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Wednesday, April 13, 2016
Australian Explorers - Matthew Flinders -
Tuesday, April 5, 2016
Demolish Sydney buildings part 2
Royal Arcade
Sydney Arcade
David Jonea First Shop
Henry Parkes shop
Murdoch Department
Store
Victoria Arcade
Imperial Arcade
Farmers Store
Snows Drapery
Huffing
And
Co Stpre
Farmer Victoria Hpuse
Woolloomooloo
Fish Markets
Market Square
Demolished Buildings Of Sydney
001 Anthony Hordern’s Palace Emporium | 057 Anthony Horderns Palace Warehouse | 129 former Horderns Emporium/ Barlow st |
009 Royal Arcade | 012 Sydney Arcade | 044 David Jones' First Shop, George St. |
045 Henry Parkes' Shop, Hunter St. | 070 Murdoch's department store | 071 Victoria Arcade |
087 Imperial Arcade | 104 Farmers Store Cnr Market/Pitt Sts | 090. Snows drapery store |
110 Farmer's Victoria House Pitt Street | 111 S Hoffnung and Co premises 165-169 Pitt St. | 123 Woolloomooloo Fish Markets |
161 Market Square Anthony Horderns Palace Emporium Royal Arcade Sydney Arcade David Jonea First Shop Henry Parkes shop Murdoch Department Store Victoria Arcade Imperial Arcade Farmers Store Snows Drapery Huffing And Co Stpre Farmer Victoria Hpuse Woolloomooloo Fish Markets Market Square |
Kent Street Quarry
Hero of Waterloo Hotel , 81 Lower Fort Street, Millers Point (1844): One of 14 hotels scattered throughout the Millers Point section of The Rocks, it was a favourite drinking place of the military garrison stationed nearby. Built from sandstone excavated from the Argyle Cut, legend has it that the hotel was used by sea captains to recruit crew members - unsuspecting patrons who had drunk themselves into a stupor are said to have been pushed through a trap door and carried away through underground tunnels to waiting ships in nearby Walsh Bay.
Unwin's Stores, 77-85 George Street, The Rocks (1843-1846): Believed to be the longest continually occupied row of shops in Sydney and Australia, they played an integral role in the development of Sydney's first commercial area. These five sandstone buildings, originally built as shops and dwellings, were erected by Frederick Wright Unwin between 1843 and 1846. They were constructed during a depression in the Colony's economy, in the decade prior to the discovery of gold, hence their relative austerity. The land on which Unwin's stores stand was originally part of Sydney's first hospital and gardens.
Hero of Waterloo Hotel , 81 Lower Fort Street, Millers Point (1844): One of 14 hotels scattered throughout the Millers Point section of The Rocks, it was a favourite drinking place of the military garrison stationed nearby. Built from sandstone excavated from the Argyle Cut, legend has it that the hotel was used by sea captains to recruit crew members - unsuspecting patrons who had drunk themselves into a stupor are said to have been pushed through a trap door and carried away through underground tunnels to waiting ships in nearby Walsh Bay.
The Garrison Church, 60-62 Lower Fort Street, Millers Point (1840): Built to a design by Henry Ginn, the Holy Trinity Church (it's correct name) was Australia's first military church, being constructed as a place of worship for the British regiment stationed at nearby Dawes Point. Architect Edmund Blackett was commissioned to enlarge the church to accommodate 600 people in 1855, his additions being finally completed in 1878, some 18 years after the military ceased using it for morning prayers. The church features regimental plaques recalling its military associations, a carved red cedar pulpit and a brightly coloured east window donated by a parishioner, Dr. James Mitchell, the father of David Scott Mitchell who was the principal benefactor of the Mitchell Library wing of the State Library of New South Wales.
