of The Executors & All Members Of The Family. By The Will It Appears That The Sydney Rental Of Upwards of £10,000 A Year Has Been Left To Mrs Terry For Her Life, & After Her Decease To His Son Edward Terry For His Life, To The Heirs Of His Body.....
The Dwelling House In Pitt Street, All His Household Furniture, Carriages etc Are Left To Mrs Terry. The Personal Wealth Valued at £250,000 Is Left To Edward Terry, & The Other Moiety to John Terry Of Box Hill..........
38 Years Before at the Quarter Session s At Preston , Lancashire, When On The 7th November 1799, Samuel Terry, Labourer, Was Charged with Stealing 2 Trusses, 2 Bundles, 2 Linen Wrappers And 400 Pairs Of Stockings
Samuel Was Sentenced To Seven Years Transportation To Join The Citizens in Botany Bay. He Arrived In Sydney Cove On 10th June 1801, Aged 24 Aboard "Earl Cornwallis" A 26 Gun Transport Carrying 300 Male & Female Convicts Whom 47 Died On The Voyage
Terry Prospered & In 1810 Married the Widow Rosetta Marsh (or Madden) Who Lived In Pitts Row. Samuel Held A Wine License Here From 1811 To 1820. When He Died Thirty Seven Years After He Arrived Penniless In Sydney Cove, It Could Truly Be Said "He Was. A Botany Bay Rosthchild, The Richest Man In The Colony"
The Roads Obelisk - Macquarie Place
The Roads Obelisk - Macquarie Place
Francis Greenway’s Residence – George Street, Cnr Argyle Street – The Rocks – Sydney
Francis Greenway's residence on George Street in Sydney, Australia, is a historically significant building associated with the renowned colonial architect Francis Greenway. Greenway was a convict architect who played a pivotal role in shaping the architectural landscape of early Sydney. Here's an overview of the history of his residence:
Early Life and Conviction:
- Francis Greenway was born in England in 1777. He trained as an architect and was later convicted of forgery in 1812.
Transportation to Australia:
- Greenway was transported to Australia as a convict in 1814 and arrived in Sydney.
- Due to his architectural skills, Governor Lachlan Macquarie recognized his talents and appointed him as the government architect.
Architectural Contributions:
- As government architect, Greenway designed and oversaw the construction of numerous important buildings in Sydney and beyond.
- His architectural style was characterized by Georgian and neoclassical influences, and his designs had a significant impact on the city's early colonial architecture.
Construction of the Residence:
- Greenway designed and built a residence for himself on George Street in the heart of Sydney.
- The residence showcased his architectural prowess and incorporated neoclassical elements that he favored in his designs.
Design and Features:
- The residence reflected Greenway's architectural principles, featuring symmetry, proportions, and elegant detailing.
- It was a two-story sandstone building with a distinctive facade and ornate wrought ironwork.
Later Years:
- After completing his sentence, Greenway was granted a full pardon in 1817, and he continued his work as an architect.
- He designed and contributed to a range of significant buildings in Sydney, including churches, government offices, and private residences.
Legacy:
- Francis Greenway's residence on George Street is a testament to his architectural legacy and his role in shaping Sydney's early architecture.
- The building's design and historical significance showcase Greenway's enduring influence on the city's architectural heritage.
Preservation and Recognition:
- The building has undergone various changes over the years but remains a recognizable landmark.
- It is recognized as a heritage-listed site and is protected for its historical and architectural value.
Francis Greenway's residence on George Street serves as a reminder of his impact on Sydney's architectural history. As a key figure in the city's colonial development, Greenway's designs continue to influence the way we perceive and appreciate the architectural heritage of early Sydney.












