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Sunday, March 20, 2016
The Sydney Common - Moore Parklands
Thursday, March 17, 2016
Sydney’s First Cemetery – Beyond Sydney Cove, at the Head of a Small Bay
Friday, March 11, 2016
Randwick Asylum For Destitute Children - Now Prince Of Wales Hospital
Before it was Prince of Wales Hospital, this High Cross / Avoca–High Street corner of Randwick was the Randwick Asylum for Destitute Children — a large government grant occupied from 1858 by the Society for the Relief of Destitute Children (incorporated 1857). The Society had first opened at Ormond House, Paddington, in 1852; gold-rush Sydney’s rising numbers of orphaned and abandoned children pushed them to build a purpose-designed sandstone “barracks” asylum on about sixty acres at Randwick, occupied from 28 March 1858, with capacity later doubled by an 1863 wing to around eight hundred children.
Most inmates were young — commonly about three to ten. A whooping-cough epidemic in 1867 killed dozens; funds associated with singer Catherine Hayes helped build a hospital on the site named after her. From the 1880s “boarding out” (early fostering) cut institutional numbers; government funding for the Asylum ceased in 1888, though it continued privately with fewer children.
In 1915 the remaining children were moved to cottage homes or boarded out, and the Commonwealth took the site as a military / repatriation hospital for wounded First World War servicemen. From 1953 the campus became the Prince of Wales Hospital. Archaeological work in the mid-1990s recovered remains of children buried in the grounds; a memorial garden and interpretive signage stand near the Barker Street entrance.
Atherfield – Landmark Gothic Mansion – Darling Point
Darling Point still has a few houses that look like they wandered out of a Victorian picture book. Atherfield is one of them — a Gothic Revival mansion built in 1870 on Eastbourne Road, looking north-east over Sydney Harbour. Originally an eight-room Victorian residence, it belongs to the generation of picturesque harbourside houses that gave the peninsula its nineteenth-century character: steep gables, decorative bargeboards and stone detailing in domestic Gothic Revival taste.
The house has been altered and conserved repeatedly. Late-twentieth-century heritage architects (notably Design 5’s late-1990s–2001 campaign) reversed poor accretions, reinstated a more coherent room plan and added a verandah in keeping with the Gothic character while opening a clearer axis to the harbour view. Later private works have further enlarged the estate (including amalgamation with an adjoining holding), but the historic core remains the 1870 Gothic Revival house. Early occupancy is associated with the Willis family; subsequent ownership changes are secondary to the architectural story.
Photographs here document Atherfield as a landmark Gothic Revival residence on Darling Point.
Ann Bushby's Dove And Olive Branch Public House
Most people know Church Hill for the churches. Mid-1840s drinkers knew it for Ann Bushby. After publican Jabez Bushby died in 1842, his widow held the licence at the Dove and Olive Branch — a public house at 203 Kent Street on the older western side of town. We still “meet” her through George Roberts’s watercolour (scene dated 1845; published context around 1850): Ann in the doorway under the signboard, looking every bit the licensee who ran the house.
She sold fermented and spirituous liquors, but she did not brew on site. Her advertising offered imported Taylor’s London Porter and local beer from Wright’s Australian Brewery in George Street — a useful reminder that plenty of colonial “brew pubs” were retailers of other people’s beer. The State Library of NSW has featured the Roberts picture in Openbook pieces on colonial drinking and women publicans.
Keep the post anchored to Ann Bushby, the Kent Street / Church Hill location, and the Roberts image — social history of women licensees and colonial beer retail, not romantic invention.