Lord Nelson Hotel, 19 Kent Street, Millers Point (1836): The oldest working licensed hotel in the city (the license was first granted in June 1842), and one of only two hotels in the immediate area to be retained by the Sydney Harbour Trust when Millers Point was resumed during the time of the plague in 1900. The Lord Nelson Hotel, the Hero of Waterloo and a commercial terrace at 246 George Street are the only remaining examples of hotel buildings in the Old Colonial Regency style, which once were prolific in the inner city area. It was part of a network of corner hotels in the northern end of the city which provided social and recreational venues and budget accommodation. It is a smooth faced, three storey sandstone building with a hipped, corrugated asbestos cement roof, following the 'L-shaped' form of the building. The land on which the Hotel is situated was originally part of the Crown Grant to the plasterer William Wells dated 14th May 1836 and part of the Grant (in trust) to Richard Driver dated 30th November 1840. The hotel was constructed during the late 1830s by either Wells or a relative to a design by architect Michael Lehane. The sandstone blocks are believed to have been quarried at Kent Street quarry from the area at the base of Observatory Hill. The hotel's name recalls Vice Admiral Lord Viscount Nelson who was killed at the Battle of Trafalgar. This naval battle was won by Nelson's forces in Cadiz over a contingent of thirty three Spanish and French ships under Admirals Villeneuve and Gravina.
Glover Cottages, 124-34 Kent Street, Millers Point (1826): Built by and for Thomas Glover, the mason responsible for much of the stonework of the buildings commissioned by Gov. Macquarie. Glover, a miner from Somerset, was transported to New South Wales for seven years. In the colony he worked as a stonemason and later became the landlord of the Sailor's Return. The cottages were claimed for the support of Glover's children by their uncle who had helped Glover to build them. It is believed that the stone for the two cottages was quarried locally. After Glover died his widow remarried and left the country. The cottages are also known as Noah's Ark, as the roadway of Kent Street has been lowered at this point to reduce the steepness of the hill for road traffic, leaving them high and dry above the new level of the road.
Unwin's Stores, 77-85 George Street, The Rocks (1843-1846): Believed to be the longest continually occupied row of shops in Sydney and Australia, they played an integral role in the development of Sydney's first commercial area. These five sandstone buildings, originally built as shops and dwellings, were erected by Frederick Wright Unwin between 1843 and 1846. They were constructed during a depression in the Colony's economy, in the decade prior to the discovery of gold, hence their relative austerity. The land on which Unwin's stores stand was originally part of Sydney's first hospital and gardens.
The Judge's House, 521 Kent Street, Sydney (1821-22): The cottage was designed and built by William Harper, a Scottish migrant who worked as an Assistant Surveyor. Ill health and eventual blindness caused him to retire when still young and his home was rented to Supreme Court Judge Justice James Dowling (after whom Dowling Street was named) at an annual rental of 200 pounds. The house once enjoyed 'delightful and healthful views of Darling Harbour'. It was described as having 'a large garden at the back, the property being surrounded by paddocks'.
22-32 Argyle Place, Millers Point (1830s): This mostly intact row of two storey Colonial Georgian Terraces is part of the streetscape element facing Argyle Place, an historic streetscape comprised of a row of terrace, a central park and a dominant church, giving Argyle Place the appearance of a typical London Square. Work on Argyle Place was commenced by Governor Macquarie however, this area was not fully formed until after cessation of quarrying at nearby rockface. It was commenced by Governor Macquarie but not fully formed until after quarrying of the adjacent rock face had ceased in about 1865. This row of terraces appears much as it did in the mid 19th century. With a construction date that appears to predate 1832, this terrace is of stone construction, with simple stone parapet, shingle roof and rendered stone facade. Window sills are simple stone slab and simple fan light over doorway consists of twelve small panes of glass.
Windmill Street Quarry - Millers Point
Tuesday, March 29, 2016
Construction Of The Sydney Garden Palace
THE CONSTRUCTION OF THE SYDNEY GARDEN PALACE
JANUARY 13th 1878 - SEPTEMBER 23rd 1878
The Building was Finally Finished Less than 3 weeks Before the Grand Opening Of The International Exhibition Which Would Showcase Colonies To The World.
The Previous International Exhibition Had Been Held In Paris and The Eiffel Tower Had Been
Built As The Modern Wonder Of It’s Time. Sydney Had To Outdo The Eiffel Tower And So It Had Been Decided That The Grandest Palace Should Be Built At The Botanical Gardens.
Every Suburb In SYDNEY Could See The Palace No
matter What Suburb You Were in. It Was The Tallest Building
Ever Built In SYdney And It Is Definately The Grandest Building
Ever Built In Australia:
There Is No Other Building That Has Been Built In This
Country Or Attenpted To Be Built.
It Was Truly The Envy Of The Modern World
Over 1.6 Million People Sailed To SYDNEY From September 1878 Till December 1878
The First Sod Was Turned on The 13th January 1878 For The Construction Of The SYDNEY GARDEN PALACE.
6,000 Tradesmen Worked 24 Hours A Day 7 Days A Week For 8 Months. It Was The First Time Electricty Had Been Used In Australia to Light up the Botanical Gardens To get The Work Done.
- 4 And A Half Million Feet Of Timber - 25 Million Bricks - 400 Tonnes Of Glass - 54km Of Roof Guttering- The Palace Was The very First Building To Have Electricity In Australia. - It Was The First Building In Australia To Have A Hydraulic Lift. - The Central Dome Was The 6th Biggest In The World- 2,300 Cast Iron Girders- 358 Wrought Iron Trusses- 325km Of Sash Bars- 563 Metres Long And 124 Metres Wide
On the morning of September 22, 1882, Sydney awoke to a grand and terrible spectacle. Its most flamboyant building, the garden palace was burning to the ground
The heat was so intense at 6:05 am, Windows at Macquarie Street cracked & firefighters could do little more than watch the building turn into cinders.
The fire was a magnificent as a pallet its self-thunderous crashes rivers of lead and when the walls fell away a terrible vision of flames and golf in the towering bronze statue of Queen Victoria
By 9 am it was all over and the building had that had dominated the city skyline for three years was gone.
Despite being One of the most captivating buildings Sydney has ever seen, the garden palace is largely absent from popular history of my Sydneysiders have never heard of it.
Because building is stretching from the State library to the Conservatorium of music in the botanic Gardens, it’s towers and 65 meter high dome would have dwarfed the buildings around it.
The site is difficult for most people to conceive and the fact that it was the length of two football fields and in the botanic Gardens of all places within the city of this size was such a luxury.
Modelled on London’s Crystal Palace, it was purpose-built for the 1879 Sydney international exhibition & was designed by colonial architect James Barnett.
It was responsible for bringing the world to Sydney at a time when the colony was prosperous & growing & at full potential. It encouraged authorities to improve the city services and facilities
International exhibition was groundbreaking in so far as it was the first of its kind to be held in the southern hemisphere.
The Victorian equivalent of the world expo, exhibitions in Welfare‘s were at the height of fashion at the time
The feeling in the city would’ve been similar to that of the Olympics in 2000. It was very positive thing for Sydney and New South Wales, & an event to be celebrated. The city would’ve been buzzing in a hive of activity
For seven months, more than 1 million people pulled into the sprawling complex to marvel at the buildings of city prosperity
But 20 ha of the botanic Gardens became a Fairground filled with band stands, stalls, entertainment, eateries & small exhibition buildings.
The garden palace was a centrepiece & inside, all manners of inventions, technology, art & ideologies were displayed by local and international exhibitors.
Sydney had pulled out all stops to build a palace & had raced against time to beat Melbourne, which was also staging an exhibition.
Over 2000 men worked on on the site night & day, using electric light for the first time, to complete the building in just eight months.
The city was plagued with insecurities in the lead up to the event, with concerns about whether it’s public transport, accommodation & water supply would be adequate for all visitors travelling to the infant city.
It was forced to install a line for steam a tram, a first for Sydney and an unpopular idea at the time after previous tram efforts resulted in the death of prominent position in 1864
The steam power Tramway was installed to public transport exhibition goes around the city. After the exhibition, the Tramway network was expanded and by 1905 - 1906 the trams were converted to electric traction
Despite several accidents, it was a great success & the system expanded rapidly through the city and in the suburbs. It became one of the main attractions of the exhibition.
After the exhibition, the palace continued to play a central role in Sydney social life. Balls, lectures, exhibitions and entertainment were hosted in its auditorium; an art gallery and the first technological museum, the forerunner to the powerhouse Museum were on the list.
Government departments also set up office and important records were stored in the basement, the wisdom of which would later be questioned. That’s because unlike Barnett’s other sturdy designs such as the GPO, the colonial secretaries office and the lands department building which still stand today, the palace was primarily made of timber, which insured its complete destruction when it was engolfed by fire.
While arson was generally suspected, the cause of the fire was never determined and remains a mystery to this day.
The blaze, which began before 6 am, became almost immediately uncontrollable and thousands lined the streets to witness the calamity.
Very quiet and orderly the thousands looked on - wrote one reporter in the evening news
Many will lamenting ®retting the inevitable destruction of what’s given them so much pleasure, and have carried the name and doings of the people of this country into the empires and other countries.
The wind carried ash, cinders and fragments of the building far into the suburbs and a house in Potts point caught fire.
Almost everything inside went up in flames. The fire destroyed the 1881 census, the land occupation records, railway surveys, aboriginal artefacts, artworks & the foundation collection of the technological & mining Museum.
A new map of the colony which took years of work was also lost.
Conspiracy theories from dynamite plots, masked man and trains of gunpowder were banded around afterwards. Wealthy folk with lame for trying to restore harbour views, destroy convict Ancestry or simply get their gardens back.
Whatever the cause thousands came to view the ruins & the police were on site to keep order.
To leave such a beautiful building that was such a positivity to the city and one that was so new as well would’ve been quite shocking
Some items and artefacts are irreplaceable, however we do know that insure trade Australian spirit almost before the Coles cool Joseph maiden, first curator of the technological museum, said about forming another collection of artefacts by approaching people who had donated items in the original museum collection.
Today, all that is left of the palace other than sandstone gates and the wrought iron gates on the Maxquarie Street entrance to the gardens
In 1940s or something garden in Fountain featuring statue of Cupid Marks the former location of the palace is Dome
Tuesday, March 22, 2016
Mark Foys - Liverpool And Elizabeth Streets
Mark Foy's Department Store was a historic and iconic retail establishment located in Sydney, Australia. It was known for its grandeur, innovations, and contributions to the retail industry. Here's an overview of the history of Mark Foy's Department Store:
Founding and Early Years:
- Mark Foy's was founded by Francis Foy in 1885. It began as a drapery and small goods store in Sydney's Surry Hills.
- Francis Foy's innovative approach included offering fixed prices, a revolutionary concept at the time when bargaining was common.
Expansion and Innovations:
- Mark Foy's gained a reputation for quality goods and exceptional customer service, leading to its expansion into a larger department store on Liverpool Street, Sydney, in 1887.
- The store's innovative features included electric lighting, air conditioning, and even Australia's first escalator.
The "Palace Emporium":
- The Liverpool Street store became known as the "Palace Emporium" due to its opulent interiors, impressive architecture, and luxurious displays.
- The store's design incorporated elements from various architectural styles, including neo-gothic and art nouveau, creating a unique and distinctive atmosphere.
Fashion and Beyond:
- Mark Foy's became renowned for its fashion offerings and was a destination for elegant clothing, accessories, and other luxury goods.
- The store hosted fashion parades and events that showcased the latest trends and styles.
Artistic and Cultural Influence:
- Mark Foy's was not only a retail establishment but also a cultural hub. It hosted art exhibitions, musical performances, and other cultural events.
- The store's artistic collaborations and support of the arts made it a significant contributor to Sydney's cultural scene.
Decline and Closure:
- Over time, changing consumer preferences and retail trends led to challenges for Mark Foy's.
- The store faced financial difficulties and competition from larger retail chains.
Legacy and Enduring Impact:
- Despite its closure in 1980, Mark Foy's remains a significant part of Sydney's retail history.
- The innovations, architectural grandeur, and cultural contributions of Mark Foy's have left an enduring impact on the city and the retail industry.
Historical Significance:
- The Liverpool Street store's exterior façade is listed on the New South Wales State Heritage Register, recognizing its architectural and historical importance.
Mark Foy's Department Store played a pivotal role in shaping the retail landscape of Sydney. Its commitment to innovation, luxury, and cultural engagement established it as a beloved institution in the city's history. The legacy of Mark Foy's continues to be remembered as a symbol of elegance, sophistication, and entrepreneurial spirit.